Pub Date : 2017-12-31DOI: 10.12987/9780300185720-018
Samuel M. Koqtz, Harold Rosenberg
{"title":"The Intrasubjectives","authors":"Samuel M. Koqtz, Harold Rosenberg","doi":"10.12987/9780300185720-018","DOIUrl":"https://doi.org/10.12987/9780300185720-018","url":null,"abstract":"","PeriodicalId":164647,"journal":{"name":"Reading Abstract Expressionism","volume":"194 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121426969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.12987/9780300185720-008
Jackson Pollock
{"title":"Application for a Guggenheim Fellowship","authors":"Jackson Pollock","doi":"10.12987/9780300185720-008","DOIUrl":"https://doi.org/10.12987/9780300185720-008","url":null,"abstract":"","PeriodicalId":164647,"journal":{"name":"Reading Abstract Expressionism","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132752840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.12987/9780300185720-045
Evan R. Firestone
{"title":"James Joyce and the First Generation New York School","authors":"Evan R. Firestone","doi":"10.12987/9780300185720-045","DOIUrl":"https://doi.org/10.12987/9780300185720-045","url":null,"abstract":"","PeriodicalId":164647,"journal":{"name":"Reading Abstract Expressionism","volume":"173 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133936714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.12987/9780300185720-029
{"title":"International Reaction to Alfred H. Barr Jr., 'The New American Painting\"","authors":"","doi":"10.12987/9780300185720-029","DOIUrl":"https://doi.org/10.12987/9780300185720-029","url":null,"abstract":"","PeriodicalId":164647,"journal":{"name":"Reading Abstract Expressionism","volume":"140 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116510931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1988-01-23DOI: 10.1080/00043249.1988.10792411
W. Rushing
In the late 1930s and early 1940s the “myth-makers” of the New York avant-garde, including Adolph Gottlieb, Jackson Pollock, Richard Pousette-Dart, and Mark Rothko, made paintings that referred to atavistic myth, primordial origins, and primitive rituals and symbols, especially those of Native American cultures. Barnett Newman began to work in a similar fashion about 1944 and was influential as a theorist and indefatigable promoter of this new art. The “myth-makers” shared a tendency to depict ritual violence or inherently violent myths as well as an archaism exemplified by biomorphic forms and, often, coarse surfaces. This self-conscious primitivism of early Abstract Expressionism, which included totemic imagery and pictographic writing derived from Native American art, differed in essence from the primitivism of the earlier European avant-garde in that it was “an intellectualized primitivism.” Indeed, if the primitivism of Picasso and Matisse, for example, was the decontextualization of the plastic form...
{"title":"The Impact of Nietzsche and Northwest Coast Indian Art on Barnett Newman's Idea of Redemption in the Abstract Sublime","authors":"W. Rushing","doi":"10.1080/00043249.1988.10792411","DOIUrl":"https://doi.org/10.1080/00043249.1988.10792411","url":null,"abstract":"In the late 1930s and early 1940s the “myth-makers” of the New York avant-garde, including Adolph Gottlieb, Jackson Pollock, Richard Pousette-Dart, and Mark Rothko, made paintings that referred to atavistic myth, primordial origins, and primitive rituals and symbols, especially those of Native American cultures. Barnett Newman began to work in a similar fashion about 1944 and was influential as a theorist and indefatigable promoter of this new art. The “myth-makers” shared a tendency to depict ritual violence or inherently violent myths as well as an archaism exemplified by biomorphic forms and, often, coarse surfaces. This self-conscious primitivism of early Abstract Expressionism, which included totemic imagery and pictographic writing derived from Native American art, differed in essence from the primitivism of the earlier European avant-garde in that it was “an intellectualized primitivism.” Indeed, if the primitivism of Picasso and Matisse, for example, was the decontextualization of the plastic form...","PeriodicalId":164647,"journal":{"name":"Reading Abstract Expressionism","volume":"21 34","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1988-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120837043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The New Adventures of the Avant-Garde in America: Greenberg, Pollock, or from Trotskyism to the New Liberalism of the \"Vital Center\"","authors":"Serge Guilbaut, Thomas Repensek","doi":"10.2307/778453","DOIUrl":"https://doi.org/10.2307/778453","url":null,"abstract":"","PeriodicalId":164647,"journal":{"name":"Reading Abstract Expressionism","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1980-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132669896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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