Pub Date : 2019-07-23DOI: 10.7765/9781526133137.00005
P. Newland, B. Hoyle
{"title":"Introduction – British art cinema","authors":"P. Newland, B. Hoyle","doi":"10.7765/9781526133137.00005","DOIUrl":"https://doi.org/10.7765/9781526133137.00005","url":null,"abstract":"","PeriodicalId":146541,"journal":{"name":"British art cinema","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126706951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-23DOI: 10.7765/9781526133137.00020
Phil Wickham
{"title":"Don Boyd and the business of art cinema","authors":"Phil Wickham","doi":"10.7765/9781526133137.00020","DOIUrl":"https://doi.org/10.7765/9781526133137.00020","url":null,"abstract":"","PeriodicalId":146541,"journal":{"name":"British art cinema","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115577526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-23DOI: 10.7765/9781526133137.00012
R. Shail
{"title":"The parameters of British art cinema","authors":"R. Shail","doi":"10.7765/9781526133137.00012","DOIUrl":"https://doi.org/10.7765/9781526133137.00012","url":null,"abstract":"","PeriodicalId":146541,"journal":{"name":"British art cinema","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128920517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-23DOI: 10.7765/9781526133137.00007
Owen Evans
The inclusion of Humphrey Jennings, the great documentary filmmaker, in a collection exploring British art cinema might cause eyebrows to be raised. This chapter will argue, nevertheless, that he belongs in any such survey. It will argue that he needs to be seen first and foremost as a poet in the broadest sense of that word, whose entire oeuvre is characterised by a fascination with images, and that any appreciation of his films needs to take into account the full scope and diversity of his work. He can thus be seen as an example of the ‘expressive individual’ David Bordwell has argued is fundamental to art cinema (1979: 720). Indeed, by virtue of his polymathic abilities, his musings on formal and stylistic art traditions and his own practice, Jennings might be seen alongside the likes of artists-as-filmmakers Pier Paolo Pasolini and Andrej Tarkovsky. As such, any study seeking to provide a more nuanced and broader understanding of British art cinema should find space for Humphrey Jennings, especially at a time when his film work has been re-released for the benefit of contemporary audiences.
{"title":"Humphrey Jennings","authors":"Owen Evans","doi":"10.7765/9781526133137.00007","DOIUrl":"https://doi.org/10.7765/9781526133137.00007","url":null,"abstract":"The inclusion of Humphrey Jennings, the great documentary filmmaker, in a collection exploring British art cinema might cause eyebrows to be raised. This chapter will argue, nevertheless, that he belongs in any such survey. It will argue that he needs to be seen first and foremost as a poet in the broadest sense of that word, whose entire oeuvre is characterised by a fascination with images, and that any appreciation of his films needs to take into account the full scope and diversity of his work. He can thus be seen as an example of the ‘expressive individual’ David Bordwell has argued is fundamental to art cinema (1979: 720). Indeed, by virtue of his polymathic abilities, his musings on formal and stylistic art traditions and his own practice, Jennings might be seen alongside the likes of artists-as-filmmakers Pier Paolo Pasolini and Andrej Tarkovsky. As such, any study seeking to provide a more nuanced and broader understanding of British art cinema should find space for Humphrey Jennings, especially at a time when his film work has been re-released for the benefit of contemporary audiences.","PeriodicalId":146541,"journal":{"name":"British art cinema","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116021554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-23DOI: 10.7765/9781526133137.00015
D. Forrest
{"title":"Art cinema and the British poetic realist tradition","authors":"D. Forrest","doi":"10.7765/9781526133137.00015","DOIUrl":"https://doi.org/10.7765/9781526133137.00015","url":null,"abstract":"","PeriodicalId":146541,"journal":{"name":"British art cinema","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122287102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-23DOI: 10.7765/9781526133137.00023
{"title":"Index","authors":"","doi":"10.7765/9781526133137.00023","DOIUrl":"https://doi.org/10.7765/9781526133137.00023","url":null,"abstract":"","PeriodicalId":146541,"journal":{"name":"British art cinema","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132727131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-23DOI: 10.7765/9781526133137.00004
Y. Ariel
Yaakov Ariel is Professor of Jewish History in the Department of Religious Studies at the University of North Carolina, Chapel Hill. He is also Director of the Minor of Christianity and Culture and Co-director of the Center for Jewish Studies. His areas of scholarly interest include Judaism and Evangelical Christianity in America, and the relationship between these two religious communities. Among his publications are: On Behalf of Israel: American Fundamentalist Attitudes Towards the Jewish People and Zionism (1991); Evangelizing the Chosen People: Missions to the Jews in America 1880–2000 (2000); and An Unusual Relationship: Evangelical Christians and Jews (2013).
{"title":"List of contributors","authors":"Y. Ariel","doi":"10.7765/9781526133137.00004","DOIUrl":"https://doi.org/10.7765/9781526133137.00004","url":null,"abstract":"Yaakov Ariel is Professor of Jewish History in the Department of Religious Studies at the University of North Carolina, Chapel Hill. He is also Director of the Minor of Christianity and Culture and Co-director of the Center for Jewish Studies. His areas of scholarly interest include Judaism and Evangelical Christianity in America, and the relationship between these two religious communities. Among his publications are: On Behalf of Israel: American Fundamentalist Attitudes Towards the Jewish People and Zionism (1991); Evangelizing the Chosen People: Missions to the Jews in America 1880–2000 (2000); and An Unusual Relationship: Evangelical Christians and Jews (2013).","PeriodicalId":146541,"journal":{"name":"British art cinema","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115647030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-23DOI: 10.7765/9781526133137.00014
Sally Shaw
{"title":"‘As the first Black face on the scene, I had to push the doors open’– Horace Ové and Pressure (1975)","authors":"Sally Shaw","doi":"10.7765/9781526133137.00014","DOIUrl":"https://doi.org/10.7765/9781526133137.00014","url":null,"abstract":"","PeriodicalId":146541,"journal":{"name":"British art cinema","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131830462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-23DOI: 10.7765/9781526133137.00006
T. Ryall
{"title":"‘Art cinema’, 1920s British film culture","authors":"T. Ryall","doi":"10.7765/9781526133137.00006","DOIUrl":"https://doi.org/10.7765/9781526133137.00006","url":null,"abstract":"","PeriodicalId":146541,"journal":{"name":"British art cinema","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114646347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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