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New Directions in Early Modern English Drama最新文献

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Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama 第1章。导论:早期现代英国戏剧中的边缘、空间与交叉点
Pub Date : 2020-07-06 DOI: 10.1515/9781501513749-001
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引用次数: 0
List of Figures 数字一览表
Pub Date : 2020-07-06 DOI: 10.1515/9781501513749-203
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引用次数: 0
Chapter 13. “They Always Speak Things as They Would Have Them”: Aspirational Royalist Politics in Henry Killigrew’s Pallantus and Eudora (1653 第13章。“他们总是随心所欲地说话”:亨利·基利格鲁《帕兰图斯与尤多拉》中有抱负的保皇派政治(1653年
Pub Date : 2020-07-06 DOI: 10.1515/9781501513749-013
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引用次数: 0
Chapter 9. “The End of All”: How a Forgotten Map Helped Us Forget Newington Butts 第9章。《世界末日》:一张被遗忘的地图如何帮助我们忘记纽因顿烟蒂
Pub Date : 2020-07-06 DOI: 10.1515/9781501513749-009
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引用次数: 0
Chapter 3. “Thou Dream’st Awake”: Ghosts and Sleep in Chapman’s Antonio’s Revenge and Marston’s Bussy D’Ambois 第三章。“汝梦醒”:查普曼的《安东尼奥的复仇》和马斯顿的《布西·达布瓦》中的鬼魂与睡眠
Pub Date : 2020-07-06 DOI: 10.1515/9781501513749-003
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引用次数: 0
Foreword: The Stage on the Shore 前言:岸边的舞台
Pub Date : 2020-07-06 DOI: 10.1515/9781501513749-205
L. Hopkins
In 1599, the Lord Chamberlain’s Men crossed the river. In so doing, they established the premier theater of its day on the banks of the Thames, close to where the Rose already stood. We no longer understand what that must have meant, because the Thames was embanked in the nineteenth century and the Thames Barrier came into operation in 1982. But the river across which audiences were rowed to performances was very different from our own: sometimes there was enough ice for frost fairs to be held upon it, sometimes whales and dolphins swam up it, and it lapped directly at the feet of passers-by; with only one bridge and many boatmen, it was in its own right a populous thoroughfare. It was also a point of arrival and departure for journeys that could sometimes be to what were for the time very exotic destinations indeed; the river was itself, but it was also a gateway to the sea. When Pocahontas died at Gravesend and Marlowe at Deptford, they were both poised on that most fluid of all edges, the cusp between the river and the sea. In one of the period’s most watery-minded plays, Pericles, Dionyza says to Marina,
1599年,侍从大臣的手下渡河。通过这样做,他们在泰晤士河岸边建立了当时最重要的剧院,离玫瑰剧院很近。我们不再明白这意味着什么,因为泰晤士河在19世纪就开始筑堤,1982年泰晤士河堤坝开始投入使用。可是,观众们划船去看演出的那条河,却和我们自己的河大不相同:有时冰面大得足以举行冰霜集市,有时鲸鱼和海豚游上来,河水直接拍打着过路人的脚;只有一座桥和许多船夫,它本身就是一条人口众多的大道。它也是旅行的出发地有时甚至可以到达当时非常奇特的目的地;这条河本身就是河流,但它也是通往大海的门户。当波卡洪塔斯死在格雷夫森德,马洛死在德特福德的时候,他们俩都站在最不稳定的边缘上,河与海之间的交汇处。在这一时期最煽情的戏剧之一,伯里克利,酒神对玛丽娜说,
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引用次数: 0
Chapter 12. “Whose Plot Was This?”: Shakespearean Convergences in Fletcher’s The Wild-Goose Chase 第十二章。“这是谁的阴谋?”——弗莱彻《徒劳的追逐》中莎士比亚式的融合
Pub Date : 2020-07-06 DOI: 10.1515/9781501513749-012
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引用次数: 0
期刊
New Directions in Early Modern English Drama
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