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Framing Humanist Visions of Rome: Heritage Construction in Latin Literature 构建罗马的人文主义视野:拉丁文学的遗产建构
Pub Date : 2020-07-02 DOI: 10.1163/9789004427020_012
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引用次数: 1
Comenius: The New Tityrus of Leibniz (G.W. Leibniz, In Johannem Amosum Comenium) 《夸美纽斯:莱布尼茨的新巨著》(G.W.莱布尼茨,In Johannem Amosum Comenium)
Pub Date : 2020-07-02 DOI: 10.1163/9789004427020_009
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引用次数: 0
Epilogue: Nothing to Do with Oedipus? Towards New Roles for Classics 尾声:与俄狄浦斯无关?走向经典的新角色
Pub Date : 2020-07-02 DOI: 10.1163/9789004427020_015
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引用次数: 0
Nepos and Suetonius Meet the Early Modern Period: Some Observations on Transformations of Ancient Biographical Literature in Humanist Editions and Commentaries 尼波斯与苏顿纽斯相遇近代早期:古代传记体文学在人文主义版本与评注中的转变观察
Pub Date : 2020-07-02 DOI: 10.1163/9789004427020_011
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引用次数: 0
Of Mice and Manuscripts: Literary Reception and the Material Text 老鼠与手稿:文学接受与材料文本
Pub Date : 2020-07-02 DOI: 10.1163/9789004427020_005
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引用次数: 0
Rutilius Namatianus’ De reditu suo: The Anthropology of Reception
Pub Date : 2020-07-02 DOI: 10.1163/9789004427020_008
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引用次数: 0
Innocence Framed: Classical Myth as a Strategic Tool in Jacob Duym’s Nassausche Perseus (1606) 天真无邪:作为战略工具的古典神话在雅各布·杜姆的《拿索斯·珀尔修斯》(1606)
Pub Date : 2020-07-02 DOI: 10.1163/9789004427020_010
Jeroen Jansen
Are there any limits to the effectiveness of a written text? An interesting question perhaps, asking for the conditions under which the reader holds opinions in resistance to the writer’s framing or reframing. In 1606 Jacob Duym, a Leiden rhetorician, published a ‘Memory Book’ (Ghedenck-boeck), a compilation of six stage plays based on and recalling collective experience. They dramatize episodes of the Dutch Revolt against Spain (1568–1648) to remind the readers of the atrocities committed by the Spaniards and the hardship endured by the Princes of Orange. Since the 1560s, the Netherlands became involved in a revolt against ardent militant religious policies of Spain. After a war of iconoclasm and violent attacks by Protestants on churches and monasteries spread through the Netherlands in 1566, the catholic Spanish king Philip II send the duke of Alba (nickname: ‘The Iron Duke’) to Brussels, to repress the rebellion and root out Protestantism. Alba acted with extraordinary rigour to suppress heresies. Thousands of people facing accusations of rebellion fled to England and Germany or were executed. In this paper I will focus on framing aspects in the first play of Duym’s Ghedenck-boeck: the Nassausche Perseus, i.e. a member of the House of Nassau as Perseus, thus a combination of the myth of Perseus and Andromeda and historical topicality.1 The myth of the ill-fated Andromeda is well-known.2 The girl had been chained to a rock and fallen prey to a sea monster because of her mother’s pride. She was saved by the hero Perseus who fell in love and took her as his bride. According to the subtitle of the Ghedenck-boeck, Duym used the dramatized episodes to have his readers
书面文本的有效性有什么限制吗?这也许是一个有趣的问题,问读者在什么条件下会反对作者的框架或重构。1606年,莱顿的修辞学家Jacob Duym出版了一本“记忆书”(gehedeck -boeck),这是一本基于集体经验的六部舞台剧的汇编。他们将荷兰反抗西班牙(1568-1648)的情节戏剧化,提醒读者西班牙人犯下的暴行和奥兰治王子所忍受的苦难。从16世纪60年代开始,荷兰开始反抗西班牙激进的宗教政策。1566年,在一场破坏圣像的战争和新教徒对教堂和修道院的暴力袭击蔓延到荷兰之后,信奉天主教的西班牙国王菲利普二世派遣阿尔巴公爵(绰号:“铁公爵”)前往布鲁塞尔镇压叛乱并铲除新教。阿尔巴采取了极其严厉的行动来镇压异端邪说。成千上万面临叛乱指控的人逃到英国和德国,或者被处决。在本文中,我将重点讨论杜姆的《格登克-伯克》的第一部戏剧的框架方面:拿骚的珀尔修斯,即拿骚家族的一名成员珀尔修斯,因此是珀尔修斯和仙女座的神话与历史话题的结合命运多舛的仙女座的神话是众所周知的因为她母亲的骄傲,这个女孩被锁在一块岩石上,成为了海怪的猎物。她被英雄珀尔修斯所救,珀尔修斯爱上了她,并娶了她为新娘。根据《格登克-布克》的副标题,杜姆利用戏剧化的情节来吸引读者
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引用次数: 0
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Framing Classical Reception Studies
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