Pub Date : 2024-01-23DOI: 10.37415/studia/2023/62/13680
Márton Szilágyi
The poem collecting notebooks had an important role from the beginning in the history of Petőfi editions – especially in terms of philology. This paper, however, does not focus on the philological importance of these manuscripts, but examines their function instead: why is it important that Petőfi created an autographical collection of texts for archival purposes? Petőfi started this method as early as the beginning of his career and the publishing agreements made it even clearer that his poems have market value not only as separate items, but also as a whole. Therefore, it was worth keeping the notebooks in order to establish the basics of a future collection.
{"title":"A Petőfi-filológia legfőbb bázisa, a versgyűjtő füzetek","authors":"Márton Szilágyi","doi":"10.37415/studia/2023/62/13680","DOIUrl":"https://doi.org/10.37415/studia/2023/62/13680","url":null,"abstract":"The poem collecting notebooks had an important role from the beginning in the history of Petőfi editions – especially in terms of philology. This paper, however, does not focus on the philological importance of these manuscripts, but examines their function instead: why is it important that Petőfi created an autographical collection of texts for archival purposes? Petőfi started this method as early as the beginning of his career and the publishing agreements made it even clearer that his poems have market value not only as separate items, but also as a whole. Therefore, it was worth keeping the notebooks in order to establish the basics of a future collection.","PeriodicalId":518408,"journal":{"name":"Studia Litteraria","volume":"39 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140530816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-23DOI: 10.37415/studia/2023/62/13690
István Margócsy
The Apostle is the most elusive work of Petőfi and its reception is just as telling as the work itself. The homogenous consensus on Petőfi’s poetry was challenged by The Apostle as it is significantly different from the rest of the oeuvre both in terms of content and poetics. That is why this work was underrated or simply was not mentioned in the early reception; later it was merely interpreted as an ideological and poetical statement without taking into consideration the poetic inventions of the text. Moreover, the whole text was published 25 years after it had been written, therefore it could not be integrated into the image of Petőfi. This paper focuses on the presence of the text in the hidden canon of the 19th century, emphasizing that the influential folk-national style could not have come into existence without recognising The Apostle: the text (could have) had the potential of an alternative canonical development because of its irregularities and the obvious ignorance of the categories ’folk’ and ’national’.
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Pub Date : 2024-01-23DOI: 10.37415/studia/2023/62/13678
Gábor Vaderna
The term of Biedermeier – which was used to describe the interior style of the middle class at first and then it was connected to some of the literary phenomena in the first half of the 19th century – made it possible to interpret the culture of the modern city and the urban middle class – oen creating an opposition between the city and its antithesis, the country. The questions connected to urbanitas were often discussed in the most important space of the culture of modernity: the press. They published articles and reports on foreign cities as well as the forming middle class culture of Buda and Pest in the fast-spreading metropolitan journals. The city and the country are recurring themes in the poetry of Sándor Petőfi along with the different lifestyles and identities connected to them. The first collection of Petőfi, which was published on 10 November 1844, caught people’s attention because of the way the poet’s role was represented in it: Petőfi’s poetic identity is the innocent and moral child of the nation – he is the one who has just arrived in the city, showing what the people are really like. However, the collection entitled Poems 1842-44 does not represent the culture that could by described by sociological or ethnographic terms, but rather the folk culture seen through the lenses of a Biedermeier (urban) culture: Petőfi therefore constructed the image of the country for the city.
{"title":"Város és biedermeier Petőfi költészetében","authors":"Gábor Vaderna","doi":"10.37415/studia/2023/62/13678","DOIUrl":"https://doi.org/10.37415/studia/2023/62/13678","url":null,"abstract":"The term of Biedermeier – which was used to describe the interior style of the middle class at first and then it was connected to some of the literary phenomena in the first half of the 19th century – made it possible to interpret the culture of the modern city and the urban middle class – oen creating an opposition between the city and its antithesis, the country. The questions connected to urbanitas were often discussed in the most important space of the culture of modernity: the press. They published articles and reports on foreign cities as well as the forming middle class culture of Buda and Pest in the fast-spreading metropolitan journals. The city and the country are recurring themes in the poetry of Sándor Petőfi along with the different lifestyles and identities connected to them. The first collection of Petőfi, which was published on 10 November 1844, caught people’s attention because of the way the poet’s role was represented in it: Petőfi’s poetic identity is the innocent and moral child of the nation – he is the one who has just arrived in the city, showing what the people are really like. However, the collection entitled Poems 1842-44 does not represent the culture that could by described by sociological or ethnographic terms, but rather the folk culture seen through the lenses of a Biedermeier (urban) culture: Petőfi therefore constructed the image of the country for the city.","PeriodicalId":518408,"journal":{"name":"Studia Litteraria","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140530643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-23DOI: 10.37415/studia/2023/62/13683
Norbert Béres
The oeuvre of Sándor Petőfi is one of the most well-researched one, still it has parts which are – paradoxically – lesser-known in the literary consciousness. The prose of Petőfi can be seen as a “blind spot” which has not been integrated into the curriculum of public education and it was hardly ever discussed in the professional discourse as this corpus was considered to have a marginal status. Petőfi, who oen declared his versatility in the 1840s, translated prose and experimented with different narrative techniques in his novel and short stories. Petőfi’s short stories are strongly connected to the financial aspects of publishing, however, they should not be viewed simply as “fillers” since these texts can be analysed from a literary perspective, considering the variation of genre conventions, narrative styles and tones in these experimental short stories which interact with the other texts of the oeuvre, as well. This paper reviews Petőfi’s latest published short story regarding the reality effects of the text.
{"title":"A Csigolya fiú esete Pató Sárival","authors":"Norbert Béres","doi":"10.37415/studia/2023/62/13683","DOIUrl":"https://doi.org/10.37415/studia/2023/62/13683","url":null,"abstract":"The oeuvre of Sándor Petőfi is one of the most well-researched one, still it has parts which are – paradoxically – lesser-known in the literary consciousness. The prose of Petőfi can be seen as a “blind spot” which has not been integrated into the curriculum of public education and it was hardly ever discussed in the professional discourse as this corpus was considered to have a marginal status. Petőfi, who oen declared his versatility in the 1840s, translated prose and experimented with different narrative techniques in his novel and short stories. Petőfi’s short stories are strongly connected to the financial aspects of publishing, however, they should not be viewed simply as “fillers” since these texts can be analysed from a literary perspective, considering the variation of genre conventions, narrative styles and tones in these experimental short stories which interact with the other texts of the oeuvre, as well. This paper reviews Petőfi’s latest published short story regarding the reality effects of the text.","PeriodicalId":518408,"journal":{"name":"Studia Litteraria","volume":"6 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140530813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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