{"title":"Upaya Pelestarian Kesenian Reyog Singo Melalui Revitalisasi Budaya di Kota Banjarbaru","authors":"Putri Dyah Indriyani","doi":"10.20527/jps.v7i1.13393","DOIUrl":"https://doi.org/10.20527/jps.v7i1.13393","url":null,"abstract":"","PeriodicalId":190186,"journal":{"name":"Pelataran Seni","volume":"83 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134450509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kreativitas Aransemen Musik A Capella","authors":"Ahmad Muzaqi, Maryanto Maryanto, M. Najamudin","doi":"10.20527/jps.v4i2.12736","DOIUrl":"https://doi.org/10.20527/jps.v4i2.12736","url":null,"abstract":"","PeriodicalId":190186,"journal":{"name":"Pelataran Seni","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123298890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Muhammad Nawardi, Putri Yunita Permata Kumala Sari, Agus Pratomo Andi Widodo
{"title":"Fisiognomi Topeng pada Tari Topeng Panji dalam Upacara Manuping di Banyiur Luar Banjarmasin","authors":"Muhammad Nawardi, Putri Yunita Permata Kumala Sari, Agus Pratomo Andi Widodo","doi":"10.20527/jps.v4i2.12738","DOIUrl":"https://doi.org/10.20527/jps.v4i2.12738","url":null,"abstract":"","PeriodicalId":190186,"journal":{"name":"Pelataran Seni","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123451032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Komposisi Musik dan Bentuk Penyajian Kesenian Tarbang Ampat Majelis Zikir Syahmullah Desa Barikin Kalimantan Selatan","authors":"Muhammad Budi Zakia Sani, Jaylane Abdi","doi":"10.20527/jps.v4i2.12734","DOIUrl":"https://doi.org/10.20527/jps.v4i2.12734","url":null,"abstract":"","PeriodicalId":190186,"journal":{"name":"Pelataran Seni","volume":"434 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134276099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Makna Kostum Raja Kambang Sakaki Karya Abdullah SP dalam Mamanda Kalimantan Selatan","authors":"Nida Arifah, Sulisno Sulisno, Wisnu Subroto","doi":"10.20527/jps.v4i2.12737","DOIUrl":"https://doi.org/10.20527/jps.v4i2.12737","url":null,"abstract":"","PeriodicalId":190186,"journal":{"name":"Pelataran Seni","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116875015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
IntisariSolo Raya merupakan daerah basis gamelan. Gamelan tersebar dan menjadi bagian yang tak terpisahkan dari kehidupan masyarakatnya. Salah satunya adalah keberadaan gamelan Kyai Rejeki atau gamelan Gombang yang bergaya semarangan di desa Gombang kecamatan Sawit kabupaten Boyolali. Tujuan penelitian ini adalah mengidentifikasi frekuensi, jangkah nada-nada dan satu gembyangan dari gamelan Kyai Rejeki (Gamelan Gombang). Pada penelitian ini, peneliti menggunakan metode kualitatif dan metode kuantitaif sebagai metode bantu dalam peghitungan sistem nada. Observasi, wawancara dan data ukur menjadi data fundamental yang digunakan selama penelitian. Gamelan kyai Rejeki atau yang lebih akrab disebut gamelan Gombang merupakan salah satu gamelan terkemuka dan yang menjadi patron atau babonan gamelan-gamelan yang ada di sekitar kabupaten Boyolali sampai daerah Klaten dengan gaya semarangan. Gamelan kyai rejeki merupakan gamelan gaya semarangan dengan kebanyakan permainanannya berada pada wilayah nada tinggi termasuk dalam hal garapan. Penelitian ini berhasil mengidetifikasi sistem nada, jarak antar nada dan gembyangan. Peneliti juga menemukan adanya kebiasaan permainan dan garapan gamelan ini berada pada wilayah nada-nada yang tinggi.Kata kunci: gamelan kyai rejeki, gombang, sistem laras, slendro, boyolali AbstractSolo Raya is a gamelan base area. Gamelan spread and became an inseparable part of people's lives. One of them is the existence of the Kyai Rejeki gamelan or Gombang gamelan with semarangan style in Gombang village, Sawit sub-district, Boyolali district. The purpose of this study was to identify the frequency, range of notes and one gembyangan of the Kyai Rejeki Gamelan (Gombang Gamelan). In this study, researchers used qualitative methods and quantitative methods as auxiliary methods in calculating the tone system. Observations, interviews and measurement data became the fundamental data used during the research. Kyai Rejeki Gamelan or more familiarly called Gombang Gamelan is one of the leading gamelan and the patron or babonan of gamelan around Boyolali district to Klaten area with semarangan style. Kyai Rejeki gamelan is a Semarangan style gamelan with most of its playing in the high-pitched region, including in terms of production. This study succeeded in identifying the tone system, the distance between notes and its gembyangan. The researcher also found that the habit of producing and playing this gamelan was in the high-pitched region.Keywords: kyai rejeki gamelan, gombang, tuning system, slendro, boyolali
{"title":"Situasi Gamelan Solo Raya: Studi Kasus Gamelan Kyai Rejeki di Kabupaten Boyolali","authors":"Novyandi Saputra","doi":"10.20527/jps.v4i2.12733","DOIUrl":"https://doi.org/10.20527/jps.v4i2.12733","url":null,"abstract":"IntisariSolo Raya merupakan daerah basis gamelan. Gamelan tersebar dan menjadi bagian yang tak terpisahkan dari kehidupan masyarakatnya. Salah satunya adalah keberadaan gamelan Kyai Rejeki atau gamelan Gombang yang bergaya semarangan di desa Gombang kecamatan Sawit kabupaten Boyolali. Tujuan penelitian ini adalah mengidentifikasi frekuensi, jangkah nada-nada dan satu gembyangan dari gamelan Kyai Rejeki (Gamelan Gombang). Pada penelitian ini, peneliti menggunakan metode kualitatif dan metode kuantitaif sebagai metode bantu dalam peghitungan sistem nada. Observasi, wawancara dan data ukur menjadi data fundamental yang digunakan selama penelitian. Gamelan kyai Rejeki atau yang lebih akrab disebut gamelan Gombang merupakan salah satu gamelan terkemuka dan yang menjadi patron atau babonan gamelan-gamelan yang ada di sekitar kabupaten Boyolali sampai daerah Klaten dengan gaya semarangan. Gamelan kyai rejeki merupakan gamelan gaya semarangan dengan kebanyakan permainanannya berada pada wilayah nada tinggi termasuk dalam hal garapan. Penelitian ini berhasil mengidetifikasi sistem nada, jarak antar nada dan gembyangan. Peneliti juga menemukan adanya kebiasaan permainan dan garapan gamelan ini berada pada wilayah nada-nada yang tinggi.Kata kunci: gamelan kyai rejeki, gombang, sistem laras, slendro, boyolali AbstractSolo Raya is a gamelan base area. Gamelan spread and became an inseparable part of people's lives. One of them is the existence of the Kyai Rejeki gamelan or Gombang gamelan with semarangan style in Gombang village, Sawit sub-district, Boyolali district. The purpose of this study was to identify the frequency, range of notes and one gembyangan of the Kyai Rejeki Gamelan (Gombang Gamelan). In this study, researchers used qualitative methods and quantitative methods as auxiliary methods in calculating the tone system. Observations, interviews and measurement data became the fundamental data used during the research. Kyai Rejeki Gamelan or more familiarly called Gombang Gamelan is one of the leading gamelan and the patron or babonan of gamelan around Boyolali district to Klaten area with semarangan style. Kyai Rejeki gamelan is a Semarangan style gamelan with most of its playing in the high-pitched region, including in terms of production. This study succeeded in identifying the tone system, the distance between notes and its gembyangan. The researcher also found that the habit of producing and playing this gamelan was in the high-pitched region.Keywords: kyai rejeki gamelan, gombang, tuning system, slendro, boyolali","PeriodicalId":190186,"journal":{"name":"Pelataran Seni","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134066375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Lukman Hakim, Sumasno Hadi, Edlin Yanuar Nugraheni
Maulid Habsyi is very well-known in South Kalimantan. Maulid Habsyi's poems dan song complemented by rebana are performed in various religious and social events in South Kalimantan. Maulid Habsy became known to the people of Banjar in the 1990s through KH Muhammad Zaini abd al-Ghani or Guru Sekumpul. The robust charm of Guru Sekumpul and his musical abilities made Maulid Habsy fast famous and spread in South Kalimantan. The popularity of Maulid Habsy shifted the poems of Maulid Syarf al-Anam, Maulid al-Barzanji, and Maulid ad-Dibai which were previously famous by the people of Banjar.
{"title":"Pengembangan Media Mobile Learning Seni Budaya Berbasis Android","authors":"Lukman Hakim, Sumasno Hadi, Edlin Yanuar Nugraheni","doi":"10.20527/jps.v6i2.11585","DOIUrl":"https://doi.org/10.20527/jps.v6i2.11585","url":null,"abstract":"Maulid Habsyi is very well-known in South Kalimantan. Maulid Habsyi's poems dan song complemented by rebana are performed in various religious and social events in South Kalimantan. Maulid Habsy became known to the people of Banjar in the 1990s through KH Muhammad Zaini abd al-Ghani or Guru Sekumpul. The robust charm of Guru Sekumpul and his musical abilities made Maulid Habsy fast famous and spread in South Kalimantan. The popularity of Maulid Habsy shifted the poems of Maulid Syarf al-Anam, Maulid al-Barzanji, and Maulid ad-Dibai which were previously famous by the people of Banjar.","PeriodicalId":190186,"journal":{"name":"Pelataran Seni","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121017086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Psikoanalisis Tokoh dalam Naskah “Suara-Suara Mati” Karya Manuel van Loggem","authors":"A. Aminuddin, Dewi Alfianti","doi":"10.20527/jps.v6i2.11583","DOIUrl":"https://doi.org/10.20527/jps.v6i2.11583","url":null,"abstract":"","PeriodicalId":190186,"journal":{"name":"Pelataran Seni","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128822594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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