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The heart became hot 心变得火热
Pub Date : 2024-04-02 DOI: 10.1075/ijolc.00059.iss
Jonathan Tanihu, S. Issah
This paper provides a comparative study of the conceptualization of ANGER in Dagbani and Dangme, classified as Mabia and Kwa languages respectively. We employ the Conceptual Metaphor Theory as an analytical tool for explaining the empirical facts on the conceptualization of anger in these languages. We show that the mental concepts of the Dangme and the Dagbani people reflect in their conceptualizations of ANGER. We demonstrate that although the two languages deploy varied body organs (especially the heart and stomach), to express anger, Dagbani tends to focus more on the use of the heart, the lungs and the chest to express anger, whereas Dangme uses the heart, stomach and the body or self. The two languages share a common conceptual metaphor of anger as ‘heat’ with other schematic nodes, such as ‘fire’, ‘fluid’ and ‘container’. We finally establish that although most of the expressions of anger in these two languages fit into cross-linguistic patterns, there are also salient cultural specifics that demonstrate how their physiological and experiential realities tend to play an important role in their conception of anger. Data for this study were collected from native speakers of these languages through spontaneous conversations as well as from literary works produced in the two languages under investigation.
本文比较研究了达格巴尼语(Dagbani)和当梅语(Dangme)中 "愤怒"(anger)的概念化,这两种语言分别被归类为马比亚语(Mabia)和夸语(Kwa)。我们采用概念隐喻理论作为分析工具,来解释这两种语言中 "愤怒 "概念化的经验事实。我们的研究表明,当梅人和达格巴尼人的心理概念反映在他们对 "愤怒 "的概念化中。我们证明,虽然两种语言都使用不同的身体器官(尤其是心脏和胃)来表达愤怒,但达格巴尼语更倾向于使用心脏、肺和胸部来表达愤怒,而当梅语则使用心脏、胃和身体或自我来表达愤怒。这两种语言有一个共同的概念隐喻,即愤怒是 "热",并带有其他图式节点,如 "火"、"液体 "和 "容器"。最后,我们确定,虽然这两种语言中大多数愤怒的表达方式都符合跨语言模式,但也有一些突出的文化特点,表明他们的生理和经验现实如何在愤怒概念中发挥重要作用。本研究的数据来自这两种语言的母语使用者的自发对话以及用这两种语言创作的文学作品。
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引用次数: 0
Metaphtonymy and semio-cognitive de-legitimation of Donald Trump in the meme discourse of The Daily Show with Trevor Noah (January 2016–December 2019) 特雷弗-诺亚的每日秀》(The Daily Show with Trevor Noah)备忘录话语中对唐纳德-特朗普的隐喻和半认知去合法化(2016 年 1 月至 2019 年 12 月
Pub Date : 2024-04-02 DOI: 10.1075/ijolc.00058.ely
Nashwa Elyamany, Maha SalahEldin Mohamed Hamed
The current research endeavor extends scholarship on political satire and digital memes proposing a more nuanced semio-cognitive analytical framework for the innovative political image macro memes pertinent to The Daily Show with Trevor Noah (January 2016–December 2019). Premised on Martynyuk and Melescchenko’s (2021) conceptualization of metaphtonymy and van Leeuwen’s (2007) (de)-legitimation strategies, a corpus of 159 image macro meme instances from The Daily Show with Trevor Noah’s (January 2016 to December 2019) has been examined to show how the semio-cognitive de-legitimation of Donald Trump and his administration is materialized through creative meme-inherent metaphtonymies. Key findings include the dominance of four meme-specific metaphtonymic patterns. In tandem, the overlapping semio-discursive de-legitimation strategies of authorization, moral evaluation, rationalization, and mythopoeisis are metaphtonymically encoded in the image macro memes of the show’s monologue to: (a) function as highly medium-specific expressions that respond to challenging events based on thematic and structural templates, and (b) provide a timely (and even reactionary) response to political debates, creating a negative view of Donald Trump to reduce his legitimacy as the US president.
当前的研究工作扩展了政治讽刺和数字memes方面的学术研究,针对《特雷弗-诺亚的每日秀》(2016年1月至2019年12月)中的创新政治图像宏memes提出了一个更加细致入微的半认知分析框架。以 Martynyuk 和 Melescchenko(2021 年)的隐喻概念化和 van Leeuwen(2007 年)的(去)合法化策略为前提,对《特雷弗-诺亚的每日秀》(2016 年 1 月至 2019 年 12 月)中的 159 个图像宏备忘录实例进行了研究,以展示唐纳德-特朗普及其政府的半认知去合法化是如何通过创造性的备忘录内在隐喻实现的。研究的主要发现包括四种特定的隐喻模式。同时,授权、道德评价、合理化和神话化等相互重叠的半话语去合法化策略被隐喻性地编码在节目独白的图像宏备忘录中,以达到以下目的(a) 作为高度特定的媒介表达,根据主题和结构模板对具有挑战性的事件做出回应,以及 (b) 对政治辩论做出及时(甚至是反动)的回应,创造出对唐纳德-特朗普的负面看法,以削弱其作为美国总统的合法性。
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引用次数: 0
Bold colors, sweeping melodies, offensive smells 大胆的色彩、动人的旋律、令人不快的气味
Pub Date : 2024-02-08 DOI: 10.1075/ijolc.00046.gal
Ádám Galac
This paper presents a corpus-based exploratory study of the figurative conceptualizations of visual, auditory, and olfactory stimuli in English and Hungarian. Through a manual semantic analysis of altogether 6,800 occurrences of 18 sensory nouns (three per sensory modality in each language) in the TenTen corpora, the following conceptualization types of perceptual stimuli have been examined: reification, agentification, animization, and personification. The paper presents the relative frequencies of these conceptualizations along with their subtypes and concrete linguistic manifestations in English and Hungarian. Among a number of interesting observations that call for further investigations, the following findings merit special attention: (1) visual stimuli have the lowest values in every category; (2) in both languages, agentification is the most typical in the case of olfaction; (3) with the exception of representations of olfactory stimuli as living beings, every conceptualization type is more frequent in the Hungarian data.
本文以语料库为基础,对英语和匈牙利语中视觉、听觉和嗅觉刺激的形象化概念进行了探索性研究。通过对 TenTen 语料库中 18 个感官名词(每种语言中每种感官模式各三个)共 6,800 次出现进行人工语义分析,研究了感知刺激的以下概念化类型:再现化、代理化、动画化和人格化。本文介绍了这些概念化的相对频率,以及它们在英语和匈牙利语中的子类型和具体语言表现。在一系列需要进一步研究的有趣观察结果中,以下发现值得特别关注:(1) 视觉刺激在每个类别中的数值都最低;(2) 在两种语言中,代理化在嗅觉中都是最典型的;(3) 除了将嗅觉刺激表述为活物之外,每种概念化类型在匈牙利语数据中都更为常见。
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引用次数: 0
Bold colors, sweeping melodies, offensive smells 大胆的色彩、动人的旋律、令人不快的气味
Pub Date : 2024-02-08 DOI: 10.1075/ijolc.00046.gal
Ádám Galac
This paper presents a corpus-based exploratory study of the figurative conceptualizations of visual, auditory, and olfactory stimuli in English and Hungarian. Through a manual semantic analysis of altogether 6,800 occurrences of 18 sensory nouns (three per sensory modality in each language) in the TenTen corpora, the following conceptualization types of perceptual stimuli have been examined: reification, agentification, animization, and personification. The paper presents the relative frequencies of these conceptualizations along with their subtypes and concrete linguistic manifestations in English and Hungarian. Among a number of interesting observations that call for further investigations, the following findings merit special attention: (1) visual stimuli have the lowest values in every category; (2) in both languages, agentification is the most typical in the case of olfaction; (3) with the exception of representations of olfactory stimuli as living beings, every conceptualization type is more frequent in the Hungarian data.
本文以语料库为基础,对英语和匈牙利语中视觉、听觉和嗅觉刺激的形象化概念进行了探索性研究。通过对 TenTen 语料库中 18 个感官名词(每种语言中每种感官模式各三个)共 6,800 次出现进行人工语义分析,研究了感知刺激的以下概念化类型:再现化、代理化、动画化和人格化。本文介绍了这些概念化的相对频率,以及它们在英语和匈牙利语中的子类型和具体语言表现。在一系列需要进一步研究的有趣观察结果中,以下发现值得特别关注:(1) 视觉刺激在每个类别中的数值都最低;(2) 在两种语言中,代理化在嗅觉中都是最典型的;(3) 除了将嗅觉刺激表述为活物之外,每种概念化类型在匈牙利语数据中都更为常见。
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引用次数: 0
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International Journal of Language and Culture
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