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Amaltea. Revista de mitocrítica最新文献

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Mills, Kevin. Myths and Ancient Stories. Narrative, Meaning and Influence in the West. London. Bloomsbury Academic, 2024, 199 pp. ISBN. 978-1-350-34685-7 Mills, Kevin.Myths and Ancient Stories.西方的叙事、意义和影响》。伦敦。Bloomsbury Academic, 2024, 199 pp.ISBN.978-1-350-34685-7
Pub Date : 2024-07-12 DOI: 10.5209/amal.96869
Autor
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引用次数: 0
Vaz da Silva, Francisco. The Meanings of Enchantment. Wondertale Symbolism Revisited. The Kalevala Society, 2023. ISBN: 978-952-9534-05-0. 218 pp Vaz da Silva, Francisco.魔法的含义。Wondertale Symbolism Revisited.卡勒瓦拉协会,2023 年。ISBN: 978-952-9534-05-0. 218 pp
Pub Date : 2024-04-08 DOI: 10.5209/amal.92601
Patricia Rojo Lemos
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引用次数: 0
Rewriting the Myth of Atalanta: Cross-Dressing and Gender Equality in Emily Hauser’s For the Winner 重写阿塔兰特神话:艾米莉-豪泽尔《为了胜利者》中的异装癖与性别平等
Pub Date : 2024-02-28 DOI: 10.5209/amal.87904
Daniel Nisa Cáceres
This article studies Emily Hauser’s For the Winner (2017), a contemporary reimagining of the myth of Atalanta. This novel belongs to a women-authored literary mode that gives prominence and a voice to classical female characters and myths. Close examination of the politics of cross-dressing, as well as how Atalanta’s mythic identity is reconstructed as a heroine undaunted by gender lines reveals that Hauser’s approach constitutes a central site for ascribing meanings of determination, agency, and gender equality, thus culturally repositioning the male-centredness of her canonical representations and providing a feminist reinscription of the myth.
本文研究的是艾米莉-豪瑟的《为了胜利者》(2017 年),这是一部对阿塔兰特神话的当代再创作。这部小说属于女性创作的文学模式,突出了古典女性人物和神话,并为之发声。通过对变装政治以及阿塔兰忒的神话身份如何被重构为不受性别界限影响的女英雄进行仔细研究,可以发现豪瑟的方法构成了赋予决心、能动性和性别平等意义的核心场所,从而在文化上重新定位了其经典代表作中的男性中心主义,并对神话进行了女性主义的重新描述。
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引用次数: 0
Hubris and Nemesis: the Myth of Oedipus and Identity in Crossed: Wish You Were Here 傲慢与复仇女神:《穿越》中的俄狄浦斯神话与身份:希望你在这里
Pub Date : 2024-02-19 DOI: 10.5209/amal.90326
Jaime Segura San Miguel
The themes of past sins have occupied our collective imagination since the dawn of humankind. The ways in which characters are faced with their nemesis have changed throughout history, but the structure of the myth permeates our culture even nowadays. In this essay, Shaky from Simon Spurrier’s Crossed: Wish You Were Here is analysed and compared to Sophocles’ Oedipus Rex to determine if this myth still accurately represents some of our oldest fears, if its structure still serves the purpose of identifying anxieties in our culture, and it the Oedipal process can help explain Shaky’s search for identity.
自人类诞生以来,昔日罪恶的主题一直占据着我们的集体想象。人物面对克星的方式在历史长河中不断变化,但神话的结构即使在今天也渗透在我们的文化中。本文将对西蒙-斯珀里尔(Simon Spurrier)的《穿越》(Crossed:与索福克勒斯的《俄狄浦斯王》(Oedipus Rex)进行分析和比较,以确定这个神话是否仍然准确地代表了我们一些最古老的恐惧,其结构是否仍然有助于识别我们文化中的焦虑,以及俄狄浦斯过程是否有助于解释 Shaky 对身份的追寻。
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引用次数: 0
Reescrituras del mito en la poesía coreana contemporánea: la figura de Cheoyong 韩国当代诗歌中的神话重写:喆勇的形象
Pub Date : 2023-12-13 DOI: 10.5209/amal.85260
Elia Rodríguez López
La mitología constituye una fuente constante de material literario para el escritor contemporáneo, que encuentra en ella elementos imperecederos capaces de resonar con nuevas vibraciones en la actualidad. Sobre esta base, el presente trabajo analiza la imagen moderna de Cheoyong, personaje mítico coreano cuyos orígenes se remontan a finales de la época de Silla (s. IX), en la obra de los poetas Shin Seok-cho (1909-1975) y Kim Chunsu (1922-2004). En estas, se observa una reformulación del mito en clave contemporánea y una adaptación del personaje de Cheoyong a una modernidad cambiante, sin perder los vínculos con la tradición.
神话是当代作家文学素材的源泉,他们能从神话中找到永恒的元素,并在今天产生新的共鸣。在此基础上,本文分析了诗人申锡周(1909-1975 年)和金春秀(1922-2004 年)作品中的现代 "天龙 "形象。"天龙 "是韩国神话人物,起源于新罗晚期(9 世纪)。在这些作品中,我们可以看到以现代手法对这一神话进行了重新表述,并使 Cheoyong 这一人物形象适应不断变化的现代性,同时又不失与传统的联系。
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引用次数: 0
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Amaltea. Revista de mitocrítica
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