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Motifs : An International Journal of English Studies最新文献

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Sarojini Naidu: A Portrayal of Leeway Sarojini Naidu:自由的写照
Pub Date : 1900-01-01 DOI: 10.5958/2454-1753.2019.00010.2
Annebell Singh
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引用次数: 0
William Blake: A Never Understood Parent 威廉·布莱克:一位永远无法理解的父母
Pub Date : 1900-01-01 DOI: 10.5958/2454-1753.2019.00001.1
P. Cornelius
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引用次数: 0
Globalization and it's Socio-cultural Impact on India 全球化及其对印度社会文化的影响
Pub Date : 1900-01-01 DOI: 10.5958/2454-1753.2019.00004.7
Kumud Khatri
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引用次数: 0
Please Stop for a Moment and Do Nothing 请停一会儿,什么也不做
Pub Date : 1900-01-01 DOI: 10.5958/2454-1753.2019.00011.4
Samreen Maharaj
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引用次数: 0
The Symbolic Characters of the Proxy Series 《代理》系列的象征人物
Pub Date : 1900-01-01 DOI: 10.5958/2454-1753.2019.00008.4
Harsh M. Vyas
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引用次数: 0
The Dynamics of Culture and Gender: Reflections in English Literature 文化与性别的动态:在英国文学中的反思
Pub Date : 1900-01-01 DOI: 10.5958/2454-1753.2019.00006.0
Silima Nanda
The study of gender is multi-dimensional; as it crosses the bounds of history, anthropology, sociology, psychology and organisational development. Gender is known to be socially constructed and is learned through social interactions and influences of people around us. Culture definitely plays a major role in the determination of gender. In order to determine gender identity and gender representation, we need to distinguish between ‘gender’ and ‘sex’. Gender derived from the Latin word ‘genus’ meaning kind or race refers to the psycho-social aspects that are constructed by culture, whereas sex derived from the Latin word ‘sexus’ refers to biological aspects of masculinity/femininity. It is relevant that while discussing gender stereotypes one must consider both these terms. From the moment a child is born he or she is assailed with messages of what it means to be a ‘boy’ or a ‘girl’. Masculinity for male and femininity for female are embedded in their gender (socially constructed) and not in their sex (biological). However, the ‘culture’ as determinant factor varies in respect of female or male behaviour. S for instance, women in Saudi Arabian culture are not allowed to drive cars, whereas women in the US enjoy the freedom to drive cars. So gender is looked differently across different cultures and through different time periods. A few literary texts have been examined to reflect a deeper understanding of gender and culture.
性别研究是多维度的;因为它跨越了历史、人类学、社会学、心理学和组织发展的界限。众所周知,性别是社会建构的,是通过社会互动和周围人的影响习得的。文化在决定性别方面无疑起着重要作用。为了确定性别认同和性别代表,我们需要区分“性别”和“性”。源自拉丁语“genus”的“Gender”意为“种类”或“种族”,指的是由文化构建的心理社会方面,而源自拉丁语“sexus”的“sex”指的是男性气质/女性气质的生理方面。在讨论性别刻板印象时,必须考虑这两个术语,这是相关的。从孩子出生的那一刻起,他或她就被“男孩”或“女孩”的含义所困扰。男性的男子气概和女性的女性气质根植于他们的性别(社会建构),而不是他们的生理性别(生理)。然而,作为决定因素的“文化”在女性或男性行为方面有所不同。例如,在沙特阿拉伯文化中,女性是不允许开车的,而在美国,女性则享有开车的自由。所以在不同的文化和不同的时期,对性别的看法是不同的。研究了一些文学文本,以反映对性别和文化的更深层次的理解。
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引用次数: 1
The Immortal Philosophy of Adversity and Duty 逆境与责任的不朽哲学
Pub Date : 1900-01-01 DOI: 10.5958/2454-1753.2019.00009.6
Vindhya Kawatra
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引用次数: 0
A Probe of Myths and Anti-hegemonic Values in Shahid Nadeem's Plays 沙希德·纳迪姆戏剧中的神话与反霸权价值观探析
Pub Date : 1900-01-01 DOI: 10.5958/2454-1753.2019.00005.9
Mubashar Altaf, K. Khan, Komal Feroz, A. Noreen
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引用次数: 0
A Study of Unreliable Narrators In Akutagawa's in a Grove 芥川《树林里》中不可靠叙述者研究
Pub Date : 1900-01-01 DOI: 10.5958/2454-1753.2019.00003.5
Hansmita Priyavrat
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引用次数: 0
Themes in Kamala Das Poetry 卡玛拉Das诗歌的主题
Pub Date : 1900-01-01 DOI: 10.5958/2454-1753.2019.00007.2
Meghna Goyal
Kamala Das was born on 31st March’ 1934 in Malabar, Kerala. Kamala's love for writing sprouted at a very early young age of 14 years. Though she had an impeccable command over Malayalam and English language but found an instinctive inclination towards English as a medium for her expression. She was one of the Confessional Poets like Robert Lowell, Sylvia Plath, Anne Sexton and many others. Das was married at an early age of 15 years, which made a great impact on her poetry. Kamala Das is the First Indian woman who wrote very openly on Love and Sex. Her poems have a touch of true love, sex, isolation, sufferings and also quest for identity. Her poems are not only subjective but also have elements of her autobiography in it. Kamala Das used a pen name “Madhavikutty”. Das has also written her autobiography “My Story” in which she has honestly expressed all that she has faced and also very frankly accepted all the extramarital affairs she had. She writes autobiographically, “All the pain unexpressed and the sad tales left untold made me recklessly and in protest.” Being unloved made her a feminist writer.
卡玛拉·达斯1934年3月31日出生在喀拉拉邦的马拉巴尔。卡玛拉对写作的热爱从14岁就开始了。虽然她对马拉雅拉姆语和英语的掌握无懈可击,但她发现自己本能地倾向于用英语作为表达的媒介。她和罗伯特·洛厄尔、西尔维娅·普拉斯、安妮·塞克斯顿等人一样,都是自白派诗人。达斯早在15岁时就结婚了,这对她的诗歌产生了很大的影响。卡玛拉·达斯是第一位公开写爱与性的印度女性。她的诗有真爱、性、孤独、痛苦和对身份的追求。她的诗既有主观性,又有自传的成分。卡玛拉·达斯的笔名是“Madhavikutty”。达斯还写了她的自传《我的故事》,在这本书中,她诚实地表达了她所面对的一切,也非常坦率地接受了她所有的婚外情。她在自传中写道:“所有未表达的痛苦和未说出口的悲伤故事,让我不顾一切地抗议。”不被爱使她成为女权主义作家。
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引用次数: 0
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Motifs : An International Journal of English Studies
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