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Performances at Court in the Age of Shakespeare最新文献

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How Did They Do It? Problems of Staging Plays at Court 他们是怎么做到的?在宫廷上演戏剧的问题
Pub Date : 2019-10-24 DOI: 10.1017/9781108761543.014
William B. Long
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引用次数: 0
Index 指数
Pub Date : 2019-10-24 DOI: 10.1017/9781108761543.019
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引用次数: 0
Pericles: A Performance, a Letter (1619) 伯里克利:一场演出,一封信(1619年)
Pub Date : 2019-10-24 DOI: 10.1017/9781108761543.008
D. Bergeron
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引用次数: 0
‘The old name is fresh about me’ “旧的名字对我来说是新鲜的”
Pub Date : 2019-10-24 DOI: 10.1017/9781108761543.009
Catherine Clifford
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引用次数: 0
General Introduction 总体介绍
Pub Date : 2019-10-24 DOI: 10.1017/9781108761543.001
Sophie Chiari, John M. Mucciolo
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引用次数: 0
Painted Cloths and the Making of Whitehall’s Playing Space, 1611/1612 绘布和白厅游戏空间的形成(1611/1612
Pub Date : 2019-10-24 DOI: 10.1017/9781108761543.017
Rebecca Olson
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引用次数: 0
The Jacobean Banqueting House as a Performance Space 作为表演空间的詹姆士宴会厅
Pub Date : 2019-10-24 DOI: 10.1017/9781108761543.015
John H. Astington
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引用次数: 0
Musicians at Court 宫廷乐师
Pub Date : 2016-07-31 DOI: 10.1017/9781108761543.016
C. Schütz
Most of the research about performance of music at the English early modern courts has been devoted to the grand occasions on which spectacles were required, be they the Stuart masques or the funerals, weddings and coronations of monarchs. It usually focuses on the political use of music to support prestige or establish rapport with foreign visitors. Yet musicians performed daily for king, queen and prince, who each had their own retinue and gave stipends to singers, lutenists and players of many other instruments. This paper aims to examine the material aspects of the daily practice of music at court, from material cultural features such as the instruments, strings and cases used by the musicians to the different sources of income they relied on. It will also seek to investigate the motivations of musical practice at court that took place on a more intimate scale on a daily basis: did it form part of the same type of political pattern as larger events, or was it part of a different type of image fashioning? How did the musicians themselves respond to the requirements of such performance and it which way did it affect their own self-fashioning?
大多数关于英国早期现代宫廷音乐表演的研究都集中在需要场面的盛大场合,无论是斯图亚特王朝的假面舞会,还是君主的葬礼、婚礼和加冕典礼。它通常侧重于音乐的政治用途,以提高声望或与外国游客建立关系。然而,音乐家们每天都为国王、王后和王子演奏,他们都有自己的随从,并给歌手、鲁特琴师和许多其他乐器的演奏者提供津贴。本文旨在研究宫廷音乐日常实践的物质方面,从音乐家使用的乐器,弦乐和案件等物质文化特征到他们所依赖的不同收入来源。它还将试图调查每天在更亲密的范围内进行的宫廷音乐实践的动机:它是否构成了与大型事件相同类型的政治模式的一部分,还是它是不同类型的形象塑造的一部分?音乐家们自己是如何回应这种表演的要求的,这对他们自己的自我塑造有什么影响?
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引用次数: 0
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Performances at Court in the Age of Shakespeare
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