Pub Date : 2022-10-31DOI: 10.32585/kawruh.v4i2.2835
S. H. Heriwati, Sularso Sularso
Ini adalah penelitian interdisiplin yang membahas fakta bahasa, sosial, dan fenomena pertunjukan Didi Kempot. Tinjauan sosiolinguistik pertunjukan digunakan sebagai paradigm kajian untuk melihat karya panggung Didi Kempot. Penelitian ini melihat bahwa terdapat hubungan yang menarik antara panggung pertunjukan Didi Kempot dengan bahasa pertunjukan. Penelitian ini memandang, panggung pertunjukan Didi Kempot tidak hanya bertindak sebagai tempat penelitian sosiolinguistik pertunjukan, tetapi juga secara bersamaan menjadi alat dan kerangka kerja bagi penelitian sosiolinguistik, sehingga kajian ini memiliki manfaat yang cukup signifikan dalam kajian interdisiplin, yakni hubungan antara musik, fenomena social, dan fenomena berbahasa. Tujuan penelitian ini adalah untuk melihat konektivitas masa lalu ke sekarang melalui lagu dalam tinjauan sosiolinguistik pertunjukan pada karya-karya panggung pertunjukan Didi Kempot. Penelitian kualitatif ini menggunakan metode etnografi virtual. Data dikumpulkan dengan teknik observasi lapangan dan terlibat dalam ruang virtual internet dengan masuk ke grup-grup “Sobat Ambyar Didi Kempot” yang ada di telegram, Instagram, dan facebook. Sedang pengamatan atas pertunjukan Didi Kemepot dilakukan dengan menggunakan platform youtube. Analisis dilakukan dengan mengidentifikasi terlebihdahulu indeksikalitas bahasa yang berpadu dengan pertunjukan musik, gerakan dan respon penonton terhadap penampilan Didi Kempot di panggung pertunjukan. Hasil penelitian ini menemukan bahwa, transmisi nilai-nilai budaya, dan makna konseptual bahasa pertunjukan menjadi ruang ekspresi bagi “Sobat Ambyar Didi Kempot,” kami juga melihat bagaimana sosiolinguistik pertunjukan mampu menunjukkan berbagi ragam budaya berbahasa dalam panggung pertunjukan, seperti munculnya istilah sobat ambyar, cendol dawet, raja campursari, Godfather of Broken Heart, Lord Didi, patah hati tanpa harus merasakan cinta, sebagai ekspresi berbahasa dalam panggung pertunjukan Didi Kempot.
{"title":"Lagu menghubungkan masa lalu dengan masa kini: Analisis sosiolinguistik pertunjukan Didi Kempot","authors":"S. H. Heriwati, Sularso Sularso","doi":"10.32585/kawruh.v4i2.2835","DOIUrl":"https://doi.org/10.32585/kawruh.v4i2.2835","url":null,"abstract":"Ini adalah penelitian interdisiplin yang membahas fakta bahasa, sosial, dan fenomena pertunjukan Didi Kempot. Tinjauan sosiolinguistik pertunjukan digunakan sebagai paradigm kajian untuk melihat karya panggung Didi Kempot. Penelitian ini melihat bahwa terdapat hubungan yang menarik antara panggung pertunjukan Didi Kempot dengan bahasa pertunjukan. Penelitian ini memandang, panggung pertunjukan Didi Kempot tidak hanya bertindak sebagai tempat penelitian sosiolinguistik pertunjukan, tetapi juga secara bersamaan menjadi alat dan kerangka kerja bagi penelitian sosiolinguistik, sehingga kajian ini memiliki manfaat yang cukup signifikan dalam kajian interdisiplin, yakni hubungan antara musik, fenomena social, dan fenomena berbahasa. Tujuan penelitian ini adalah untuk melihat konektivitas masa lalu ke sekarang melalui lagu dalam tinjauan sosiolinguistik pertunjukan pada karya-karya panggung pertunjukan Didi Kempot. Penelitian kualitatif ini menggunakan metode etnografi virtual. Data dikumpulkan dengan teknik observasi lapangan dan terlibat dalam ruang virtual internet dengan masuk ke grup-grup “Sobat Ambyar Didi Kempot” yang ada di telegram, Instagram, dan facebook. Sedang pengamatan atas pertunjukan Didi Kemepot dilakukan dengan menggunakan platform youtube. Analisis dilakukan dengan mengidentifikasi terlebihdahulu indeksikalitas bahasa yang berpadu dengan pertunjukan musik, gerakan dan respon penonton terhadap penampilan Didi Kempot di panggung pertunjukan. Hasil penelitian ini menemukan bahwa, transmisi nilai-nilai budaya, dan makna konseptual bahasa pertunjukan menjadi ruang ekspresi bagi “Sobat Ambyar Didi Kempot,” kami juga melihat bagaimana sosiolinguistik pertunjukan mampu menunjukkan berbagi ragam budaya berbahasa dalam panggung pertunjukan, seperti munculnya istilah sobat ambyar, cendol dawet, raja campursari, Godfather of Broken Heart, Lord Didi, patah hati tanpa harus merasakan cinta, sebagai ekspresi berbahasa dalam panggung pertunjukan Didi Kempot.","PeriodicalId":140392,"journal":{"name":"Kawruh : Journal of Language Education, Literature and Local Culture","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129762959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Penelitian ini bertujuan untuk mendeskripsikan unsur-unsur instrinsik dan mendeskripsikan konflik psikis tokoh dalam cerbung Mikul Dhuwur Mendhem Jero karya Tiyasti. Sejauh pengamatan penulis, cerbung Mikul Dhuwur Mendhem Jero karya Tiyasti belum diteliti dari sisi psikoanalisis Freud. Oleh karena itu, penelitian ini dilakukan. Urgensi penelitian ini yaitu sebagai usaha untuk mengungkap unsur kepribadian tokoh di dalam cerbung Mikul Dhuwur mendhem Jero karya Tiyasti. Dengan mengetahui aspek psikologi tokoh di dalam cerbung Mikul Dhuwur Mendhem Jero dapat memberikan pengajaran mengenai perilaku yang baik maupun yang kurang baik. Jenis penelitian ini adalah penelitian deskriptif kualitatif. Sumber data penelitian yaitu cerbung Mikul Dhuwur Mendhem Jero edisi 07 Januari-01 April Tahun 2017. Data penelitian ini berupa kutipan-kutipan teks yang mengandung unsur instrinsik dan kajian psikologi pada cerbung Mikul Dhuwur Mendhem Jero. Teknik pengumpulan data menggunakan teknik simak catat dan teknik pustaka. Teknik analisis data menggunakan teknik analisis isi. Hasil penelitian diperoleh: (1) unsur instrinsik meliputi (a) tema: Membahagiakan orang tua dengan cara sekolah yang sungguh-sungguh dan bekerja; (b) tokoh dan penokohan terdiri dari tokoh utama: Ambarini dan Pratiwi, tokoh tambahan: Wahyuningrum, Dhokter Warsita, Bu Warsana, Setyarini; (c) alur yang digunakan adalah alur maju; (d) latar terdiri dari latar tempat, latar waktu, dan latar sosial; (2) psikologi konflik psikis tokoh dalam cerbung Mikul Dhuwur Mendhem Jero karya Tiyasti mengungkapkan tentang dinamika dan proses kejiwaan tokoh-tokoh yang dipengaruhi oleh faktor lingkungan sosial kehidupan seseorang yang berlatar belakang masyarakat kota.
本研究旨在描述本能的元素，并描述Tiyasti诗歌中人物的心灵冲突。就作者而言，Tiyasti的cerbung dhem Jero还没有受到弗洛伊德精神分析方面的研究。因此，这项研究进行了。这项研究的紧迫性是为了揭露Tiyasti领域中人物性格的要素。了解cerkul dhumendhem Jero中人物的心理方面，可以教授好的和坏的行为。这种研究是一种描述性质的研究。研究数据来源:2017年4月1月1日至1日。本研究的数据包括肠神经学和心理学的文本引用。数据收集技术采用对记录和库技术。使用内容分析技术进行数据分析。获得的研究结果:(1)instrinsik的要素包括(a)主题:通过认真的学校和工作方式让父母快乐;(b)角色和角色包括主要人物:Ambarini和Pratiwi，补充人物:Wahyuningrum, Dhokter Warsita, Bu Warsana, Setyarini;(c)所使用的凹槽是前向凹槽;(d)背景包括地点、时间和社会背景;(2) Tiyasti的《cerkul Dhuwur dhem Jero》中的心理冲突心理人物揭示了受城市社会环境因素影响的人物的动态和精神过程。
{"title":"Aspek Penokohan dalam Cerbung Mikul Dhuwur Mendhem Jero Karya Tiyasti: Kajian Psikologi Sastra","authors":"Waris Ambar Rejeki, Herlina Setyowati, Aris Aryanto","doi":"10.32585/kawruh.v4i2.2213","DOIUrl":"https://doi.org/10.32585/kawruh.v4i2.2213","url":null,"abstract":"Penelitian ini bertujuan untuk mendeskripsikan unsur-unsur instrinsik dan mendeskripsikan konflik psikis tokoh dalam cerbung Mikul Dhuwur Mendhem Jero karya Tiyasti. Sejauh pengamatan penulis, cerbung Mikul Dhuwur Mendhem Jero karya Tiyasti belum diteliti dari sisi psikoanalisis Freud. Oleh karena itu, penelitian ini dilakukan. Urgensi penelitian ini yaitu sebagai usaha untuk mengungkap unsur kepribadian tokoh di dalam cerbung Mikul Dhuwur mendhem Jero karya Tiyasti. Dengan mengetahui aspek psikologi tokoh di dalam cerbung Mikul Dhuwur Mendhem Jero dapat memberikan pengajaran mengenai perilaku yang baik maupun yang kurang baik. Jenis penelitian ini adalah penelitian deskriptif kualitatif. Sumber data penelitian yaitu cerbung Mikul Dhuwur Mendhem Jero edisi 07 Januari-01 April Tahun 2017. Data penelitian ini berupa kutipan-kutipan teks yang mengandung unsur instrinsik dan kajian psikologi pada cerbung Mikul Dhuwur Mendhem Jero. Teknik pengumpulan data menggunakan teknik simak catat dan teknik pustaka. Teknik analisis data menggunakan teknik analisis isi. Hasil penelitian diperoleh: (1) unsur instrinsik meliputi (a) tema: Membahagiakan orang tua dengan cara sekolah yang sungguh-sungguh dan bekerja; (b) tokoh dan penokohan terdiri dari tokoh utama: Ambarini dan Pratiwi, tokoh tambahan: Wahyuningrum, Dhokter Warsita, Bu Warsana, Setyarini; (c) alur yang digunakan adalah alur maju; (d) latar terdiri dari latar tempat, latar waktu, dan latar sosial; (2) psikologi konflik psikis tokoh dalam cerbung Mikul Dhuwur Mendhem Jero karya Tiyasti mengungkapkan tentang dinamika dan proses kejiwaan tokoh-tokoh yang dipengaruhi oleh faktor lingkungan sosial kehidupan seseorang yang berlatar belakang masyarakat kota.","PeriodicalId":140392,"journal":{"name":"Kawruh : Journal of Language Education, Literature and Local Culture","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127446986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-31DOI: 10.32585/kawruh.v4i2.2342
Onok Yayang Pamungkas, Silmi Zulaikha, Diah Ana Khusnul Khotimah
{"title":"Realisme Magis dalam Novel Sang Nyai 3 Karya Budi Sardjono","authors":"Onok Yayang Pamungkas, Silmi Zulaikha, Diah Ana Khusnul Khotimah","doi":"10.32585/kawruh.v4i2.2342","DOIUrl":"https://doi.org/10.32585/kawruh.v4i2.2342","url":null,"abstract":"","PeriodicalId":140392,"journal":{"name":"Kawruh : Journal of Language Education, Literature and Local Culture","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114811545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-30DOI: 10.32585/kawruh.v4i1.2267
H. Harsono, Adi Deswijaya, Pradnya Paramita Hapsari, Agus Efendi
{"title":"Degradasi Tradisi : Pernikahan Jawa Pada Masa Pandemi Covid-19","authors":"H. Harsono, Adi Deswijaya, Pradnya Paramita Hapsari, Agus Efendi","doi":"10.32585/kawruh.v4i1.2267","DOIUrl":"https://doi.org/10.32585/kawruh.v4i1.2267","url":null,"abstract":"","PeriodicalId":140392,"journal":{"name":"Kawruh : Journal of Language Education, Literature and Local Culture","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114876763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-30DOI: 10.32585/kawruh.v4i1.2246
Wahyu Dini Septiari
Listening skills for some teachers are more on listening skills, not on listening as a process and mechanics so that skills in technological sophistication are needed as interesting learning media. Technology can be used to help students develop listening skills through information technology, one of which is "Tik-Tok" with various available pages. Each type of technology provides opportunities for students to explore their listening strategies and in some cases develop new strategies. This study uses a descriptive method using a qualitative approach. In this case, the researcher is not directly involved in the object of study but only as an observer of the object of study contained in the contents of the "TikTok" account. The note-taking technique is carried out to record and select the elements that are listened to from social media or information technology "Tik-Tok" in Procedure Text learning then written into data paper. The purpose of the research is that with tiktok media students can observe, listen to technology, besides that listening is not only tangible in writing but with the digital era through tiktok video media students will understand in more detail listening with technology. Development of better listening skills and exploiting old technology or new technology in various ways in order to meet the needs of students in responding to changes and developments in listening learning technology. The conclusion is that listening with technology media provides new insights and new knowledge in listening skills, students are more enthusiastic to understand in depth than listening using technology, students can get to know better and become familiar with technology.
{"title":"Keterampilan Menyimak Teks Prosedur Melalui Teknologi Informasi “Tik-Tok”","authors":"Wahyu Dini Septiari","doi":"10.32585/kawruh.v4i1.2246","DOIUrl":"https://doi.org/10.32585/kawruh.v4i1.2246","url":null,"abstract":"Listening skills for some teachers are more on listening skills, not on listening as a process and mechanics so that skills in technological sophistication are needed as interesting learning media. Technology can be used to help students develop listening skills through information technology, one of which is \"Tik-Tok\" with various available pages. Each type of technology provides opportunities for students to explore their listening strategies and in some cases develop new strategies. This study uses a descriptive method using a qualitative approach. In this case, the researcher is not directly involved in the object of study but only as an observer of the object of study contained in the contents of the \"TikTok\" account. The note-taking technique is carried out to record and select the elements that are listened to from social media or information technology \"Tik-Tok\" in Procedure Text learning then written into data paper. The purpose of the research is that with tiktok media students can observe, listen to technology, besides that listening is not only tangible in writing but with the digital era through tiktok video media students will understand in more detail listening with technology. Development of better listening skills and exploiting old technology or new technology in various ways in order to meet the needs of students in responding to changes and developments in listening learning technology. The conclusion is that listening with technology media provides new insights and new knowledge in listening skills, students are more enthusiastic to understand in depth than listening using technology, students can get to know better and become familiar with technology.","PeriodicalId":140392,"journal":{"name":"Kawruh : Journal of Language Education, Literature and Local Culture","volume":"380 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131758895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kesantunan Berbahasa Dalam Cerita Bersambung Mikul dhuwur Mendhem Jero Karya Tiyasti Dalam Majalah Djaka Lodang Tahun 2017","authors":"Anirotul Hikmah, Aris Aryanto, Yuli Widiyono, Herlina Setyowati","doi":"10.32585/kawruh.v4i1.2218","DOIUrl":"https://doi.org/10.32585/kawruh.v4i1.2218","url":null,"abstract":"","PeriodicalId":140392,"journal":{"name":"Kawruh : Journal of Language Education, Literature and Local Culture","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127510359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-20DOI: 10.32585/kawruh.v4i1.2248
Afifudin Siti As`ari, D. Darmoko
This paper discusses the essential of power in the wayang play entitled Wahyu Purba Sejati by Ki Seno Nugroho. There are quite a number of wayang kulit purwa plays with the theme of revelation, such as: Wahyu Makutharama, Wahyu Purba Kayun, Wahyu Darma, Wahyu Pancadarma, and others. One of wayang kulit purwa play that is unique in the last decade is Wahyu Purba Sejati play, presented by Ki Seno Nugroho. The power in this play is divided into four, namely Cahyaningrat, Reksakaningrat, Yuwananingrat, and Wimbaningrat. How the essential of power is constructed in the play Wahyu Purba Sejati by Ki Seno Nugroho is the main problem in this research. Creswell's qualitative method and Benedict Anderson's theory of power are used to analyze this issue of power. The study resulted in the finding that the concept of power in the play Wahyu Purba Sejati essentially refers to the gift of God's supernatural power given to humans who like to do inner work in a quiet place in their orientation to create world peace. Power is knowledge that contains subtleties, achieved through athe process of implementing self-control which functions to maintain world harmony by eradicating chaos, injustice and unrighteousness, in order to create a safe, peaceful, prosperous life. This study concludes that power is cosmic and magical (supernatural) which is represented by the acquisition of revelation as a manifestation of the achievement of certain social strata (wahyu kraton, wahyu patih, wahyu wahdat, and wahyu induk). Power is not only a tool that has the potential to be destructive, but it can also potentially be a means to meddle hayuningbawana (seek world peace).
本文探讨了基·塞诺·努格罗霍创作的瓦扬剧《Wahyu Purba Sejati》中的权力本质。有相当多的wayang kulit purwa以启示为主题，例如:Wahyu Makutharama, Wahyu Purba Kayun, Wahyu Darma, Wahyu Pancadarma等。在过去十年中，Wahyu Purba Sejati戏剧是一种独特的wayang kulit purwa戏剧，由Ki Seno Nugroho呈现。本剧的权力分为四种，即Cahyaningrat、Reksakaningrat、Yuwananingrat和Wimbaningrat。在Ki Seno Nugroho的戏剧《Wahyu Purba Sejati》中，权力的本质是如何建构的是本研究的主要问题。本文运用克雷斯韦尔的定性方法和安德森的权力理论来分析权力问题。研究结果发现，《Wahyu Purba Sejati》中的力量概念本质上是指上帝赋予那些喜欢在安静的地方做内心工作的人的超自然力量，他们的方向是创造世界和平。权力是包含微妙的知识，通过实施自我控制的过程来实现，通过消除混乱，不公正和不义来维持世界和谐，以创造一个安全，和平，繁荣的生活。这项研究的结论是，权力是宇宙的和神奇的(超自然的)，它表现为获得启示，作为某些社会阶层(wahyu kraton, wahyu patih, wahyu wahdat和wahyu induk)成就的表现。权力不仅是一种具有潜在破坏性的工具，而且也可能是一种干预世界和平的手段。
{"title":"Hakikat Kekuasaan Dalam Lakon Wahyu Purba Sejati Karya Ki Seno Nugroho","authors":"Afifudin Siti As`ari, D. Darmoko","doi":"10.32585/kawruh.v4i1.2248","DOIUrl":"https://doi.org/10.32585/kawruh.v4i1.2248","url":null,"abstract":"This paper discusses the essential of power in the wayang play entitled Wahyu Purba Sejati by Ki Seno Nugroho. There are quite a number of wayang kulit purwa plays with the theme of revelation, such as: Wahyu Makutharama, Wahyu Purba Kayun, Wahyu Darma, Wahyu Pancadarma, and others. One of wayang kulit purwa play that is unique in the last decade is Wahyu Purba Sejati play, presented by Ki Seno Nugroho. The power in this play is divided into four, namely Cahyaningrat, Reksakaningrat, Yuwananingrat, and Wimbaningrat. How the essential of power is constructed in the play Wahyu Purba Sejati by Ki Seno Nugroho is the main problem in this research. Creswell's qualitative method and Benedict Anderson's theory of power are used to analyze this issue of power. The study resulted in the finding that the concept of power in the play Wahyu Purba Sejati essentially refers to the gift of God's supernatural power given to humans who like to do inner work in a quiet place in their orientation to create world peace. Power is knowledge that contains subtleties, achieved through athe process of implementing self-control which functions to maintain world harmony by eradicating chaos, injustice and unrighteousness, in order to create a safe, peaceful, prosperous life. This study concludes that power is cosmic and magical (supernatural) which is represented by the acquisition of revelation as a manifestation of the achievement of certain social strata (wahyu kraton, wahyu patih, wahyu wahdat, and wahyu induk). Power is not only a tool that has the potential to be destructive, but it can also potentially be a means to meddle hayuningbawana (seek world peace).","PeriodicalId":140392,"journal":{"name":"Kawruh : Journal of Language Education, Literature and Local Culture","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116840097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-19DOI: 10.32585/kawruh.v4i1.2193
Andrik Purwasito, Erwin Kartinawati
This paper departs from the fact that capitalism has reached the stage of complete domination and hegemony. Art products, the art market, and creators are strongly influenced by the ups and downs of the market, the atmosphere and monetary stability, and market players such as auction houses, curators, collectors, collectors, art dealers, patronage, and the mass media. In such a position, it raises the question of how the position of the creator and his work in dealing with enthusiasts and observers of art, markets, and capitalism. Do the creators voluntarily submit and obey the choice to join the capitalist game, or do the creators have a strong bargaining position to maintain idealism and enthusiasm not to get caught up in the game of capital and political games. It is a document study, this article to answer the above questions. As a result, there are two perspectives: first, the perspective of artwork as a commodity that occurs in the current era, and the
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Pub Date : 2022-04-18DOI: 10.32585/kawruh.v4i1.2245
Siti Rodliyah
The Belis tradition has been carried out by the people of Flores since hundreds of years ago. The belis tradition is part of the customary law of marriage in the cultural area of the Flores community. The term belis can be matched with the meaning of a dowry or an award given by a male family to a female family for proposing to a woman who will then enter into a male family clan or tribe. This study aims to reveal the formation of the female body in the Belis tradition of the Flores community. The research method uses descriptive qualitative method with content analysis techniques. The result is that the tradition of giving belis is maintained as a guarantor of human reproduction. The belis tradition which later became the great narrative of the Flores culture, made it a very strong cultural logocentrism. Belis tradition can be said as a reaction to the doctrine that women have reproductive tasks like machines. In conclusion, it can be said that this belis tradition is also the background of the Flores woman's body. The female body becomes a metaphor for mapping social life to reflect reality. In the end, it is increasingly recognized that perception of the body is more a sociocultural construct.
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Pub Date : 2021-10-31DOI: 10.32585/KAWRUH.V3I2.1917
Kinanti Oktaviani, D. Darmoko
Penelitian ini mengkaji memayu hayuning bawana dalam lakon Canus Dakwa karya Ki Ditya Aditya. lakon Canus dakwa yang berisi nilai-nilai kesucian dan kejujuran dipergunakan sebagai sarana memayu hayuning bawana (kebahagiaan, kesejahteraan, dan keselamatan dunia). Analisi pada tokoh penokohan dan rangkaian peristiwa pada adegan serta nilai-nilai budaya yang terdapat dalam lakon. Data penelitian berupa video yang diunggah di chanel youtube Budaya Maju. Metode deskriptif kualitatif, pendekatan objektif, kerangka konseptual teoritis tentang etika Jawa dari Franz Magnis Suseno, dan kerangka konseptual teoritis tentang Memayu Hayuning Bawana dari De Jong digunakan dalam peneitia ini. Hasil penelitian ini menunjukkan bahwa kesucian dan kejujuran merupakan citra dari tokoh Canus; kesucian dan kejujuran sebagai manifestasi dari kekuasaan; golok cabang, kopyah wareng, dan kendil wesi sebagai manifestasi dari keagungan keraton; dan Canus sebagai manifestasi dari wahyu Sumber Rezeki. Kesucian dan kejujuran beserta prasarana beserta dan ekspresi simboliknya dipergunakan sebagai sarana untuk memayu hayuning bawana. Hasil penelitian ini untuk memberikan kontribusi keilmuan sastra dan budaya Jawa.
{"title":"Memayu Hayuning Bawana dalam Lakon Canus Dakwa Karya Ki Ditya Aditya","authors":"Kinanti Oktaviani, D. Darmoko","doi":"10.32585/KAWRUH.V3I2.1917","DOIUrl":"https://doi.org/10.32585/KAWRUH.V3I2.1917","url":null,"abstract":"Penelitian ini mengkaji memayu hayuning bawana dalam lakon Canus Dakwa karya Ki Ditya Aditya. lakon Canus dakwa yang berisi nilai-nilai kesucian dan kejujuran dipergunakan sebagai sarana memayu hayuning bawana (kebahagiaan, kesejahteraan, dan keselamatan dunia). Analisi pada tokoh penokohan dan rangkaian peristiwa pada adegan serta nilai-nilai budaya yang terdapat dalam lakon. Data penelitian berupa video yang diunggah di chanel youtube Budaya Maju. Metode deskriptif kualitatif, pendekatan objektif, kerangka konseptual teoritis tentang etika Jawa dari Franz Magnis Suseno, dan kerangka konseptual teoritis tentang Memayu Hayuning Bawana dari De Jong digunakan dalam peneitia ini. Hasil penelitian ini menunjukkan bahwa kesucian dan kejujuran merupakan citra dari tokoh Canus; kesucian dan kejujuran sebagai manifestasi dari kekuasaan; golok cabang, kopyah wareng, dan kendil wesi sebagai manifestasi dari keagungan keraton; dan Canus sebagai manifestasi dari wahyu Sumber Rezeki. Kesucian dan kejujuran beserta prasarana beserta dan ekspresi simboliknya dipergunakan sebagai sarana untuk memayu hayuning bawana. Hasil penelitian ini untuk memberikan kontribusi keilmuan sastra dan budaya Jawa.","PeriodicalId":140392,"journal":{"name":"Kawruh : Journal of Language Education, Literature and Local Culture","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125632336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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