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Culture Is Not Always Popular最新文献

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Small Worlds 小世界
Pub Date : 1900-01-01 DOI: 10.7551/mitpress/11955.003.0038
Bruno Codenotti, Luca Foschini
In this tutorial we present some basic ideas behind the notion of Small World. We review the state-of-the-art in the eld, and put emphasis on some recent developments, in connection with analyzing the structure of the Web.
在本教程中,我们将介绍小世界概念背后的一些基本思想。我们回顾了该领域的最新进展,并重点介绍了一些与分析Web结构有关的最新发展。
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引用次数: 180
Return of the Standards Manuals; or, Revenge of the Rigid 归还标准手册;或者,僵硬者的复仇
Pub Date : 1900-01-01 DOI: 10.7551/mitpress/11955.003.0062
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引用次数: 0
Japanese Face Masks 日式口罩
Pub Date : 1900-01-01 DOI: 10.7551/mitpress/11955.003.0040
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引用次数: 0
Yoza
Pub Date : 1900-01-01 DOI: 10.7551/mitpress/11955.003.0049
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引用次数: 0
Method Designing: The Paradox of Modern Design Education 方法设计:现代设计教育的悖论
Pub Date : 1900-01-01 DOI: 10.7551/mitpress/11955.003.0061
Jessica Helfand
graphic design.A newly engaged form of critical practice is necessary, one that is no longer concerned with originality as defined by personal expression, but rather one dedicated to an inventive contextuality.We also need to imagine a historical language of design that transcends styles and is embedded in the continuity of discourse.The point is not to invent a neomodernist avant-garde and inherit all of its problems. Rather the purpose is to stake a claim for autonomy, which, like an avant-garde, is already a separation from the social demands that limit graphic design to its most marketable features. Autonomy also gives coherency to graphic design in order to resist the dispersal it currently suffers by defining the conditions and terms in which it seeks to operate. Most importantly, a space of autonomy for graphic design affords an opportunity to engage in a more critical examination of its practice, assuming that it does not lapse into a convenient formalism or cannot escape the ideology of expressionism.
平面设计。一种新的批判性实践形式是必要的,这种形式不再关注个人表达所定义的独创性,而是致力于创造性的情境。我们还需要想象一种超越风格的历史设计语言,并嵌入到话语的连续性中。问题的关键不是发明一个新现代主义先锋派,然后继承它的所有问题。相反,其目的是要求自主,这就像前卫艺术一样,已经脱离了将平面设计限制在其最具市场特征的社会需求。自治也给平面设计提供了连贯性,通过定义它寻求运作的条件和条款,以抵制它目前所遭受的分散。最重要的是,平面设计的自主空间为其实践提供了一个更批判性的检查机会,假设它不会陷入方便的形式主义或无法逃脱表现主义的意识形态。
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引用次数: 1
Toward Relational Design 走向关系设计
Pub Date : 1900-01-01 DOI: 10.7551/mitpress/11955.003.0014
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引用次数: 0
A Short Manifesto on the Future of Attention 关于注意力未来的简短宣言
Pub Date : 1900-01-01 DOI: 10.7551/mitpress/11955.003.0071
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引用次数: 0
Architecture vs. the People 建筑与人
Pub Date : 1900-01-01 DOI: 10.7551/mitpress/11955.003.0050
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引用次数: 0
Flies in Urinals: The Value of Design Disruptions 小便池中的苍蝇:设计中断的价值
Pub Date : 1900-01-01 DOI: 10.7551/mitpress/11955.003.0053
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引用次数: 0
Tell, Don’t Show: Algorithmic Thinking for Beginners 告诉,不要展示:初学者的算法思维
Pub Date : 1900-01-01 DOI: 10.7551/mitpress/11955.003.0068
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引用次数: 0
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Culture Is Not Always Popular
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