Pub Date : 2008-12-31DOI: 10.14361/9783839408421-004
Werner Rammert
{"title":"Where the Action is: Distributed Agency between Humans, Machines, and Programs","authors":"Werner Rammert","doi":"10.14361/9783839408421-004","DOIUrl":"https://doi.org/10.14361/9783839408421-004","url":null,"abstract":"","PeriodicalId":184690,"journal":{"name":"Paradoxes of Interactivity","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115797792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2008-12-31DOI: 10.1515/9783839408421-fm
{"title":"Frontmatter","authors":"","doi":"10.1515/9783839408421-fm","DOIUrl":"https://doi.org/10.1515/9783839408421-fm","url":null,"abstract":"","PeriodicalId":184690,"journal":{"name":"Paradoxes of Interactivity","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132077605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Implications of Unfolding","authors":"J. Rohrhuber","doi":"10.25969/MEDIAREP/2727","DOIUrl":"https://doi.org/10.25969/MEDIAREP/2727","url":null,"abstract":"","PeriodicalId":184690,"journal":{"name":"Paradoxes of Interactivity","volume":"246 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124707384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Virtual Musical Instruments and Robot Music Performances","authors":"Suguru Goto","doi":"10.25969/mediarep/2743","DOIUrl":"https://doi.org/10.25969/mediarep/2743","url":null,"abstract":"","PeriodicalId":184690,"journal":{"name":"Paradoxes of Interactivity","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126468503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2008-12-31DOI: 10.1515/9783839408421-007
Hans H. Diebner
{"title":"Where Art and Science Meet (or Where They Work at Cross-Purposes","authors":"Hans H. Diebner","doi":"10.1515/9783839408421-007","DOIUrl":"https://doi.org/10.1515/9783839408421-007","url":null,"abstract":"","PeriodicalId":184690,"journal":{"name":"Paradoxes of Interactivity","volume":"405 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131947781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE : T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE AC TI ON AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE : T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE : T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, : T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE : T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE : T HR EE C AS ES O F
{"title":"Surface, Interface, Subface: Three Cases of Interaction and One Concept","authors":"F. Nake","doi":"10.25969/MEDIAREP/2719","DOIUrl":"https://doi.org/10.25969/MEDIAREP/2719","url":null,"abstract":": T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE : T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE AC TI ON AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE : T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE : T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, : T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE : T HR EE C AS ES O F IN TE RA CT IO N AN D ON E CO NC EP T SU RF AC E, IN TE RF AC E, S UB FA CE : T HR EE C AS ES O F","PeriodicalId":184690,"journal":{"name":"Paradoxes of Interactivity","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116720551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2008-01-31DOI: 10.14361/9783839408421-011
A. Camurri, B. Mazzarino, G. Volpe
{"title":"Modelling and Analysing Expressive Gesture in Multimodal Systems","authors":"A. Camurri, B. Mazzarino, G. Volpe","doi":"10.14361/9783839408421-011","DOIUrl":"https://doi.org/10.14361/9783839408421-011","url":null,"abstract":"","PeriodicalId":184690,"journal":{"name":"Paradoxes of Interactivity","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123017684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
1. Dematerialisation? The notion that the use of new media effects a dematerialisation constitutes a kind of lowest common denominator for the various designs of knowledge societies' perspectives: Norbert Wiener’s distinction of information from matter and energy turned information into a quantifiable ‘universal coin’ that permitted all phenomena to be commensurable and transferable under the aspect of their telecommunicational coding, regardless of their spatio-temporal and their respective meaning. Marshall McLuhan’s ‘global village’ proceeds from the assumption of an electronic shrinkage of spatial distance which enables the realisation of a form of telepresence that supersedes the principle of locality as a sine qua non of interactive communication. Hans Moravec’s utopia of ‘mind children’ projects a transplantation of our mental capability into machines, so that intelligence and information become independent of biological embodiment, and that the body, just as the brain, may degenerate into the dross of an immortalised mind. Then Jean-Francois Lyotard’s Parisian exhibition ‘Les Immatériaux’ (1985) staged this tendency towards immaterialisation as a topos in the borderland of science and art, significant for out time. The assumption that the informatisation of the lived-in world leads to a dematerialisation is accompanied by a rhetoric of disappearance: the unity-endowing narrations drop away, the senses dwindle, the signs lose their referents, reality evaporates into hyperreality. Our culture’s unconcealed interest in soma—be it in terms of athletical stylisation of the body or as an endorphin-raising, extreme bodily experience—can then be interpreted as a compensation and counter movement to this apparent disembodiment which is supposedly brought about by new media: a fascination both confirmed and approved of simultaneously
{"title":"Does the Body Disappear? A Comment on Computer Generated Spaces","authors":"Sybille Krämer","doi":"10.25969/mediarep/2706","DOIUrl":"https://doi.org/10.25969/mediarep/2706","url":null,"abstract":"1. Dematerialisation? The notion that the use of new media effects a dematerialisation constitutes a kind of lowest common denominator for the various designs of knowledge societies' perspectives: Norbert Wiener’s distinction of information from matter and energy turned information into a quantifiable ‘universal coin’ that permitted all phenomena to be commensurable and transferable under the aspect of their telecommunicational coding, regardless of their spatio-temporal and their respective meaning. Marshall McLuhan’s ‘global village’ proceeds from the assumption of an electronic shrinkage of spatial distance which enables the realisation of a form of telepresence that supersedes the principle of locality as a sine qua non of interactive communication. Hans Moravec’s utopia of ‘mind children’ projects a transplantation of our mental capability into machines, so that intelligence and information become independent of biological embodiment, and that the body, just as the brain, may degenerate into the dross of an immortalised mind. Then Jean-Francois Lyotard’s Parisian exhibition ‘Les Immatériaux’ (1985) staged this tendency towards immaterialisation as a topos in the borderland of science and art, significant for out time. The assumption that the informatisation of the lived-in world leads to a dematerialisation is accompanied by a rhetoric of disappearance: the unity-endowing narrations drop away, the senses dwindle, the signs lose their referents, reality evaporates into hyperreality. Our culture’s unconcealed interest in soma—be it in terms of athletical stylisation of the body or as an endorphin-raising, extreme bodily experience—can then be interpreted as a compensation and counter movement to this apparent disembodiment which is supposedly brought about by new media: a fascination both confirmed and approved of simultaneously","PeriodicalId":184690,"journal":{"name":"Paradoxes of Interactivity","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132268154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2008-01-31DOI: 10.14361/9783839408421-003
Ludwig Jäger, Jin Hyun Kim
{"title":"Transparency and Opacity: Interface Technology of Mediation in New Media Art","authors":"Ludwig Jäger, Jin Hyun Kim","doi":"10.14361/9783839408421-003","DOIUrl":"https://doi.org/10.14361/9783839408421-003","url":null,"abstract":"","PeriodicalId":184690,"journal":{"name":"Paradoxes of Interactivity","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124648481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2008-01-31DOI: 10.14361/9783839408421-014
Jin Hyun Kim
{"title":"From Interactive Live Electronic Music to New Media Art","authors":"Jin Hyun Kim","doi":"10.14361/9783839408421-014","DOIUrl":"https://doi.org/10.14361/9783839408421-014","url":null,"abstract":"","PeriodicalId":184690,"journal":{"name":"Paradoxes of Interactivity","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122650638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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