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Living at the End of Time最新文献

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Autumnal Tints 秋天的颜色
Pub Date : 2014-04-08 DOI: 10.1093/nq/s1-viii.212.490e
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引用次数: 3
Author’s Note 作者的注意
Pub Date : 2014-04-08 DOI: 10.2307/j.ctv1xx9c6f.4
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引用次数: 0
Beside the Green Meadow 绿草地旁
Pub Date : 2014-04-08 DOI: 10.2307/j.ctv1xx9c6f.7
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引用次数: 0
Life on Earth 地球上的生命
Pub Date : 2014-04-08 DOI: 10.5822/978-1-61091-570-0_9
Yoram Bauman, Grady Klein
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引用次数: 0
Living at the End of Time 生活在时间的尽头
Pub Date : 2014-04-08 DOI: 10.2307/j.ctv1xx9c6f
J. Mitchell
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引用次数: 3
Epilogue 后记
Pub Date : 2014-04-08 DOI: 10.2307/j.ctv1xx9c6f.19
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引用次数: 0
The Sea of Milk 牛奶之海
Pub Date : 2014-04-08 DOI: 10.2307/j.ctv1xx9c6f.17
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引用次数: 0
Uncommon Ground 不常见的地面
Pub Date : 2014-04-08 DOI: 10.2307/j.ctv1xx9c6f.5
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引用次数: 0
The Interior River 内河
Pub Date : 2014-04-08 DOI: 10.2307/j.ctv1xx9c6f.9
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引用次数: 0
The Green Man 绿人
Pub Date : 2014-04-08 DOI: 10.2307/j.ctv1xx9c6f.12
F. Robertson
The Green Man is a permanent site specific sculpture in the grounds of in the Glasgow Necropolis.The work was commissioned by "The Friends of the Necropolis" and echoes a previous project in Kennyhill Allotments,Riddrie. As part of the Wildlife garden the sculpture was used as a base for planting and as such creates a ‘Green Man’ in Glasgow’s Necropolis.Representatives from TVC Conservation Volunteers Scotland helped in planting of wild flowers alongside local school children from Haghillpark Primary School. The work is part of an ongoing research project and the second grass head sculpture I have made. The Green Man is situated within and created out of the existing urban landscape: a large pagan-like head covered in grass.. The juxtaposition between the ‘modern’, post-industrial cityscape and the pre-modern, counter-rational totem-like work is fundamental to my project; but should not be seen as an alien intrusion, rather a codification, an expression of tensions already evident in the existing geography of the city, both physical, psychological and mythic.Placing my project within an existing community, such as an allotment or the Necropolis, imbeds it further in the ‘conventional’ city and exposes wider human strata to the artwork; blurring the lines between audience and participant. The interaction with the public while building on these sites was a rewarding experience and allowed the works to become more autonomous as they evolve and are embraced by to the communities they are placed in. An viewing event was staged at the site on the 21st August 2014 (reception afterwards Cathedral House Hotel adjacent to the graveyard) where I delivered a talk about the project.The wordpress site http://greenmanprojectglasgow.com/ tracks the process of the project. The Project was supported by The Glasgow School of Art, Glasgow City Council, Dennistoun Community Council, Dennistoun Conservation Society and Foundation Scotland.
绿人是一个永久性的特定地点的雕塑在格拉斯哥墓地的理由。该作品受“墓地之友”的委托,与之前在Riddrie的Kennyhill小区的一个项目相呼应。作为野生动物花园的一部分,雕塑被用作种植基地,因此在格拉斯哥的墓地创造了一个“绿人”。TVC苏格兰保育志工的代表与当地Haghillpark小学的学童一起帮助种植野花。这件作品是我正在进行的一个研究项目的一部分,也是我制作的第二个草头雕塑。绿人位于现有的城市景观中,并在其基础上创造出来:一个覆盖着草的异教徒般的大脑袋。“现代”、后工业城市景观与前现代、反理性的图腾式作品之间的并置是我项目的基础;但不应被视为外来入侵,而应被视为一种编纂,一种对城市现有地理环境中已经显而易见的紧张关系的表达,无论是物理的、心理的还是神话的。将我的项目放置在现有的社区中,例如分配或墓地,将其进一步嵌入“传统”城市,并将更广泛的人类阶层暴露在艺术品中;模糊了观众和参与者之间的界限。在这些场地上与公众进行互动是一种有益的体验,并使作品在发展过程中变得更加自主,并被它们所处的社区所接受。2014年8月21日,现场举行了一场观景活动(接待活动结束后,接待活动在墓地附近的大教堂酒店举行),我在那里发表了关于该项目的演讲。wordpress网站http://greenmanprojectglasgow.com/跟踪项目的过程。该项目得到了格拉斯哥艺术学院、格拉斯哥市议会、丹尼斯敦社区委员会、丹尼斯敦保护协会和苏格兰基金会的支持。
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引用次数: 0
期刊
Living at the End of Time
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