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The Disposition of Nature最新文献

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Chapter 4. How far is bhopal? inconvenient forums and corporate comparison 第四章。博帕尔有多远?不方便的论坛和企业比较
Pub Date : 2020-12-31 DOI: 10.1515/9780823286805-005
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引用次数: 0
Chapter 3. From waste lands to wasted lives: enclosure as aesthetic regime and property regime 第三章。从荒废的土地到荒废的生命:圈地作为审美制度与财产制度
Pub Date : 2020-12-31 DOI: 10.1515/9780823286805-004
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引用次数: 0
Index 指数
Pub Date : 2020-12-31 DOI: 10.1515/9780823286805-010
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引用次数: 0
Epilogue. Fixing the world 后记。拯救世界
Pub Date : 2020-12-31 DOI: 10.1515/9780823286805-006
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引用次数: 0
Frontmatter
Pub Date : 2020-12-31 DOI: 10.1515/9780823286805-fm
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引用次数: 0
Chapter 2. Hijacking the imagination: how to tell the story of the Niger delta 第二章。劫持想象力:如何讲述尼日尔三角洲的故事
Pub Date : 2020-12-31 DOI: 10.1515/9780823286805-003
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引用次数: 0
Acknowledgments 致谢
Pub Date : 2020-12-31 DOI: 10.1515/9780823286805-007
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引用次数: 0
Chapter 1. Consumption for the common good? commodity biography in an era of postconsumerism 第1章。为了共同利益而消费?后消费主义时代的商品传记
Pub Date : 2020-12-31 DOI: 10.1515/9780823286805-002
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引用次数: 0
INTRODUCTION: 作品简介:
Pub Date : 2019-12-03 DOI: 10.2307/j.ctvswx77q.3
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引用次数: 0
Consumption for the Common Good? Commodity Biography in an Era of Postconsumerism 为了共同利益而消费?后消费主义时代的商品传记
Pub Date : 2019-12-03 DOI: 10.5422/fordham/9780823286782.003.0002
J. Wenzel
This chapter considers the limits of disseminating knowledge about the harms of neoliberal globalization as a strategy for creating change. It examines three documentary films (Life and Debt, Darwin’s Nightmare, and Black Gold) as commodity biographies. Offering an alternative to complicitous consumption (where one’s life is subsidized by others’ suffering), these films urge a shift from overconsumption to postconsumerism, which privileges products that dare to tell their own stories. Such value-adding narratives function less as defetishization than as new objects of consumerist desire. Nevertheless, moments of reflexivity, in which documentary subjects appear as consumers of commodities or film, disrupt too-easy binaries of First World consumption versus Third World production. The chapter situates these films about fair trade within longer histories of consumerism and its ethical conundrums, including the nexus of commodity knowledge and desire in Moby-Dick, and lessons in ethical consumption and viewership in Dziga Vertov’s experimental films.
本章考虑了传播关于新自由主义全球化危害的知识作为创造变革的战略的局限性。它考察了三部纪录片(《生命与债务》、《达尔文的噩梦》和《黑金》)作为商品传记。这些电影为共谋消费(一个人的生活通过他人的痛苦来补贴)提供了另一种选择,敦促人们从过度消费转向后消费主义,后者赋予敢于讲述自己故事的产品特权。这种增值叙事的功能与其说是去物化,不如说是消费主义欲望的新对象。然而,在反身性的时刻,纪录片的主题作为商品或电影的消费者出现,打破了过于简单的第一世界消费与第三世界生产的二元对立。这一章将这些关于公平贸易的电影置于消费主义及其道德难题的更长的历史中,包括《白鲸》中商品知识和欲望的联系,以及齐格·维尔托夫实验电影中道德消费和观众的教训。
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引用次数: 0
期刊
The Disposition of Nature
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