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NEW AND TRADITIONAL APPROACHES IN THE RESEARCHES OF MODERN REPRESENTATIVES OF PHILOLOGICAL SCIENCES最新文献

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YEVGENIA KONONENKO’S DETECTIVES 叶夫根尼亚·科诺年科的侦探
T. Tkachenko
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引用次数: 0
ENGLISH IN EUROPE: FROM NATIONALLY HOMOGENEOUS LANGUAGE TO LINGUA FRANCA 欧洲的英语:从民族同质语言到通用语
T. Kozlova
concepts. In forming vocabulary of the European lingua franca, speakers mostly deal with transnomination of previously cognized entities and ideas. Quite a number of Euro-English terms appear just to give more precise names to phenomena which already have some lexical units to denote them. The naming task is to be decided with the help of already exiting terms instead of new creations, because nominative density calls for appropriateness of application choice and hence might prevent the easiness of communication in a multilingual community. CONCLUSIONS Today, English is one of the most widely spread and varied languages whose international significance has caused the change of linguistic landscape in the world and particularly in Europe. From a nationally homogeneous and regionally restricted language it has turned into a European lingua franca to play a number of social functions. From a sociolinguistic point of view, it has enhanced a new type of bilingualism bridging communication in multilingual and multicultural Europe. European English contributes into globalisation, political, economic, social and cultural unification by providing the common core of specialist and common vocabulary. It has become a symbol of new European identity reflecting the optimal mix of culture-specific and common European features. The formation of Euro-English vocabulary mostly relies upon the internal resources and follows the general trend in current English away from ‘a friendly to borrow’ and toward ‘a friendly to share’ language. Naming processes appeal to new and previously denoted notions related to everyday life and specialised fields, particularly politics, 39 Lakoff G., Johnson M. Metaphors We Live By. Chicago, London : University of Chicago Press,
概念。在形成欧洲通用语的词汇时,说话者主要处理先前认知的实体和概念的转名。相当多的欧洲英语术语似乎只是给已经有一些词汇单位来表示它们的现象提供了更精确的名称。命名任务将在已有术语的帮助下决定,而不是新创造的术语,因为名词密度要求应用程序选择的适当性,因此可能会妨碍多语言社区中的交流。今天,英语是传播最广泛和最多样化的语言之一,其国际意义导致了世界语言格局的变化,特别是在欧洲。它从一种民族同质和地域限制的语言变成了一种欧洲通用语,发挥了许多社会功能。从社会语言学的角度来看,它在多语言和多元文化的欧洲加强了一种新型的双语沟通。欧洲英语通过提供专业和通用词汇的共同核心,为全球化、政治、经济、社会和文化的统一做出了贡献。它已成为新欧洲身份的象征,反映了特定文化和共同欧洲特征的最佳组合。欧洲英语词汇的形成主要依靠内部资源,顺应了当今英语从“友好借用”向“友好分享”的大趋势。命名过程吸引了与日常生活和专业领域相关的新的和先前表示的概念,特别是政治,Lakoff G., Johnson M.。芝加哥,伦敦:芝加哥大学出版社,
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引用次数: 1
CONCEPTION OF ARTISTIC WORD AS A SIGN IN MODERN LITERARY STUDY 作为现代文学研究标志的艺术语义观
E. Sventsitskaya
INTRODUCTION In the history of literature study the specifics of word was comprehended ranging from the Word that “was in the beginning” and to a set of symbols between two spaces. Word being basically a сompletelly concrete phenomenon, the essence of which is presumably crystal clear (each schoolboy knows literature is an art of word), in the real practical study of literature disintegrates into multicity of categories that cannot be summarized in one and that simultaneously is something united “literary work”, “text”, “artistic word”, “poetic langiage”, “poetic speaking” etc. All this multiciplity, obviously, is the row od hypostasiss of single essence, that appears so universal and all-embracing that becomes hard to define. In such situation not even of the logo-centrism per say, but of expansion of the word phenomenon to complete boundlessness it is very difficult, but at the same time highly necessary to comprehend the specifics of the word. In a comprehension of the word phenomenon in a study of literature there are two opposite tendencies: comprehension of word as sign and comprehension of it as an ontological meaningfulness. Polarity of these tendencies shows up very clearly. If a word is a sign, then it defines a certain meaning. A word than becomes a conditional construct. Thus, the word is an instrument, a mean, something inferior. If on the contrary a word is a special particular reality of existence, then it is a direct embodiment of a meaning. In this case word is not a mean, but a self-valuable spiritual essence. This essence is of an active and creative character. The aim of this work is to analyse concepts of word belonging to the first of the above mentioned tendencies.
在文学研究的历史中,词的细节被理解为从“起初”的词到两个空格之间的一组符号。文字基本上是一种完全具体的现象,其本质大概是非常清楚的(每个小学生都知道文学是一门文字艺术),在真正的文学实践研究中,它分解成不能用一个概括的多种类别,同时是“文学作品”、“文本”、“艺术词汇”、“诗意语言”、“诗意话语”等的统一。这一切的多样性,显然是单一本质的固有的本质,这种本质显得如此普遍,如此包罗万象,以致难于界定。在这种情况下,甚至不是说逻逻斯中心主义,而是将词现象扩展到完全无界,这是非常困难的,但同时又是非常必要的,去理解词的细节。在理解文学研究中的词语现象时,有两种相反的倾向:把词语理解为符号和把它理解为本体论意义。这些趋势的极性表现得非常明显。如果一个词是一个符号,那么它就定义了一个特定的含义。than变成了条件构式。因此,这个词是一种工具,一种手段,一种低等的东西。相反,如果一个词是一种特殊的、特殊的存在的实在,那么它就是一种意义的直接体现。在这种情况下,语言不是一种手段,而是一种自我价值的精神本质。这一本质具有主动性和创造性。这项工作的目的是分析属于上述第一种倾向的词的概念。
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引用次数: 0
TYPES OF ETHNOPHOBISMS, THEIR ETYMOLOGY AND USAGE 种族恐惧症的类型、词源和用法
V. Mizetska, M. Zubov
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引用次数: 1
THE EMBODIMENT OF INTERTEXTUALITY IN MODERN LITERATURE 互文性在现代文学中的体现
L. P. Statkevych
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引用次数: 0
THE ROLE OF INTONATION IN THE MANIFISTATION OFWILL IN COURTROOM DISCOURSE 语调在法庭语篇意志表达中的作用
H. V. Savchuk
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引用次数: 0
GENRE SPECIFIC OF J. GENET`S NOVELS 热内小说的体裁特征
O. Semenets
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引用次数: 0
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NEW AND TRADITIONAL APPROACHES IN THE RESEARCHES OF MODERN REPRESENTATIVES OF PHILOLOGICAL SCIENCES
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