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Multilingual Metal Music: Sociocultural, Linguistic and Literary Perspectives on Heavy Metal Lyrics最新文献

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Yiddish Metal as a Manifestation of Postvernacularity 意第绪语的金属作为后方言的表现
L. Kahn
The fact that these metal bands often choose to reinterpret traditional staples rather than composing original Yiddish songs can be seen as a reflection of the predominantly postvernacular status of Yiddish. The language plays an iconic role for band members and audiences. Concurrently, the fusion of familiar Yiddish songs with metal style makes a language often associated with traditional Ashkenazic society relevant to the twenty-first century.
事实上,这些金属乐队经常选择重新诠释传统的主食,而不是创作原创的意第绪语歌曲,这可以被视为意第绪语主要后方言地位的反映。对于乐队成员和观众来说,这种语言具有标志性的作用。同时,熟悉的意第绪歌曲与金属风格的融合使一种语言经常与传统的德系犹太人社会联系在一起,与21世纪有关。
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引用次数: 0
The Paradoxical Usage of Austrian Dialects of German in Metal Music 奥地利德语方言在金属音乐中的矛盾用法
Peter-Paul Pichler
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引用次数: 0
Verba Bestiae: How Latin Conquered Heavy Metal Verba Bestiae:拉丁语如何征服重金属
F. M. Cecchini, G. Franzini, M. Passarotti
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引用次数: 2
Poetic Analysis of the Anti-war Song Muerte en Mostar by the Spanish Heavy Metal Band Desafio 西班牙重金属乐队Desafio反战歌曲《Muerte en Mostar》的诗学分析
E. Hewitt
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引用次数: 0
Nata vimpi curmi da: Dead Languages and Primordial Nationalisms in Folk Metal Music Nata vimpi curmi da:民间金属音乐中的死亡语言和原始民族主义
S. Trafford
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引用次数: 0
Baudelaire and Black Metal: Performing Poetry under Perestroika 波德莱尔与黑金属:改革时期的诗歌表演
Caroline Ardrey
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引用次数: 0
Is kawaii Metal? Exploring aidoru/Metal Fusion Through the Lyrics of Babymetal 卡哇伊是金属吗?通过Babymetal的歌词探索aidoru/Metal Fusion
Lewis F. Kennedy
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引用次数: 2
Større enn tid, tyngre enn natt1 – The Interplay of Language and Cultural Identity in the Lyrics of Norwegian Metal Bands [1][李建平,李建平,李建平,等。挪威金属乐队歌词中语言与文化认同的相互作用。
Imke von Helden
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引用次数: 0
Vocalizing a Troubled Past: A Case Study of Political Activism in Taiwanese Metal 台湾金属界政治行动主义个案研究:为混乱的过去发声
K. Chiu
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引用次数: 0
Local Folk Tales, Legends, and Slavic Mythology in Slovenian Heavy Metal Lyrics: A Quantitative Analysis 斯洛文尼亚重金属歌词中的当地民间故事、传说和斯拉夫神话:定量分析
Anamarija Šporčič, Gašper Pesek
The main aim of the chapter is to examine the prevalence of Slavic and, more specifically, Slovenian mythological elements in Slovenian heavy metal music. No such analysis had previously been attempted, so a database had to be established anew. Encyclopaedia Metallum: The Metal Archives (MA) was chosen as the most comprehensive available source on metal music, supplemented by information gleaned from other sources. All 290 bands listed as Slovenian on MA were inspected for evidence of Slavic and Slovenian mythological content. Each band's name, genre, lyrical themes as listed in their profile, song titles, and lyrics were taken into account. The compiled corpus was then analysed in terms of information availability, prevailing languages used by the bands, and, subsequently, their relation to Slovenian mythological heritage. The search for Slavic and Slovenian mythological content began with keyword-based computer-assisted analysis followed by manual annotation. Elements directly concerning the Slavic mythos, Slovenian legends, and folk tales, were featured in a ‘Slavic content database’, their suitability ascertained through inclusion in prominent publications on the topic, e.g. Mikhailov (2002), Ovsec (1991), and Smitek (2004, 2006). The acquired results were then divided into seven categories in order of prevalence, namely, deities, mythical creatures, history, nature, literary references, mythical places and phenomena, and idiosyncratic folklore. Our intention was to also present the contents of each category in a short overview aimed at acquainting the reader with individual phenomena, yet only the most prominent two categories could be presented here due to spatial constraints. The remaining categories will be dealt with in more detail in a follow-up paper. The findings featured will also enable the commencement of the second part of the research, a qualitative analysis of the afore-mentioned ‘Slavic content database’.
本章的主要目的是研究斯拉夫的流行,更具体地说,斯洛文尼亚的神话元素在斯洛文尼亚重金属音乐。以前没有进行过这种分析,因此必须重新建立一个数据库。金属百科全书:金属档案(MA)被选为最全面的金属音乐资源,补充了从其他来源收集的信息。所有在MA上被列为斯洛文尼亚的290个乐队都被检查了斯拉夫和斯洛文尼亚神话内容的证据。每个乐队的名字,流派,抒情主题列在他们的个人资料,歌曲标题和歌词被考虑在内。然后,对汇编的语料库进行了信息可用性分析,分析了各部落使用的流行语言,并随后分析了它们与斯洛文尼亚神话遗产的关系。对斯拉夫语和斯洛文尼亚语神话内容的搜索始于基于关键字的计算机辅助分析,然后是人工注释。直接涉及斯拉夫神话、斯洛文尼亚传说和民间故事的元素被收录在“斯拉夫内容数据库”中,它们的适用性通过纳入有关该主题的著名出版物来确定,例如Mikhailov(2002)、Ovsec(1991)和Smitek(2004年、2006年)。然后将获得的结果按流行程度分为七类,即神灵、神话生物、历史、自然、文学参考、神话地点和现象以及特殊民间传说。我们的意图是在一个简短的概述中呈现每个类别的内容,旨在使读者熟悉个别现象,但由于空间限制,这里只能呈现最突出的两个类别。其余的类别将在后续文件中更详细地讨论。这些发现也将使研究的第二部分得以开始,即对上述“斯拉夫内容数据库”进行定性分析。
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引用次数: 0
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Multilingual Metal Music: Sociocultural, Linguistic and Literary Perspectives on Heavy Metal Lyrics
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