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Amplify: A Journal of Writing-as-Activism最新文献

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People and Power: Person-First Language Usage and the Criminal Justice System 人与权力:以人为本的语言使用与刑事司法系统
Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.3
C. Orr
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引用次数: 0
A Message from the Editors 编辑们的留言
Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.1
Rhiannon M. Cates, Vicki Reitenauer
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引用次数: 0
Using Queer of Color Theory to Analyze Latinidad 用色彩酷儿理论分析拉丁裔
Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.2
Maria Castro-Mendoza
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引用次数: 0
A Student Bill of Rights 学生权利法案
Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.5
Balkhiis Noor, Olivia Monestime, Julia Hines, David Peterson del Mar
 Students have a right to attend school in a safe, secure and effective learning environment.  Students have a right to learn in a school where there are clear discipline codes and fair and consistent enforcement of consequences for misbehavior.  Students have a right to be treated with courtesy and respect.  Students have a right to discipline with dignity.  Students have a right to work in schools that have the instructional materials and books needed to support a rigorous academic program.  Students have a right to attend schools where teachers are highly qualified in their subjects.  Students have a right to due process and restoration when conflicts arise.  Students have a right to be supported by their parents, taught by their teachers, guided by their community, and appreciated for their potential as future leaders by their public officials.
学生有权在一个安全、可靠和有效的学习环境中上学。学生有权利在有明确的纪律规范和公平一致的执行对不良行为的后果的学校学习。学生有权受到礼貌和尊重。学生有尊严地遵守纪律的权利。学生有权在拥有教学材料和书籍的学校工作,以支持严格的学术计划。学生有权参加教师在其学科方面非常合格的学校。当发生冲突时,学生有正当程序和恢复的权利。学生有权得到父母的支持,得到老师的教导,得到社区的引导,并得到政府官员对他们作为未来领导者的潜力的赞赏。
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引用次数: 0
"Where is Your Accent From?": The Voice of My Identity “你的口音来自哪里?”:我的身份之声
Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.4
Robert Northman
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引用次数: 0
Language Was My Home: I had it in my mind - but not on my tongue (Grappling with Aphasia) 语言是我的家:我有它在我的脑海里——但不是在我的舌头上(与失语症的斗争)
Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.6
Corinne Othenin-Girard
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引用次数: 0
“Tradish-ish”: Call Me By My Name: The Language of Calls for Native Artists “用我的名字呼唤我:呼唤本土艺术家的语言”
Pub Date : 2023-07-01 DOI: 10.15760/amplify.2023.2.1.7
Jessica Mehta
“Tradish-ish: Call Me by Your My Name” examines the recent language used in open calls for Indigenous works of public art. It explores which terms are "trending" to refer to these artists, who is behind these calls, and what this means for Indigenous artists.
“以你的名字呼唤我”考察了最近在公开征集土著公共艺术作品时使用的语言。它探讨了哪些术语是指这些艺术家的“趋势”,这些呼吁的背后是谁,以及这对土著艺术家意味着什么。
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引用次数: 0
Writing New Lives, Writing New Worlds 书写新生活,书写新世界
Pub Date : 2022-07-13 DOI: 10.15760/amplify.2022.1.1.5
A. Zed
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引用次数: 0
A Message from the Editors 编辑们的留言
Pub Date : 2022-07-13 DOI: 10.15760/amplify.2022.1.1.1
Vicki Reitenour, Rhiannon M. Cates
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引用次数: 0
3 Selections from "Upon the Body: Poems of/to a Black Social Epi, PT.II--LOVE//Resistance in the Time of COVID" 3选自《在身体之上:一首黑人社会史诗的诗歌,PT.II——COVID时代的爱//抵抗》
Pub Date : 2022-07-13 DOI: 10.15760/amplify.2022.1.1.4
Ryan J. Petteway
The 3 poems included here are from a collection written between January and August 2020. The full collection—27 poems total—examines intersections of structural racism, racialized police violence, and COVID-19, drawing from generations of creative resistance produced and embodied by Black artists, activists, and scholars like Nina Simone, Langston Hughes, Paul Laurence Dunbar, Audre Lorde, Ida B. Wells, James Baldwin, and W.E.B. DuBois. The collection as a whole is crafted as counternarrative to public health’s ahistoric, apolitical, racist, and homophobic proclivities in times of crisis. The 3 poems here are from Part II, "LOVE//Resistance in the Time of COVID.” These selections make connections between social justice, structural racism, economic inequality, and public health history, weaving public health themes together with Black music, poetry, literature, and history to (re)frame/analyze the dual pandemics confronting Black, Indigenous, and other people of color, and to nuance narratives of our presence/resistance. “MASKS//Exposed” and “IMAGINATION//Immunity” do so in relation to COVID-19, while “BLACK//Gold” (written/recorded as a hip-hop track) sits at the intersection of COVID-19 and racialized police violence. “MASKS//Exposed” offers a critical analysis of the public health and political discourse during the early stages of COVID-19, drawing from public health literature, critical theory, and news media to interrogate dominant narratives of being “all in this together”, social distance(ing), and COVID-19 being an “equal opportunity infection.” “IMAGINATION//Immunity” offers a personal reflection on how COVID-19 has shaped daily life for those with young children, anchored in a theme of imagination as escape/immunity, and taking my childhood nostalgia of Nas’ (1996) “If I Ruled the Ruled (Imagine That)” as the narrative architecture/pulse. “BLACK//Gold” offers a lyrical analysis of intersections between dual pandemics of COVID-19 and racialized police violence, integrating critical social commentary of each as rooted in broader forms/norms of structural racism, racial capitalism, and epistemic and symbolic violence. Written in the tradition of Black protest music, the lyrics evoke the words/writings of James Baldwin, Frantz Fanon, Assata Shakur, and Nina Simone—using vocal and piano samples from the latter’s renditions of “Black is the Color of My True Love’s Hair” and “Strange Fruit.”
这里收录的三首诗来自于2020年1月至8月间的一部诗集。全集共27首诗歌,审视了结构性种族主义、种族化警察暴力和COVID-19的交叉点,借鉴了几代黑人艺术家、活动家和学者的创造性抵抗,如尼娜·西蒙娜、兰斯顿·休斯、保罗·劳伦斯·邓巴、奥德丽·洛德、艾达·b·威尔斯、詹姆斯·鲍德温和W.E.B.杜波依斯。作为一个整体,该系列精心制作,以对抗危机时期公共卫生的非历史、非政治、种族主义和同性恋倾向。这里的三首诗来自第二部分,“COVID时代的爱//抵抗”。这些选择将社会正义、结构性种族主义、经济不平等和公共卫生历史联系起来,将公共卫生主题与黑人音乐、诗歌、文学和历史编织在一起,以(重新)框架/分析黑人、土著和其他有色人种面临的双重流行病,并对我们的存在/抵抗进行细微的叙述。《MASKS//Exposed》和《IMAGINATION//Immunity》与COVID-19有关,而《BLACK//Gold》(以嘻哈音乐创作/录制)则是COVID-19和种族化警察暴力的交汇点。《口罩//暴露》对COVID-19早期阶段的公共卫生和政治话语进行了批判性分析,借鉴公共卫生文献、批判理论和新闻媒体,对“所有人都在一起”、社会距离(隔离)和COVID-19是“机会均等感染”的主流叙事进行了质疑。“想象//免疫”以想象作为逃避/免疫为主题,以我童年对纳斯(1996年)《如果我统治被统治者(想象那)》的怀旧之情为叙事架构/脉搏,对COVID-19如何影响有幼儿的人的日常生活进行了个人反思。《黑色/金色》对COVID-19双重流行病和种族化警察暴力之间的交叉点进行了抒情分析,将对两者的批判性社会评论整合在一起,这些评论根植于结构性种族主义、种族资本主义以及认知和象征性暴力的更广泛形式/规范中。根据黑人抗议音乐的传统创作,歌词唤起了詹姆斯·鲍德温、弗朗茨·法农、阿萨塔·沙库尔和尼娜·西蒙的歌词/作品,并使用了后者演唱的“黑色是我真爱头发的颜色”和“奇怪的水果”的声乐和钢琴样本。
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引用次数: 0
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Amplify: A Journal of Writing-as-Activism
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