Pub Date : 2020-04-30DOI: 10.1017/9781108339001.011
{"title":"Concluding Most Obscenely: Offstage Technophelias","authors":"","doi":"10.1017/9781108339001.011","DOIUrl":"https://doi.org/10.1017/9781108339001.011","url":null,"abstract":"","PeriodicalId":193733,"journal":{"name":"Shakespeare, Spectatorship and the Technologies of Performance","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115402641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-30DOI: 10.1017/9781108339001.009
{"title":"Hamletin Parts: Robin Lough’s RSC Live Cinema Broadcast of Simon Godwin’sHamlet(8 June 2016)","authors":"","doi":"10.1017/9781108339001.009","DOIUrl":"https://doi.org/10.1017/9781108339001.009","url":null,"abstract":"","PeriodicalId":193733,"journal":{"name":"Shakespeare, Spectatorship and the Technologies of Performance","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115113098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-30DOI: 10.1017/9781108339001.008
{"title":"‘Invisible’ Technology and ‘Liveness’ in Digital Theatre Broadcasting","authors":"","doi":"10.1017/9781108339001.008","DOIUrl":"https://doi.org/10.1017/9781108339001.008","url":null,"abstract":"","PeriodicalId":193733,"journal":{"name":"Shakespeare, Spectatorship and the Technologies of Performance","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121129323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-30DOI: 10.1017/9781108339001.005
{"title":"Digital Technologies and Early Modern Drama at the National Theatre and the RSC","authors":"","doi":"10.1017/9781108339001.005","DOIUrl":"https://doi.org/10.1017/9781108339001.005","url":null,"abstract":"","PeriodicalId":193733,"journal":{"name":"Shakespeare, Spectatorship and the Technologies of Performance","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125012292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-30DOI: 10.1017/9781108339001.003
{"title":"Dominic Dromgoole’sThe Changeling(2015): Social Division and Anamorphic Vision","authors":"","doi":"10.1017/9781108339001.003","DOIUrl":"https://doi.org/10.1017/9781108339001.003","url":null,"abstract":"","PeriodicalId":193733,"journal":{"name":"Shakespeare, Spectatorship and the Technologies of Performance","volume":"133 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122554676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-30DOI: 10.1017/9781108339001.010
{"title":"Offstage Dynamics and the Virtual Public Sphere in Cheek by Jowl’s Live Stream ofMeasure for Measure(2015)","authors":"","doi":"10.1017/9781108339001.010","DOIUrl":"https://doi.org/10.1017/9781108339001.010","url":null,"abstract":"","PeriodicalId":193733,"journal":{"name":"Shakespeare, Spectatorship and the Technologies of Performance","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128453556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-30DOI: 10.1017/9781108339001.006
{"title":"Stanislavski in the Closet: Joe Hill-Gibbins’Edward II(National Theatre, 2013)","authors":"","doi":"10.1017/9781108339001.006","DOIUrl":"https://doi.org/10.1017/9781108339001.006","url":null,"abstract":"","PeriodicalId":193733,"journal":{"name":"Shakespeare, Spectatorship and the Technologies of Performance","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124407504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-30DOI: 10.1017/9781108339001.013
{"title":"Index","authors":"","doi":"10.1017/9781108339001.013","DOIUrl":"https://doi.org/10.1017/9781108339001.013","url":null,"abstract":"","PeriodicalId":193733,"journal":{"name":"Shakespeare, Spectatorship and the Technologies of Performance","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116166282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-01DOI: 10.1017/9781108339001.002
P. Aebischer
{"title":"Candlelight and Architecture at the Sam Wanamaker Playhouse","authors":"P. Aebischer","doi":"10.1017/9781108339001.002","DOIUrl":"https://doi.org/10.1017/9781108339001.002","url":null,"abstract":"","PeriodicalId":193733,"journal":{"name":"Shakespeare, Spectatorship and the Technologies of Performance","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131729002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-01DOI: 10.1017/9781108339001.004
P. Aebischer
{"title":"Dominic Dromgoole’sThe Tempest(2016): Labour, Technology and the Gender of Theatrical Magic","authors":"P. Aebischer","doi":"10.1017/9781108339001.004","DOIUrl":"https://doi.org/10.1017/9781108339001.004","url":null,"abstract":"","PeriodicalId":193733,"journal":{"name":"Shakespeare, Spectatorship and the Technologies of Performance","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132157337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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