Pub Date : 1900-01-01DOI: 10.51427/com.jcs.2022.0038
Guadalupe Nieto Caballero
{"title":"[Reseña] Dolores Romero López yJeffrey Zamostny(eds.).Towards the Digital Cultural History of the Other Silver Age Spain.Peter Lang, 2022","authors":"Guadalupe Nieto Caballero","doi":"10.51427/com.jcs.2022.0038","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0038","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116979560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.51427/com.jcs.2022.0016
Briony Carlin
{"title":"Returning to Another Black Darkness: Materiality and Mattering in Photobook Encounters Over Time","authors":"Briony Carlin","doi":"10.51427/com.jcs.2022.0016","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0016","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"334 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132872539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.51427/com.jcs.2022.0020
Josie Johnson
{"title":"Moscow Out of Time: Varvara Stepanova and the Soviet Photobook in 1932","authors":"Josie Johnson","doi":"10.51427/com.jcs.2022.0020","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0020","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126139239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.51427/com.jcs.2022.0003
J. Clayton
: This paper explores three works of fiction — Elizabeth Kostova’s The Swan Thieves (2010), Siri Hustvedt’s The Blazing World (2014) and Jessie Burton’s The Muse (2016) — all of which attempt to answer the question “why have there been no great women artists?” by exploring the possibility that artworks by women may have been misattributed to their male contemporaries. It is suggested that authors of art-fiction often draw on the work of feminist art historians not only to show how such misattribution might occur, but also how it might be consolidated and perpetuated via the international mechanisms which govern the circulation of art, thus relegat-ing female artists from the status of practitioner to muse. In exploring how the reception of an artwork can be influenced by viewers’ perceptions about the artist’s gender, fiction about women’s art also contributes to the debate over whether it is possible to identify a distinctive feminine aesthetic. Whilst suggesting that art-history novels often defer to a traditional hierarchy of art forms, in which oil paintings of mythological subjects carry the greatest pres-tige, this paper argues that art-fiction can also create an alternative narrative of art history which can be used to challenge or at least supplement the mainstream narrative in which great artworks are almost exclusively produced by men. qual as grandes obras de arte são quase exclusivamente produzidas por homens.
本文探讨了伊丽莎白·科斯托娃的《偷天鹅贼》(2010)、Siri Hustvedt的《燃烧的世界》(2014)和Jessie Burton的《缪斯》(2016)这三部小说，它们都试图回答“为什么没有伟大的女性艺术家?”通过探索女性作品可能被误认为是同时代男性作品的可能性。有人建议，艺术小说的作者经常借鉴女权主义艺术史学家的作品，这不仅是为了展示这种错误归属是如何发生的，而且也是为了展示这种错误归属是如何通过管理艺术流通的国际机制得到巩固和延续的，从而将女性艺术家从实践者的地位降至缪斯的地位。在探索艺术作品的接受如何受到观众对艺术家性别的看法的影响时，关于女性艺术的小说也有助于争论是否有可能确定一种独特的女性美学。虽然艺术史小说通常遵循传统的艺术形式等级，其中神话题材的油画具有最大的声望，但本文认为，艺术小说也可以创造一种艺术史的替代叙事，可以用来挑战或至少补充主流叙事，在主流叙事中，伟大的艺术品几乎完全由男性创作。与大obras de arte s相同，也与quase exclusivente produczidas穷人相同。
{"title":"A Question of Misattribution: Women’s Art & Feminist Art History in Contemporary Fiction","authors":"J. Clayton","doi":"10.51427/com.jcs.2022.0003","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0003","url":null,"abstract":": This paper explores three works of fiction — Elizabeth Kostova’s The Swan Thieves (2010), Siri Hustvedt’s The Blazing World (2014) and Jessie Burton’s The Muse (2016) — all of which attempt to answer the question “why have there been no great women artists?” by exploring the possibility that artworks by women may have been misattributed to their male contemporaries. It is suggested that authors of art-fiction often draw on the work of feminist art historians not only to show how such misattribution might occur, but also how it might be consolidated and perpetuated via the international mechanisms which govern the circulation of art, thus relegat-ing female artists from the status of practitioner to muse. In exploring how the reception of an artwork can be influenced by viewers’ perceptions about the artist’s gender, fiction about women’s art also contributes to the debate over whether it is possible to identify a distinctive feminine aesthetic. Whilst suggesting that art-history novels often defer to a traditional hierarchy of art forms, in which oil paintings of mythological subjects carry the greatest pres-tige, this paper argues that art-fiction can also create an alternative narrative of art history which can be used to challenge or at least supplement the mainstream narrative in which great artworks are almost exclusively produced by men. qual as grandes obras de arte são quase exclusivamente produzidas por homens.","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123402933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.51427/com.jcs.2022.0021
Matt Johnston
{"title":"A Turn to Reception: Readers and Reading in the Contemporary Photobook Ecology","authors":"Matt Johnston","doi":"10.51427/com.jcs.2022.0021","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0021","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128001168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.51427/com.jcs.2022.0022
J. Bértolo
{"title":"A conversation with André Príncipe & José Pedro Cortes (Pierre von Kleist)","authors":"J. Bértolo","doi":"10.51427/com.jcs.2022.0022","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0022","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133436363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.51427/com.jcs.2022.0031
Sandra Boto, Bruno Ministro
En este estudio se discuten algunos de los procedimientos tecnológicos de marcación de texto del proyecto editorial digital del Romanceiro del poeta portugués Almeida Garrett (1799-1854), cuya textualidad es, de por sí, compleja. Para ello, nos acercamos a aspectos de índole metodológica y práctica asociados al entorno digital y a las herramientas y metodologías que elegimos de cara al desarrollo del proyecto Garrettonline (www.garrettonline.romanceiro.pt). Los conectaremos con las particularidades y los problemas filológicos y genéticos que dicha colección de romances plantea, y que moldean una parte importante de las opciones que se han tomado y que aquí se detallarán. Así, nos volcaremos en cuestiones de adaptación de las metodologías de la ecdótica dicha tradicional a la ecdótica digital, de visualización de la edición y de cómo todo esto impacta en los procedimientos de marcación XML-TEI que se han adoptado como punto de partida de la representación digital de este primer Romanceiro moderno ibérico.
{"title":"Representación digital del Romanceiro de Almeida Garrett: cuestiones de marcado estructural","authors":"Sandra Boto, Bruno Ministro","doi":"10.51427/com.jcs.2022.0031","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0031","url":null,"abstract":"En este estudio se discuten algunos de los procedimientos tecnológicos de marcación de texto del proyecto editorial digital del Romanceiro del poeta portugués Almeida Garrett (1799-1854), cuya textualidad es, de por sí, compleja. Para ello, nos acercamos a aspectos de índole metodológica y práctica asociados al entorno digital y a las herramientas y metodologías que elegimos de cara al desarrollo del proyecto Garrettonline (www.garrettonline.romanceiro.pt). Los conectaremos con las particularidades y los problemas filológicos y genéticos que dicha colección de romances plantea, y que moldean una parte importante de las opciones que se han tomado y que aquí se detallarán. Así, nos volcaremos en cuestiones de adaptación de las metodologías de la ecdótica dicha tradicional a la ecdótica digital, de visualización de la edición y de cómo todo esto impacta en los procedimientos de marcación XML-TEI que se han adoptado como punto de partida de la representación digital de este primer Romanceiro moderno ibérico.","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131597041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.51427/com.jcs.2022.0012
H. Santos
{"title":"AAVV. Literatura-Mundo Comparada, Parte III: Perspectivas em Português - Pelo Tejo vai-se para o Mundo. Coordenação: Helena Carvalhão Buescu e Simão Valente.Tinta-da-China, 2020","authors":"H. Santos","doi":"10.51427/com.jcs.2022.0012","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0012","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"24 9","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133488567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.51427/com.jcs.2022.0025
Humberto Brito
{"title":"Carlos Lobo.I Would Run This Way Forever (and over again).Lebop Books, 2022","authors":"Humberto Brito","doi":"10.51427/com.jcs.2022.0025","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0025","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116042160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.51427/com.jcs.2022.0035
Santiago Pérez Isasi
Andreas Fickers is Professor for Contemporary and Digital History at the University of Luxembourg and the Director of the Luxembourg Centre for Contemporary and Digital History (C²DH), 3rd interdisciplinary center at the University of Luxembourg and head of its Digital History Lab. He's also prinicipal investigator of several projects such as Popkult60 (Populärkultur transnational - Europa in den langen 1960er Jahren) or LuxTime (Luxembourg Time Machine).
Andreas Fickers，卢森堡大学当代与数字历史教授，卢森堡当代与数字历史中心(C²DH)主任，卢森堡大学第三个跨学科中心，数字历史实验室负责人。他也是Popkult60 (Populärkultur跨国- Europa in den langen 1960er Jahren)或LuxTime(卢森堡时间机器)等多个项目的首席研究员。
{"title":"Interview with Andreas Fickers (Luxembourg Centre for Contemporary and Digital History)","authors":"Santiago Pérez Isasi","doi":"10.51427/com.jcs.2022.0035","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0035","url":null,"abstract":"Andreas Fickers is Professor for Contemporary and Digital History at the University of Luxembourg and the Director of the Luxembourg Centre for Contemporary and Digital History (C²DH), 3rd interdisciplinary center at the University of Luxembourg and head of its Digital History Lab. He's also prinicipal investigator of several projects such as Popkult60 (Populärkultur transnational - Europa in den langen 1960er Jahren) or LuxTime (Luxembourg Time Machine).","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114608620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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