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Variations on Media Thinking最新文献

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The Art of Design: 设计的艺术:
Pub Date : 2019-10-15 DOI: 10.5749/j.ctvr6959d.11
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引用次数: 23
Acknowledgments 致谢
Pub Date : 2019-10-15 DOI: 10.5749/j.ctvr6959d.3
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引用次数: 0
Urban Music Box, Urban Hearing: 城市音乐盒、城市听觉:
Pub Date : 2019-10-15 DOI: 10.5749/j.ctvr6959d.18
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引用次数: 0
Toward a Dramaturgy of Differences 走向差异的戏剧
Pub Date : 2019-10-15 DOI: 10.5749/j.ctvr6959d.8
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引用次数: 0
Back Matter 回到问题
Pub Date : 2019-10-15 DOI: 10.5749/j.ctvr6959d.25
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引用次数: 0
From Territories to Intervals: 从领土到间隔:
Pub Date : 2019-10-15 DOI: 10.5749/j.ctvr6959d.9
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引用次数: 0
Index 指数
Pub Date : 2019-10-15 DOI: 10.5749/j.ctvr6959d.24
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引用次数: 0
Media Archaeology: 媒体考古学:
Pub Date : 2019-10-15 DOI: 10.5749/j.ctvr6959d.6
A. Galloway
Over the last decade or so, scholars in several disciplines have embarked on a series of media-archaeological excavations, sifting through the layers of early and obsolete practices and technologies of communication. The archaeological metaphor evokes both the desire to recover material traces of the past and the imperative to situate those traces in their social, cultural, and political contexts--while always watching our steps. This graduate seminar will examine some of the most important contributions to the field of media archaeology. The course follows a research studio format in which students undertake archaeological projects of their own in the area of forgotten, obsolete, or otherwise “dead” media technologies. This might include papyrus, Athanasius Kircher’s seventeenth-century magic lantern, or the common slide projector, discontinued by Kodak in 2004. Our goal is to introduce students to the skills and resources necessary for producing rigorous research on such obsolete and obscure media. It will include an exposure to scholarship in media archaeology; an intensive introduction to research methods; instruction on the localization and utilization of word, image, and sound archives; and an emphasis on restoring media artifacts to their proper social and cultural context. The course stems from the premise that media archaeology is best undertaken, like any archaeological project, collaboratively. Hence the course follows a research studio model commonly used in disciplines such as architecture or design.
在过去十年左右的时间里,几个学科的学者开始了一系列的媒体考古发掘,筛选了早期和过时的传播实践和技术。考古学的隐喻唤起了人们对恢复过去物质痕迹的渴望,以及在社会、文化和政治背景下定位这些痕迹的必要性——同时始终关注我们的脚步。这个研究生研讨会将研究媒体考古学领域的一些最重要的贡献。该课程遵循研究工作室的形式,学生在被遗忘的、过时的或其他“死亡”的媒体技术领域进行自己的考古项目。这可能包括纸莎草纸,Athanasius Kircher的17世纪神灯,或者柯达在2004年停产的普通幻灯机。我们的目标是向学生介绍对这些过时和模糊的媒体进行严格研究所需的技能和资源。它将包括接触媒体考古学的学术研究;对研究方法的深入介绍;文字、图像、声音档案的定位与利用指导;并强调将媒体文物恢复到适当的社会和文化背景中。这门课程的前提是,媒体考古学最好像任何考古项目一样,合作进行。因此,该课程遵循建筑或设计等学科中常用的研究工作室模式。
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引用次数: 0
“Too Many Images!—We Have to React”: “图像太多了!”-我们必须做出反应。
Pub Date : 2019-10-15 DOI: 10.5749/j.ctvr6959d.12
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引用次数: 0
Historic Modes of the Audiovisual Apparatus 视听设备的历史模式
Pub Date : 2019-10-15 DOI: 10.5749/j.ctvr6959d.16
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引用次数: 0
期刊
Variations on Media Thinking
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