Pub Date : 2015-01-01DOI: 10.15496/publikation-9645
T. Hilberer
This article offers a close reading of three twentieth century french chansons: ‘La mer’ by Charles Trenet, ‘Ta Katie t’a quitte’ and ‘Le tube de toilette’ by the far less known Boby Lapointe. The analyses clearly show the predominance of the ‘poetic function’ (Jakobson) in these texts. Thus, they may be considered as steps toward the Mallarme idea of ‘poesie pure’, although realized in a more popular genre, full of humour and even nonsense.
这篇文章提供了三首20世纪法国香颂的仔细阅读:查尔斯·特内的《La mer》，不太知名的博比·拉普特的《Ta Katie t’a quitte》和《Le tube de toilette》。分析清楚地表明，“诗歌功能”(雅各布森)在这些文本中占主导地位。因此，它们可以被认为是马拉美“纯粹诗歌”思想的一步，尽管是以一种更受欢迎的体裁实现的，充满了幽默，甚至是无稽之谈。
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