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The ‘Quasi-Artistic Venture’: MTV Idents and Alternative Animation Culture “准艺术冒险”:MTV标识和另类动画文化
Pub Date : 1900-01-01 DOI: 10.1007/978-3-030-27939-4_12
L. Husbands
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引用次数: 2
Studio Ghibli Ghibli研究
Pub Date : 1900-01-01 DOI: 10.1007/978-3-031-16844-4
R. Denison
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引用次数: 2
Sponsored Silhouettes: Lotte Reiniger’s ‘Useful’ Films in Britain 赞助剪影:Lotte Reiniger在英国的“有用”电影
Pub Date : 1900-01-01 DOI: 10.1007/978-3-030-27939-4_3
Tashi Petter
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引用次数: 1
Animation and Memory 动画与记忆
Pub Date : 1900-01-01 DOI: 10.5040/9781501332647.CH-008
V. Walden
In Pixar’s Inside Out (Docter and Del Carmen, 2015), Joy and Sadness navigate around their host Riley’s long-term memory where coloured orbs representing different events in her past are stored on shelves. The film imagines memory as fixed content that can be recalled as needed. However, developments in the interdisciplinary field of memory studies now consider memory to be much more complex than this. Like the term realism discussed elsewhere in this volume, memory is a slippery thing – it is better understood as always in a state of becoming, as related to the present more than the past, and as a creative, networked process rather than as a simple transmission of historical data. After introducing some of the broad ideas related to contemporary studies of media and memory, this chapter focuses on the ways in which we can remember the past through and with animation, and how the form can represent memory, concentrating particularly on issues of trauma and witnessing, collective memory and identity, and nostalgia.
在皮克斯的《头脑特工队》(dr and Del Carmen, 2015)中,乐乐和忧忧在主人莱利的长期记忆中穿行,架子上存放着代表她过去不同事件的彩色球体。影片把记忆想象成可以在需要时回忆起来的固定内容。然而,跨学科记忆研究领域的发展现在认为记忆比这要复杂得多。就像本卷其他地方讨论的现实主义一样,记忆是一个难以捉摸的东西——最好把它理解为总是处于一种不断变化的状态,与现在的关系多于与过去的关系,是一种创造性的、网络化的过程,而不是历史数据的简单传递。在介绍了一些与当代媒体和记忆研究相关的广泛观点之后,本章将重点放在我们通过动画记忆过去的方式上,以及这种形式如何代表记忆,特别集中在创伤和见证、集体记忆和身份以及怀旧等问题上。
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引用次数: 9
‘All Star’ Soundtracks: DreamWorks and the Pop Song 《全明星》原声带:梦工厂和流行歌曲
Pub Date : 1900-01-01 DOI: 10.1007/978-3-030-36851-7_3
Sam Summers
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引用次数: 0
Autobiography and Authenticity in Stop-Motion Animation 定格动画中的自传与真实性
Pub Date : 1900-01-01 DOI: 10.1007/978-3-030-13943-8_5
Carla MacKinnon
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引用次数: 2
Animating Unpredictable Effects 动画化不可预测的效果
Pub Date : 1900-01-01 DOI: 10.1007/978-3-030-74227-0
Jordan Gowanlock
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引用次数: 1
Animation Across Borders: Schicht Fat Factory and Its Transmedia and Transnational Advertising Strategies 动画跨越国界:希希特脂肪工厂及其跨媒体和跨国广告策略
Pub Date : 1900-01-01 DOI: 10.1007/978-3-030-27939-4_8
Lucie Česálková
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引用次数: 0
Beyond Anime? Rethinking Japanese Animation History Through Early Animated Television Commercials 除了动漫吗?从早期电视动画广告反思日本动画历史
Pub Date : 1900-01-01 DOI: 10.1007/978-3-030-27939-4_11
J. C. Douglass
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引用次数: 0
Handmade Aesthetics in Animation for Adults and Children 成人和儿童动画中的手工美学
Pub Date : 1900-01-01 DOI: 10.1007/978-3-030-13943-8_6
Ewan Kirkland
{"title":"Handmade Aesthetics in Animation for Adults and Children","authors":"Ewan Kirkland","doi":"10.1007/978-3-030-13943-8_6","DOIUrl":"https://doi.org/10.1007/978-3-030-13943-8_6","url":null,"abstract":"","PeriodicalId":107615,"journal":{"name":"Palgrave Animation","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121817962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
期刊
Palgrave Animation
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