L. Fiorentini, Ronald L. Martinez, Barbara A. Newman, M. Collins, E. Brilli, M. Gragnolati, Elena Lombardi, Giorgio Inglese, G. Milani, P. Pellegrini, Jean-Claude Schmitt, M. Tavoni, David Wallace
{"title":"Archaeology of the Tre Corone: Dante, Petrarca, and Boccaccio in Benvenuto da Imola's Commentary on the Divine Comedy","authors":"L. Fiorentini, Ronald L. Martinez, Barbara A. Newman, M. Collins, E. Brilli, M. Gragnolati, Elena Lombardi, Giorgio Inglese, G. Milani, P. Pellegrini, Jean-Claude Schmitt, M. Tavoni, David Wallace","doi":"10.1353/DAS.2018.0000","DOIUrl":"https://doi.org/10.1353/DAS.2018.0000","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121784173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Forgotten Morgan Dante Drawings, Their Influence on the Marcolini Commedia of 1544, and Their Place within a Visually-Driven Discourse on Dante's Poem","authors":"M. Collins","doi":"10.1353/DAS.2018.0003","DOIUrl":"https://doi.org/10.1353/DAS.2018.0003","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"2325 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130359345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dante 'buon sartore' (Paradiso 32.140): Textile Arts, Rhetoric, and Metapoetics at the End of the Commedia","authors":"Ronald L. Martinez","doi":"10.1353/DAS.2018.0001","DOIUrl":"https://doi.org/10.1353/DAS.2018.0001","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"136 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128751120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dante e il \"paradigma critico della contingenza\"","authors":"M. Tavoni","doi":"10.1353/DAS.2018.0010","DOIUrl":"https://doi.org/10.1353/DAS.2018.0010","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124915022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La vita di Dante iuxta propria principia","authors":"Giuliano Milani","doi":"10.1353/DAS.2018.0007","DOIUrl":"https://doi.org/10.1353/DAS.2018.0007","url":null,"abstract":"","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126914043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In Purgatorio 28, after Dante has climbed the seven-storey mountain and expiated a sin on every terrace, he attains the summit.1 There he finds the Earthly Paradise, and in it a lady all alone, singing and gathering flowers. Radiant in her innocence, she tells him about the paradisal forest, especally its twin streams of Lethe and Eunoë. Both spring from the same fountain: one to erase the memory of sin, the other to restore that of every good deed (Purg. 28.121–33). Still nameless, she leads Dante to the pageant of the Church Triumphant and the longedfor Beatrice, who gives him a tongue-lashing. But after the chastened poet has confessed, the lady of paradise fulfills her ministry by baptizing him, first in Lethe, then in Eunoë. Momentarily stunned by these events, Dante asks Beatrice something he should have already known, and she responds, “Priega / Matelda che ’l ti dica” (Purg. 33.118–19). Thus, in passing, we learn the lady’s name.
在《炼狱篇》第28篇中，但丁爬上了七层楼高的山，并在每一个台阶上赎罪后，他到达了山顶在那里，他找到了人间乐园，里面有一位女士独自一人，一边唱歌一边采花。在她的天真无邪的光芒中，她向他讲述了天堂般的森林，特别是它的孪生溪流Lethe和Eunoë。两者都来自同一个源泉:一个是为了抹去罪恶的记忆，另一个是为了恢复每一个善行的记忆(Purg. 28.121-33)。她仍然是无名的，她把但丁带到胜利教堂的庆典上，和他渴望已久的比阿特丽斯，比阿特丽斯给了他一顿痛骂。但在诗人忏悔之后，天堂的女神完成了她的使命，为他施洗，先是在《Lethe》，然后在Eunoë。但丁暂时被这些事件惊呆了，他问了比阿特丽斯一些他应该已经知道的事情，她回答说:“Priega / Matelda che ' l ti dica”(Purg. 33.118-19)。就这样，我们顺便知道了这位女士的名字。
{"title":"The Seven-Storey Mountain: Mechthild of Hackeborn and Dante's Matelda","authors":"B. Newman","doi":"10.1353/DAS.2018.0002","DOIUrl":"https://doi.org/10.1353/DAS.2018.0002","url":null,"abstract":"In Purgatorio 28, after Dante has climbed the seven-storey mountain and expiated a sin on every terrace, he attains the summit.1 There he finds the Earthly Paradise, and in it a lady all alone, singing and gathering flowers. Radiant in her innocence, she tells him about the paradisal forest, especally its twin streams of Lethe and Eunoë. Both spring from the same fountain: one to erase the memory of sin, the other to restore that of every good deed (Purg. 28.121–33). Still nameless, she leads Dante to the pageant of the Church Triumphant and the longedfor Beatrice, who gives him a tongue-lashing. But after the chastened poet has confessed, the lady of paradise fulfills her ministry by baptizing him, first in Lethe, then in Eunoë. Momentarily stunned by these events, Dante asks Beatrice something he should have already known, and she responds, “Priega / Matelda che ’l ti dica” (Purg. 33.118–19). Thus, in passing, we learn the lady’s name.","PeriodicalId":136276,"journal":{"name":"Dante Studies","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129899957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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