Pub Date : 2024-03-16DOI: 10.16995/intransition.15422
J. Leyda, Kathleen Loock
This video essay explores the storm as a metaphor and structuring device in the 2011 film Take Shelter and links it to the U.S. housing crisis, extractivism, and the climate unconscious.
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Pub Date : 2024-03-16DOI: 10.16995/intransition.15421
M. Korsgaard
The audiovisual essay “Music Video Space” is one of the first audiovisual essays to address music videos. Including examples from 68 different music videos, the essay explores the uniquely audiovisual aspects of music video space arguing for the medium’s general propensity toward spatial imagination.
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Pub Date : 2024-03-16DOI: 10.16995/intransition.15432
Sean O'Sullivan, Christian Keathley
This video essay explores the use of rack focus as illuminating the stylistic and thematic core of the HBO series Deadwood.
这篇视频文章探讨了齿条聚焦在 HBO 剧集《枯木逢春》中的运用，以此揭示该剧的风格和主题核心。
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Pub Date : 2024-03-16DOI: 10.16995/intransition.15362
Christian Keathley
Audio commentary by maker Christian Keathley about his 2006 videographic essay "Pass the Salt."
制作人 Christian Keathley 就其 2006 年的视频随笔 "Pass the Salt "所做的音频评论。
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Pub Date : 2024-03-16DOI: 10.16995/intransition.15423
Desirée J. Garcia
What Happened in the Dressing Room is a video essay about early film’s interest in backstage space and the relationship between cinematic interiority and the archive. @font-face{font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:roman;mso-font-pitch:variable;mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face{font-family:Calibri;panose-1:2 15 5 2 2 2 4 3 2 4;mso-font-charset:0;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-536859905 -1073732485 9 0 511 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-unhide:no;mso-style-qformat:yes;mso-style-parent:"";margin:0in;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Calibri",sans-serif;mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}.MsoChpDefault{mso-style-type:export-only;mso-default-props:yes;mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;mso-font-kerning:0pt;mso-ligatures:none;}div.WordSection1{page:WordSection1;}
What Happened in the Dressing Room》是一部视频散文，讲述了早期电影对后台空间的兴趣以及电影内部性与档案之间的关系。@font-face{font-family: "Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:roman;mso-font-pitch:variable;mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face{font-family：Calibri;panose-1:2 15 5 2 2 2 4 3 2 4;mso-font-charset:0;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-536859905 -1073732485 9 0 511 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-unhide:no;mso-style-qformat:yes;mso-style-parent:"";margin:0in;mso-pagination:widow-orphan;font-size:12.0pt;font-family: "Calibri",sans-serif;mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Calibri;mso-fareast-theme-font：minor-latin;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;mso-bidi-font-family: "Times New Roman";mso-bidi-theme-font:minor-bidi;}.MsoChpDefault{mso-style-type:export-only;mso-default-props:yes;mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Calibri;mso-fareast-theme-font：minor-latin;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;mso-bidi-font-family: "Times New Roman";mso-bidi-theme-font:minor-bidi;mso-font-kerning:0pt;mso-ligatures:none;}div.WordSection1{page:WordSection1;}
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Pub Date : 2024-03-16DOI: 10.16995/intransition.15250
Jason Mittell
Few television programs both meditate on and rupture the concepts of reality and representation as much as The Rehearsal, Nathan Fielder’s genre-bending docu-comedy that aired on HBO in the summer of 2022. On the surface, the series purports to offer an odd variant of self-help reality TV: Nathan finds people looking to tackle challenging experiences, and stages a “rehearsal” for them to work through the situation in a low-stakes simulation before tackling it in real life. But as it plays out, the series is a deeply troubling work of media, dramatizing its own ethical failings in a way that invites us to experience both admiration and outrage at its manipulations. This video rehearses these ideas through an experimental format.
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