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Acts of Desire: Women and Sex on Stage, 1800–1930 by Sos Eltis (review) 欲望的行为:舞台上的女人和性,1800-1930,Sos Eltis(评论)
IF 0.3 2区 艺术学 0 THEATER Pub Date : 2016-11-12 DOI: 10.5860/choice.51-2581
K. Newey
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引用次数: 0
Theatre, Performance and Analogue Technology: Historical Interfaces and Intermedialities by Kara Reilly (review) 戏剧、表演和模拟技术:历史界面和中介卡拉·赖利著
IF 0.3 2区 艺术学 0 THEATER Pub Date : 2014-11-05 DOI: 10.5860/choice.51-5508
C. Baugh
mentoring or apprenticeship process, and its importance, are not really highlighted. Nor is the decision to employ male or female principal boys in different years explored. The title of the book implies there will be a materialist framework based on the costs, income and consequent value of pantomime. I am aware that when I was musical director for the 1987 pantomime, Salisbury Playhouse was hugely successful and recorded a phenomenally high box office. However, this approach is not maintained in the majority of the book, rendering the title somewhat irrelevant. What does become very clear, however, is that there was a strong sense of family among the performers – a feeling perhaps engendered by the cold, cramped and difficult conditions in the old theatre (which are repeatedly recalled). The difference when the company moved to the new building is mentioned, but no detailed assessment offered of how that affected the performance or performers. As such, what I read here confirmed many of my own memories, but I was also frustrated by the missed opportunity to draw more from the wealth of material presented. This is a useful book because it documents a particular time and place through the voices of the people who experienced them and that is informative despite the repetitive structure. It documents a very particular moment of transition in British theatre and pantomime history.
指导或学徒过程及其重要性并没有得到真正的强调。也没有讨论在不同年级聘用男校长或女校长的决定。这本书的标题暗示将有一个基于成本,收入和随之而来的价值哑剧的唯物主义框架。我知道,当我担任1987年这部哑剧的音乐总监时,索尔兹伯里剧院取得了巨大的成功,取得了惊人的高票房。然而,本书的大部分内容都没有采用这种方法,因此标题显得有些无关紧要。然而,很明显的一点是,演员们有一种强烈的家庭意识——这种感觉可能是由老剧院里寒冷、拥挤和艰苦的条件所产生的(人们一再回忆这些)。书中提到了公司搬到新楼时的差异,但没有详细评估这对业绩或表演者的影响。因此,我在这里读到的东西证实了我自己的许多记忆,但我也很沮丧,因为我错过了从丰富的材料中汲取更多东西的机会。这是一本有用的书,因为它通过经历过这些事情的人的声音记录了一个特定的时间和地点,尽管结构重复,但内容丰富。它记录了英国戏剧和哑剧历史上一个非常特殊的过渡时刻。
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引用次数: 0
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THEATRE NOTEBOOK
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