Pub Date : 2020-12-31DOI: 10.1515/9780822389224-003
L. Pellegrinelli
{"title":"SEPARATED AT ‘‘BIRTH’’ : SINGING AND THE HISTORY OF JAZZ","authors":"L. Pellegrinelli","doi":"10.1515/9780822389224-003","DOIUrl":"https://doi.org/10.1515/9780822389224-003","url":null,"abstract":"","PeriodicalId":146801,"journal":{"name":"Big Ears","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127804425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9780822389224-010
E. Porter
{"title":"‘‘BORN OUT OF JAZZ . . . YET EMBRACING ALL MUSIC’’ : RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL’S LYDIAN CHROMATIC CONCEPT","authors":"E. Porter","doi":"10.1515/9780822389224-010","DOIUrl":"https://doi.org/10.1515/9780822389224-010","url":null,"abstract":"","PeriodicalId":146801,"journal":{"name":"Big Ears","volume":"33 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121013582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1215/9780822389224-013
Ingrid T. Monson, Nichole T. Rustin, S. Tucker
{"title":"FITTING THE PART","authors":"Ingrid T. Monson, Nichole T. Rustin, S. Tucker","doi":"10.1215/9780822389224-013","DOIUrl":"https://doi.org/10.1215/9780822389224-013","url":null,"abstract":"","PeriodicalId":146801,"journal":{"name":"Big Ears","volume":"116 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114568520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9780822389224-008
Jayna Brown
{"title":"FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE","authors":"Jayna Brown","doi":"10.1515/9780822389224-008","DOIUrl":"https://doi.org/10.1515/9780822389224-008","url":null,"abstract":"","PeriodicalId":146801,"journal":{"name":"Big Ears","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131556814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9780822389224-004
J. Taylor
{"title":"WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s","authors":"J. Taylor","doi":"10.1515/9780822389224-004","DOIUrl":"https://doi.org/10.1515/9780822389224-004","url":null,"abstract":"","PeriodicalId":146801,"journal":{"name":"Big Ears","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117268449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9780822389224-006
Christina Baade
{"title":"‘‘THE BATTLE OF THE SAXES’’ : GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR","authors":"Christina Baade","doi":"10.1515/9780822389224-006","DOIUrl":"https://doi.org/10.1515/9780822389224-006","url":null,"abstract":"","PeriodicalId":146801,"journal":{"name":"Big Ears","volume":"126 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116291167","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9780822389224-016
Nichole T. Rustin
{"title":"‘‘BLOW, MAN, BLOW!’’: REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN","authors":"Nichole T. Rustin","doi":"10.1515/9780822389224-016","DOIUrl":"https://doi.org/10.1515/9780822389224-016","url":null,"abstract":"","PeriodicalId":146801,"journal":{"name":"Big Ears","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129344952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9780822389224-014
João H. Costa Vargas
{"title":"EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS","authors":"João H. Costa Vargas","doi":"10.1515/9780822389224-014","DOIUrl":"https://doi.org/10.1515/9780822389224-014","url":null,"abstract":"","PeriodicalId":146801,"journal":{"name":"Big Ears","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134545747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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