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Warring Fictions: lola Leroy and the Color of Gender 交战小说:洛拉·勒罗伊与性别色彩
Pub Date : 2020-12-31 DOI: 10.1515/9780822382393-013
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引用次数: 0
The Body Politic 政体
Pub Date : 2020-12-31 DOI: 10.1515/9780822382393-021
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引用次数: 0
A Zuni Raconteur Dons the Junco Shirt: Gender and Narrative Style in the Story of Coyote and Junco 穿着Junco衬衫的祖尼叙述者:Coyote和Junco故事中的性别和叙事风格
Pub Date : 1994-06-01 DOI: 10.2307/2927979
Siobhan Senier
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引用次数: 0
White Slaves: The Mulatto Hero in Antebellum Fiction 白人奴隶:战前小说中的黑白混血儿英雄
Pub Date : 1993-09-01 DOI: 10.2307/2927391
Nancy Bentley
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引用次数: 8
Radical Configurations of History in the Era of American Slavery 美国奴隶制时代历史的激进形态
Pub Date : 1993-09-01 DOI: 10.2307/2927392
R. Castronovo
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引用次数: 27
Mark Twain and the Diseases of the Jews 马克·吐温和犹太人的疾病
Pub Date : 1993-03-01 DOI: 10.2307/2928081
S. Gilman
Continuite et evolution de l'image de M. Twain a l'egard des juifs: Des affinites avec le modele du juif malade a la decouverte du corps juif comme signe de l'immuabilite.
马克·吐温对犹太人形象的连续性和演变:与生病的犹太人模型的亲和力发现犹太人的身体是不变的标志。
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引用次数: 3
Critiques from Within: Antebellum Projects of Resistance 来自内部的批评:内战前的抵抗计划
Pub Date : 1992-12-01 DOI: 10.2307/2927635
M. Sale
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引用次数: 5
Remodeling the Model Home in Uncle Tom's Cabin and Beloved 重塑汤姆叔叔小屋和宠儿的样板房
Pub Date : 1992-12-01 DOI: 10.2307/2927639
Lori Askeland
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引用次数: 5
Letting Go Our Grand Obsessions: Notes Toward a New Literary History of the American Frontiers 放手我们的大痴迷:对美国边疆新文学史的注释
Pub Date : 1992-03-01 DOI: 10.1002/9780470999080.CH4
A. Kolodny
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引用次数: 6
Vanishing Americans: Gender, Empire, and New Historicism 消失的美国人:性别、帝国和新历史主义
Pub Date : 1991-09-01 DOI: 10.2307/2927239
L. Romero
ULTURAL historians have identified James Fenimore Cooper's The Last of the Mohicans as one of approximately forty novels published in the U. S. between I824 and I834 that together suggest the existence of a virtual "cult of the Vanishing American" in the antebellum period. Requisite to membership in this cult was a belief that the rapid decrease in the native population noted by many Jacksonian-era observers was both spontaneous and ineluctable.1 Cooper would seem to betray his indoctrination in the cult of the vanishing American when he states in the introduction to the I83I edition of his novel that it was "the seemingly inevitable fate of all [native tribes]" to "disappear before the advances . . . of civilisation [just] as the verdure of their native forests falls before the nipping frost."2 The elegiac mode here performs the historical sleight-of-hand crucial to the topos of the doomed aboriginal: it represents the disappearance of the native as not just natural but as having already happened.3
文化历史学家认为,詹姆斯·费尼莫尔·库珀的《最后的莫希干人》是美国在1924年至1934年间出版的大约40部小说之一,这些小说加在一起表明,在内战前时期,存在着一种实际上的“对正在消失的美国人的崇拜”。成为这个邪教成员的必要条件是相信许多杰克逊时代的观察家注意到的土著人口的迅速减少是自发的和不可避免的库珀似乎背叛了他对消失的美国人的崇拜,他在他的小说I83I版的引言中说,“在进步之前消失似乎是所有(土著部落)不可避免的命运”。就像他们原始森林的青翠在霜冻来临前凋零。哀歌模式在这里表现了对注定要灭亡的土著主题至关重要的历史手法:它代表了土著的消失不仅是自然的,而且已经发生了
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引用次数: 15
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