Pub Date : 2024-01-30DOI: 10.51236/2618-7140-2023-6-3-58-67
E. F. Baranov
.
.
{"title":"Original Technique for Miniature Painting on Opalescent Guilloche Enamel","authors":"E. F. Baranov","doi":"10.51236/2618-7140-2023-6-3-58-67","DOIUrl":"https://doi.org/10.51236/2618-7140-2023-6-3-58-67","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":499462,"journal":{"name":"Secreta artis","volume":"338 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140483096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.51236/2618-7140-2023-6-3-22-35
L. Y. Lifshitz
The hard-to-achieve skill of glass painting is most easily acquired by copying. If a student, unfamiliar with the complexities and possibilities of a new technology, embarks on designing and developing a personal project, failure to meet his or her expectations may discourage any further interest in the subject – at times forever. However, if a student carefully follows an otherwise impeccable example, he or she is then rewarded with a compelling, almost certainly appealing result – the fruits of his or her diligent work. In doing so, an understanding of techniques and skill cultivation are imperceptibly acquired. In the first half of the 2022/2023 academic year, 4th year students of the Sergey Andriaka Academy of Watercolor and Fine Arts were invited to copy portraits by Hans Holbein the Younger (1530s) that were executed in a complex hybrid technique on primed paper of various colors. They were also requested to produce a copy of a self-portrait by Annibale Carracci (1594), drawn with red and white chalk on rose paper. When transferring the drawing into a new material, an attempt was made to accurately convey the nature of the stroke, the texture of the paper, as well as to emulate underdrawing with charcoal, white and red chalk.
{"title":"Exploring the Art of Stained Glass. On Copying a Portrait Drawing Using Stained Glass Ggrisaille","authors":"L. Y. Lifshitz","doi":"10.51236/2618-7140-2023-6-3-22-35","DOIUrl":"https://doi.org/10.51236/2618-7140-2023-6-3-22-35","url":null,"abstract":"The hard-to-achieve skill of glass painting is most easily acquired by copying. If a student, unfamiliar with the complexities and possibilities of a new technology, embarks on designing and developing a personal project, failure to meet his or her expectations may discourage any further interest in the subject – at times forever. However, if a student carefully follows an otherwise impeccable example, he or she is then rewarded with a compelling, almost certainly appealing result – the fruits of his or her diligent work. In doing so, an understanding of techniques and skill cultivation are imperceptibly acquired. In the first half of the 2022/2023 academic year, 4th year students of the Sergey Andriaka Academy of Watercolor and Fine Arts were invited to copy portraits by Hans Holbein the Younger (1530s) that were executed in a complex hybrid technique on primed paper of various colors. They were also requested to produce a copy of a self-portrait by Annibale Carracci (1594), drawn with red and white chalk on rose paper. When transferring the drawing into a new material, an attempt was made to accurately convey the nature of the stroke, the texture of the paper, as well as to emulate underdrawing with charcoal, white and red chalk.","PeriodicalId":499462,"journal":{"name":"Secreta artis","volume":"147 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140484366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.51236/2618-7140-2023-6-3-36-49
E. V. Stepanian
The article addresses several problematic aspects related to the illustration of F. M. Dostoevsky's literary works. Illustration in particular is one of the major ways to create an “artistic aura” surrounding a literary text. Owing to the visual interpretation of verbal imagery, a new associative layer and a possibility of reinterpretations of the text are able to emerge. The author argues that illustrating novels of one of the greatest Russian writers is a task of special complexity. First of all, this is due to the fact that Dostoevsky's literary portrait is based on different principles than his own. It is primarily linked to the fact that Dostoevsky's literary portrait is based on principles that differ from those of his contemporaries, such as Turgenev, Goncharov, and Tolstoy. External descriptiveness and detailed portrayal of the character retreat in the texts of Dostoevsky before the “energy of contradictions” inherent in the initial portrait of his heroes. As a result, the task of an artist illustrating novels by the Russian literary genius proves arduous: he must convey, first and foremost, the dynamics of personality formation of Raskolnikov, Myshkin, or Dmitri Karamazov, rather than stable recognizability and their physiological individuality. This perspective is applied in order to analyze the work of a variety of prominent illustrators in the light of Dostoevsky's ideas and anthropology. The author of the present study reveals the discrepancies between the writer's world and the embodiment of the characters' images in the illustration. Likewise, he identifies the ways in which, from his point of view, the most striking matches between verbal and visual images appear possible.
文章探讨了与 F. M. 陀思妥耶夫斯基文学作品插图有关的几个问题。插图尤其是为文学文本营造 "艺术光环 "的主要方式之一。通过对语言意象的视觉诠释，可以产生新的联想层，并有可能对文本进行重新诠释。作者认为，为俄罗斯最伟大的作家之一的小说绘制插图是一项特别复杂的任务。首先，这是由于陀思妥耶夫斯基的文学肖像所依据的原则与他自己的原则不同。这主要与陀思妥耶夫斯基的文学肖像所依据的原则不同于他同时代的作家，如屠格涅夫、冈察洛夫和托尔斯泰有关。在陀思妥耶夫斯基的文本中，人物的外在描写和细节刻画在他对英雄的最初描绘所固有的 "矛盾能量 "面前退却了。因此，为这位俄罗斯文学天才的小说绘制插图的艺术家的任务是艰巨的：他必须首先传达拉斯柯尔尼科夫、迈什金或德米特里-卡拉马佐夫的人格形成的动力，而不是稳定的可识别性和他们的生理个性。本研究运用这一视角，从陀思妥耶夫斯基的思想和人类学角度分析了多位著名插图画家的作品。本研究的作者揭示了作家的世界与插图中人物形象的体现之间的差异。同样，他还指出了从他的角度来看，语言形象和视觉形象之间可能出现的最引人注目的匹配方式。
{"title":"On Illustrating Dostoevsky’s Works","authors":"E. V. Stepanian","doi":"10.51236/2618-7140-2023-6-3-36-49","DOIUrl":"https://doi.org/10.51236/2618-7140-2023-6-3-36-49","url":null,"abstract":"The article addresses several problematic aspects related to the illustration of F. M. Dostoevsky's literary works. Illustration in particular is one of the major ways to create an “artistic aura” surrounding a literary text. Owing to the visual interpretation of verbal imagery, a new associative layer and a possibility of reinterpretations of the text are able to emerge. The author argues that illustrating novels of one of the greatest Russian writers is a task of special complexity. First of all, this is due to the fact that Dostoevsky's literary portrait is based on different principles than his own. It is primarily linked to the fact that Dostoevsky's literary portrait is based on principles that differ from those of his contemporaries, such as Turgenev, Goncharov, and Tolstoy. External descriptiveness and detailed portrayal of the character retreat in the texts of Dostoevsky before the “energy of contradictions” inherent in the initial portrait of his heroes. As a result, the task of an artist illustrating novels by the Russian literary genius proves arduous: he must convey, first and foremost, the dynamics of personality formation of Raskolnikov, Myshkin, or Dmitri Karamazov, rather than stable recognizability and their physiological individuality. This perspective is applied in order to analyze the work of a variety of prominent illustrators in the light of Dostoevsky's ideas and anthropology. The author of the present study reveals the discrepancies between the writer's world and the embodiment of the characters' images in the illustration. Likewise, he identifies the ways in which, from his point of view, the most striking matches between verbal and visual images appear possible.","PeriodicalId":499462,"journal":{"name":"Secreta artis","volume":"195 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140485102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.51236/2618-7140-2023-6-3-68-83
T. I. Goleneva, O. A. Potaptseva, D. V. Fomicheva
.
.
{"title":"Ceramic Christmas Toys and Christmas Decorations, a New Project of the Ceramics, Porcelain and Sculpture Workshop of the Sergey Andriaka Academy of Watercolor and Fine Arts","authors":"T. I. Goleneva, O. A. Potaptseva, D. V. Fomicheva","doi":"10.51236/2618-7140-2023-6-3-68-83","DOIUrl":"https://doi.org/10.51236/2618-7140-2023-6-3-68-83","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":499462,"journal":{"name":"Secreta artis","volume":"187 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140481153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.51236/2618-7140-2023-6-3-84-87
L. Y. Rudneva
.
.
{"title":"Exhibition “F. S. Rokotov, His Students and Contemporaries” From the Collection of State Historical Museum, Held at the Sergey Andriaka Academy of Watercolor and Fine Arts","authors":"L. Y. Rudneva","doi":"10.51236/2618-7140-2023-6-3-84-87","DOIUrl":"https://doi.org/10.51236/2618-7140-2023-6-3-84-87","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":499462,"journal":{"name":"Secreta artis","volume":"64 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140482547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.51236/2618-7140-2023-6-3-7-8
S. Andriaka
.
.
{"title":"Draft Design of the Federal Working Program for Primary Education in Visual Arts (for Grades 1–4 of Educational Institutions)","authors":"S. Andriaka","doi":"10.51236/2618-7140-2023-6-3-7-8","DOIUrl":"https://doi.org/10.51236/2618-7140-2023-6-3-7-8","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":499462,"journal":{"name":"Secreta artis","volume":"75 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140485557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：