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Focus on creativity: Greek teenagers combine digital archiving and documentary making 专注于创造力:希腊青少年将数字存档和纪录片制作结合起来
Pub Date : 1900-01-01 DOI: 10.14324/fej.06.1.01
Eirini Arnaouti
In Greece, Educational Radiotelevision, a department of the Ministry of Education, combines digital archiving and digital documentary making within the framework of a national competition for Greek secondary and high schools about local history. This article analyses the factors lying behind the creativity of 27 16-year-old students who created a digital archive and a digital documentary for this competition. Data were collected in the form of the teacher/researcher’s observation journal, student-participants’ completed pre- and post-project questionnaires, and the drafts and final products of their digital creations. The exploratory case study conducted offers qualitative data, analysed with the use of inductive thematic analysis, and draws upon social semiotics to interpret these themes through the application of textual and multimodal analysis. Data show that student-participants’ creativity is incited by their motivation to have their work recognised, and it is boosted by their chance to express their cultural memory, to contribute to its formation for future generations, and also to express their student, teenage and local identities.
在希腊,教育部下属的教育广播电视台(Educational Radiotelevision)将数字存档和数字纪录片制作结合起来,在希腊中小学举办的关于当地历史的全国竞赛框架内进行。这篇文章分析了27名16岁学生的创造力背后的因素,他们为这次比赛创造了一个数字档案和一个数字纪录片。数据收集的形式包括教师/研究人员的观察日志、学生参与者完成的项目前和项目后问卷,以及他们的数字创作的草稿和最终产品。探索性案例研究提供了定性数据,使用归纳主题分析进行分析,并利用社会符号学通过文本和多模态分析来解释这些主题。数据显示,学生参与者的创造力是由他们的工作得到认可的动机激发的,他们有机会表达他们的文化记忆,为后代的形成做出贡献,也表达了他们的学生、青少年和当地身份。
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引用次数: 0
Exploring film education in neurodivergent and economically deprived pedagogical settings in conversation with Del Pike of Hugh Baird University Centre 与休·贝尔德大学中心的德尔·派克对话,探讨在神经分化和经济贫困的教学环境下的电影教育
Pub Date : 1900-01-01 DOI: 10.14324/fej.06.1.02
Matthew Smith, Della Pike
While creative subjects such as music, art and film have been deprioritised and defunded under the United Kingdom’s Conservative Government, the social and pedagogical utility of their study, particularly in areas of economic deprivation and within neurodivergent cohorts, is clear. This article draws forth these issues in a conversation with Del Pike, the leader and convenor of the Moving Image Production degree at Hugh Baird University Centre, Bootle, UK, a course which uses the study of cinema as a form of social corrective, and which encourages frequently marginalised learners to participate explicitly in the creation and analysis of culture. Our discussion details the pedagogical opportunities offered by the practical and theoretical study of film, and considers the challenges of film education in a further and higher learning institution located in a deprived area of England that engages with a high needs student body as an aspect of policy. The article seeks to understand how the practical study of film within a neurodivergent teaching context creates new expressive possibilities regarding film form and film education pedagogy.
虽然在联合王国保守党政府的领导下,音乐、艺术和电影等创造性学科被剥夺了优先地位,也没有得到资助,但这些学科的研究,特别是在经济贫困领域和神经分化群体中,其社会和教学效用是显而易见的。本文在与英国布托尔休贝尔德大学中心运动图像制作学位的领导者和召集人德尔派克的对话中提出了这些问题,这门课程将电影研究作为一种社会纠正形式,并鼓励经常被边缘化的学习者明确参与文化的创造和分析。我们的讨论详细介绍了电影的实践和理论研究所提供的教学机会,并考虑了电影教育在位于英格兰贫困地区的高等教育机构所面临的挑战,该机构将高需求学生群体作为政策的一个方面。本文试图理解在神经发散教学背景下的电影实践研究如何在电影形式和电影教育教学法方面创造新的表达可能性。
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引用次数: 0
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Film Education Journal
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