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History of Violence 暴力史
4区 艺术学 0 FILM, RADIO, TELEVISION
Cineforum
Pub Date : 2020-01-01 DOI: 10.2307/j.ctv4g1rb1.50
Giampiero Frasca
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引用次数: 0
Simple images more sound: How Netflix emphasizes Sound design? 简单的图像更有声音:Netflix是如何强调声音设计的?
4区 艺术学 0 FILM, RADIO, TELEVISION
Cineforum
Pub Date : 2019-12-31 DOI: 10.19119/cf.2019.12.34.31
E. Shim
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引用次数: 0
Competing for global story market: the case from China’s film industry 争夺全球故事市场——以中国电影业为例
4区 艺术学 0 FILM, RADIO, TELEVISION
Cineforum
Pub Date : 2019-12-31 DOI: 10.19119/cf.2019.12.34.241
Yang Jihua
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引用次数: 0
A Study on the Female Flaneur in Night Journey 《夜行》中的女性漫游者研究
4区 艺术学 0 FILM, RADIO, TELEVISION
Cineforum
Pub Date : 2019-12-31 DOI: 10.19119/cf.2019.12.34.181
Hye-jin Hwang
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引用次数: 0
A study on the characteristics of Ross McElwee’s early documentaries: Focusing on the analysis of Backyard, Charleen and Time Indefinite 罗斯·麦克尔威早期纪录片的特点研究——以《后院》、《查理》和《无限时间》为重点
4区 艺术学 0 FILM, RADIO, TELEVISION
Cineforum
Pub Date : 2019-12-31 DOI: 10.19119/cf.2019.12.34.277
Jong-ho Park
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引用次数: 0
Formation of Capitalistic Space Represented in Postwar Korean Movies: Focusing on the David Harvey’s Urban Theory 战后韩国电影中资本主义空间的形成——以大卫·哈维的城市理论为中心
4区 艺术学 0 FILM, RADIO, TELEVISION
Cineforum
Pub Date : 2019-12-31 DOI: 10.19119/cf.2019.12.34.149
D. Kim
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引用次数: 0
The Hysterical neurosis female character in the film Memories of Matsuko 电影《松子的回忆》中歇斯底里的神经症女性角色
4区 艺术学 0 FILM, RADIO, TELEVISION
Cineforum
Pub Date : 2019-12-31 DOI: 10.19119/cf.2019.12.34.123
Ying Zhang, seungjae Cha
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引用次数: 0
A Study on the Fiction and Real in Abbas Kiarostami's films : Focused on the Copie Conforme 论阿巴斯·基亚罗斯塔米电影中的虚构与真实——以“复制一致性”为中心
4区 艺术学 0 FILM, RADIO, TELEVISION
Cineforum
Pub Date : 2019-12-31 DOI: 10.19119/cf.2019.12.34.95
J. Seo
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引用次数: 0
A Study on the process of variations from object to subject: in text Cléo de 5 à 7 (1962) 从客体到主体的变化过程研究:在文本cl<s:1> 5 <e:1>(1962)中
4区 艺术学 0 FILM, RADIO, TELEVISION
Cineforum
Pub Date : 2019-12-31 DOI: 10.19119/cf.2019.12.34.9
G. Yu
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引用次数: 0
A Study on Historical Reinterpretation and Film Representation: focused on The Last Princess and The King’s Letters 历史的重新诠释与电影再现——以《最后的公主》与《国王的来信》为例
4区 艺术学 0 FILM, RADIO, TELEVISION
Cineforum
Pub Date : 2019-12-31 DOI: 10.19119/cf.2019.12.34.211
kang seungryul
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引用次数: 0
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