Pub Date : 2024-02-11DOI: 10.26877/kaloka.v2i2.11127
Dewi Lestari, Bambang Sulanjari, Yuli Kurniati Werdiningsih
The problem discussed in this study is the structural cerkak Cobaning Asmara which aims to describe and explain the author's worldview regarding the existence of Poerwadhie and the concept of true love contained in the cerkak Cobaning Asmara. This research is an analytical research to examine the contents of the cerkak, the author's worldview, and the concept of true love from the cerkak by using a qualitative descriptive method through a sociological approach to literature. The script used to examine the content is the Cobaning Asmara cerkak. This analysis stage starts from the reading stage, document recording, to document analysis. Data analysis techniques used include data collection, data presentation, and conclusion. Data collection techniques using textual techniques (library). The results of the study show that the author's worldview in cerkak cobaning romance includes (1) the Javanese view related to oneself, (2) the Javanese view related to others, (3) the concept of true love. The results of this study are structural in the cerkak cobaning romance, namely: Theme, this cerkak takes the theme of the struggle of a Titinastiti and Poewardhie in going through various trials in their relationship to the point of being together following their love and ideals. Characters and characterizations, the main character in this novel is Poewardhie, and the characterizations are described physically and physically. Setting, this story takes place in Yogyakarta. The plot used is mixed, but it is more advanced with a third-person omniscient point of view. This cerkak mandate is to be diligent and serious in dealing with life, not to give up and be determined to do something.
{"title":"Analisis Struktural dan Pandangan Dunia Pengarang dalam Cerkak Cobaning Asmara","authors":"Dewi Lestari, Bambang Sulanjari, Yuli Kurniati Werdiningsih","doi":"10.26877/kaloka.v2i2.11127","DOIUrl":"https://doi.org/10.26877/kaloka.v2i2.11127","url":null,"abstract":"The problem discussed in this study is the structural cerkak Cobaning Asmara which aims to describe and explain the author's worldview regarding the existence of Poerwadhie and the concept of true love contained in the cerkak Cobaning Asmara. This research is an analytical research to examine the contents of the cerkak, the author's worldview, and the concept of true love from the cerkak by using a qualitative descriptive method through a sociological approach to literature. The script used to examine the content is the Cobaning Asmara cerkak. This analysis stage starts from the reading stage, document recording, to document analysis. Data analysis techniques used include data collection, data presentation, and conclusion. Data collection techniques using textual techniques (library). The results of the study show that the author's worldview in cerkak cobaning romance includes (1) the Javanese view related to oneself, (2) the Javanese view related to others, (3) the concept of true love. The results of this study are structural in the cerkak cobaning romance, namely: Theme, this cerkak takes the theme of the struggle of a Titinastiti and Poewardhie in going through various trials in their relationship to the point of being together following their love and ideals. Characters and characterizations, the main character in this novel is Poewardhie, and the characterizations are described physically and physically. Setting, this story takes place in Yogyakarta. The plot used is mixed, but it is more advanced with a third-person omniscient point of view. This cerkak mandate is to be diligent and serious in dealing with life, not to give up and be determined to do something.","PeriodicalId":517329,"journal":{"name":"Kaloka: Jurnal Pendidikan Bahasa dan Sastra Daerah","volume":"87 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139894739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-11DOI: 10.26877/kaloka.v2i2.11128
G. Febriani, A. Alfiah
Javanese people or rather Javanese ethnic groups, culturally and anthropologically, are people who in their daily lives use the Javanese language with various kinds of dialects from generation to generation. According to Kodiran (1981: 322), the Javanese cultural area covers the entire central and eastern part of the island of Java. An example of a Javanese literary works are also still quite a lot. Geguritan is a literary creation in the form of poetry which is usually sung with a very melodious song (Pupuh). This study takes as an example a literary work of poetry entitled Kluwung by Soewardi Baroto Martono. To find this literary work, the author uses a pragmatic approach that views literary works as a means to convey certain goals to the reader. This study also aims to find out the content and meaning of everyday life in Soewardi Baroto Martono’s Kluwung poetry.
{"title":"Isi dan Makna Puisi Kluwung Karya Soewardi Baroto Martono: Pendekatan Pragmatik","authors":"G. Febriani, A. Alfiah","doi":"10.26877/kaloka.v2i2.11128","DOIUrl":"https://doi.org/10.26877/kaloka.v2i2.11128","url":null,"abstract":"Javanese people or rather Javanese ethnic groups, culturally and anthropologically, are people who in their daily lives use the Javanese language with various kinds of dialects from generation to generation. According to Kodiran (1981: 322), the Javanese cultural area covers the entire central and eastern part of the island of Java. An example of a Javanese literary works are also still quite a lot. Geguritan is a literary creation in the form of poetry which is usually sung with a very melodious song (Pupuh). This study takes as an example a literary work of poetry entitled Kluwung by Soewardi Baroto Martono. To find this literary work, the author uses a pragmatic approach that views literary works as a means to convey certain goals to the reader. This study also aims to find out the content and meaning of everyday life in Soewardi Baroto Martono’s Kluwung poetry.","PeriodicalId":517329,"journal":{"name":"Kaloka: Jurnal Pendidikan Bahasa dan Sastra Daerah","volume":"40 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139895135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of writing this paper is to fulfil lecture assignments and to describe allegorical language style and units of style in the geguritan entitled Kori by Krishna Miharja. As a poet, Krishna Miharja not only writes geguritan, but also short stories (cerkak). Although he wrote a lot of geguritan, Krishna is better known among Javanese writers as a witty writer. Because of the cerkak Krishna's works, which tend to be surrealistic and contain social and political criticism, they are considered as other colours in Javanese literature. The method used in this research is the content analysis method. The research data is in the form of Kori's geguritan text which tells the number of choices that must be chosen in life by being expressed using an allegorical language style. The theory used is a stylistic study which explains the style of language used in literature to reveal the message or meaning conveyed by the author in his literary work. The result of this research is that there is a story about the way of life that must be chosen among the many choices of life paths that exist. Life has many choices and humans are only trying to get the best and worthy choice for their lives.
{"title":"Satuan Gaya Bahasa dan Gaya Bahasa Alegori dalam Geguritan Kori Karya Krishna Miharja","authors":"Reny Anindhita Safarina, Bambang Sulanjari, Yuli Kurniati Werdiningsih","doi":"10.26877/kaloka.v2i2.10929","DOIUrl":"https://doi.org/10.26877/kaloka.v2i2.10929","url":null,"abstract":"The purpose of writing this paper is to fulfil lecture assignments and to describe allegorical language style and units of style in the geguritan entitled Kori by Krishna Miharja. As a poet, Krishna Miharja not only writes geguritan, but also short stories (cerkak). Although he wrote a lot of geguritan, Krishna is better known among Javanese writers as a witty writer. Because of the cerkak Krishna's works, which tend to be surrealistic and contain social and political criticism, they are considered as other colours in Javanese literature. The method used in this research is the content analysis method. The research data is in the form of Kori's geguritan text which tells the number of choices that must be chosen in life by being expressed using an allegorical language style. The theory used is a stylistic study which explains the style of language used in literature to reveal the message or meaning conveyed by the author in his literary work. The result of this research is that there is a story about the way of life that must be chosen among the many choices of life paths that exist. Life has many choices and humans are only trying to get the best and worthy choice for their lives.","PeriodicalId":517329,"journal":{"name":"Kaloka: Jurnal Pendidikan Bahasa dan Sastra Daerah","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139895130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-11DOI: 10.26877/kaloka.v2i2.15892
Dian Nurfita Sari, B. Setyawan
{"title":"Analisis Kesalahan Tata Tulis Bahasa Jawa Pada Siswa Kelas VII MTs AL Muslihun Tlogo Kanigoro","authors":"Dian Nurfita Sari, B. Setyawan","doi":"10.26877/kaloka.v2i2.15892","DOIUrl":"https://doi.org/10.26877/kaloka.v2i2.15892","url":null,"abstract":"","PeriodicalId":517329,"journal":{"name":"Kaloka: Jurnal Pendidikan Bahasa dan Sastra Daerah","volume":"30 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139895138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-11DOI: 10.26877/kaloka.v2i2.11131
Qurrota A'yuna Khaeroni
This writing is intended to investigate the style of the language contained in the geguritan Kidung Wengi by Hadi Pamungkas using a stylistic scalpel. This writing uses a research lens that focuses on the object of study regarding the style of language, imagery, and typography used. The method used by the author in examining this geguritan is to use a qualitative descriptive method with the technique of collecting physical evidence in the form of words, phrases, and sentences in the geguritan containing the focus of the writing objective. Based on the research that has been done, the results obtained in the form of finding figure of speech, imagery, diction, and typography that are used to describe a situation as well as tools to beautify the language of geguritan. In this geguritan found images such as visual images, auditory images, motion images, and tactile images. There are also figures of speech found in Kidung Wengi's geguritan, including personification, metaphor, and hyperbole. This Gegutitan also contains dictions in its writing. In addition, in writing this geguritan the author also includes typography which is a writing technique related to the use of writing rules and the use of punctuation marks.
{"title":"Stilistika dalam Geguritan Kidung Wengi Karya Hadi Pamungkas","authors":"Qurrota A'yuna Khaeroni","doi":"10.26877/kaloka.v2i2.11131","DOIUrl":"https://doi.org/10.26877/kaloka.v2i2.11131","url":null,"abstract":"This writing is intended to investigate the style of the language contained in the geguritan Kidung Wengi by Hadi Pamungkas using a stylistic scalpel. This writing uses a research lens that focuses on the object of study regarding the style of language, imagery, and typography used. The method used by the author in examining this geguritan is to use a qualitative descriptive method with the technique of collecting physical evidence in the form of words, phrases, and sentences in the geguritan containing the focus of the writing objective. Based on the research that has been done, the results obtained in the form of finding figure of speech, imagery, diction, and typography that are used to describe a situation as well as tools to beautify the language of geguritan. In this geguritan found images such as visual images, auditory images, motion images, and tactile images. There are also figures of speech found in Kidung Wengi's geguritan, including personification, metaphor, and hyperbole. This Gegutitan also contains dictions in its writing. In addition, in writing this geguritan the author also includes typography which is a writing technique related to the use of writing rules and the use of punctuation marks.","PeriodicalId":517329,"journal":{"name":"Kaloka: Jurnal Pendidikan Bahasa dan Sastra Daerah","volume":"121 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139894876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-11DOI: 10.26877/kaloka.v2i2.10918
Kristin Natalia
The lyrics of this song are the lyrics of a dangdut song performed by Happy Asmara in Javanese. The interesting thing to study further is the use of diction and the theme using stylistics, namely looking at the style of language used. Stylistic studies are directed to discuss the content of literary works. In general, stylistic studies include diction or word choice (lexical choice), sentence structure, figure of speech, partnership, rhyme patterns, and dimensions used by the author or contained in literary works. This study aims to analyze the use of diction and themes contained in the lyrics of the Dangdut Happy Asmara song entitled “Wis Tatas”. The method used is the library method because the object is the text of the song lyrics. Like the style chosen by the author, stylistic theory is used, which does not see aesthetics in song lyrics. The end of this method is the result of the data analysis presentation. The presentation of the results of data analysis begins with the presentation of diction on the data sources contained in the lyrics of the song Happy Asmara. Then proceed with an explanation of the theme of the lyrics. The results of the research found are that in the lyrics of the song Happy Asmara, the figure of speech used is the simile. In addition, the lyrics of the song Happy Asmara use non-majas. Non-majors used consist of repetition, inversion, and rhetoric. Happy Asmara’s song lyrics also contain diction consisting of empty symbols, natural symbols, and special symbols. Happy Asmara song lyrics also contain pictures or images. The image or image contained in the lyrics of the song Happy Asmara consists of visual imagery (visual), auditive imagery (hearing), tactical imagery (touching), and gustative imagery (touch). The theme contained in the lyrics of the song Happy Asmara consists of a chorus.
{"title":"Kajian Stilistika dalam Lagu Happy Asmara Wis Tatas","authors":"Kristin Natalia","doi":"10.26877/kaloka.v2i2.10918","DOIUrl":"https://doi.org/10.26877/kaloka.v2i2.10918","url":null,"abstract":"The lyrics of this song are the lyrics of a dangdut song performed by Happy Asmara in Javanese. The interesting thing to study further is the use of diction and the theme using stylistics, namely looking at the style of language used. Stylistic studies are directed to discuss the content of literary works. In general, stylistic studies include diction or word choice (lexical choice), sentence structure, figure of speech, partnership, rhyme patterns, and dimensions used by the author or contained in literary works. This study aims to analyze the use of diction and themes contained in the lyrics of the Dangdut Happy Asmara song entitled “Wis Tatas”. The method used is the library method because the object is the text of the song lyrics. Like the style chosen by the author, stylistic theory is used, which does not see aesthetics in song lyrics. The end of this method is the result of the data analysis presentation. The presentation of the results of data analysis begins with the presentation of diction on the data sources contained in the lyrics of the song Happy Asmara. Then proceed with an explanation of the theme of the lyrics. The results of the research found are that in the lyrics of the song Happy Asmara, the figure of speech used is the simile. In addition, the lyrics of the song Happy Asmara use non-majas. Non-majors used consist of repetition, inversion, and rhetoric. Happy Asmara’s song lyrics also contain diction consisting of empty symbols, natural symbols, and special symbols. Happy Asmara song lyrics also contain pictures or images. The image or image contained in the lyrics of the song Happy Asmara consists of visual imagery (visual), auditive imagery (hearing), tactical imagery (touching), and gustative imagery (touch). The theme contained in the lyrics of the song Happy Asmara consists of a chorus.","PeriodicalId":517329,"journal":{"name":"Kaloka: Jurnal Pendidikan Bahasa dan Sastra Daerah","volume":"81 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139895141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-11DOI: 10.26877/kaloka.v2i2.11123
Alfina Diah Ayu Prasanti, Bambang Sulanjari
This study discusses the use of diction, language style, imagery and figure of speech in the lyrics of the campursari song entitled Sewu Kutha by Didi Kempot. The theory used is a stylistic study. This study aims to: (1) describe the diction (2) describe the imagery (3) describe the figure of speech or language style contained in the lyrics of the campursari song entitled Sewu Kutha by Didi Kempot. The method used in this research is descriptive analysis. The data collection technique used is reading and note-taking technique and data analysis technique using descriptive analysis technique which includes description, classification and analysis. The results of this study are in the lyrics of the campursari song entitled Sewu Kutha created by Didi Kempot using denotative diction, connotative diction, tactile imagery, visual imagery, auditory imagery, comparative language style, affirmation style.
{"title":"Analisis diksi dan gaya bahasa dalam lagu Sewu Kutha karya Didi Kempot: kajian stilistika","authors":"Alfina Diah Ayu Prasanti, Bambang Sulanjari","doi":"10.26877/kaloka.v2i2.11123","DOIUrl":"https://doi.org/10.26877/kaloka.v2i2.11123","url":null,"abstract":"This study discusses the use of diction, language style, imagery and figure of speech in the lyrics of the campursari song entitled Sewu Kutha by Didi Kempot. The theory used is a stylistic study. This study aims to: (1) describe the diction (2) describe the imagery (3) describe the figure of speech or language style contained in the lyrics of the campursari song entitled Sewu Kutha by Didi Kempot. The method used in this research is descriptive analysis. The data collection technique used is reading and note-taking technique and data analysis technique using descriptive analysis technique which includes description, classification and analysis. The results of this study are in the lyrics of the campursari song entitled Sewu Kutha created by Didi Kempot using denotative diction, connotative diction, tactile imagery, visual imagery, auditory imagery, comparative language style, affirmation style.","PeriodicalId":517329,"journal":{"name":"Kaloka: Jurnal Pendidikan Bahasa dan Sastra Daerah","volume":"16 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139895143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-11DOI: 10.26877/kaloka.v2i2.11308
Naili Nur Rohmah, Suyoto Suyoto
Indonesia is a country that has a variety of cultures, not least the culture that is spread on the island of Java. Javanese people's thoughts include dances, ancient texts, Javanese script, folklore, kidung, geguritan and many more. Novel is a type of Javanese literary work in the form of prose. The story in the novel is the result of the work of imagination that discusses the problems of a person's life or various characters. The story in the novel begins with the emergence of problems experienced by the character and ends with solving the problem. In a novel, of course, there are several elements, both intrinsic and extrinsic. And in this study, the author will analyze some Javanese vocabulary and the language style in the novel Para Priyayi by Umar Kayam. Style of language can also be called figure of speech is the use of the wealth of language, the use of a certain variety to obtain certain effects that can make a literary work look alive, the overall language characteristics of a group of literary writers and the distinctive way of conveying thoughts and feelings, both orally and in writing.
{"title":"Kosa Kata dan Gaya Bahasa dalam Novel Para Priyayi Karya Umar Kayam (Kajian Stilistika)","authors":"Naili Nur Rohmah, Suyoto Suyoto","doi":"10.26877/kaloka.v2i2.11308","DOIUrl":"https://doi.org/10.26877/kaloka.v2i2.11308","url":null,"abstract":"Indonesia is a country that has a variety of cultures, not least the culture that is spread on the island of Java. Javanese people's thoughts include dances, ancient texts, Javanese script, folklore, kidung, geguritan and many more. Novel is a type of Javanese literary work in the form of prose. The story in the novel is the result of the work of imagination that discusses the problems of a person's life or various characters. The story in the novel begins with the emergence of problems experienced by the character and ends with solving the problem. In a novel, of course, there are several elements, both intrinsic and extrinsic. And in this study, the author will analyze some Javanese vocabulary and the language style in the novel Para Priyayi by Umar Kayam. Style of language can also be called figure of speech is the use of the wealth of language, the use of a certain variety to obtain certain effects that can make a literary work look alive, the overall language characteristics of a group of literary writers and the distinctive way of conveying thoughts and feelings, both orally and in writing. ","PeriodicalId":517329,"journal":{"name":"Kaloka: Jurnal Pendidikan Bahasa dan Sastra Daerah","volume":"45 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139895132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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