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Comparative Approach to the Relationship Between Text and Hand Visual Language in Tahmasebi’s Shahnameh Pictures 塔玛塞比《沙那米画》中文字与手视语言关系的比较研究
Pub Date : 2021-02-01 DOI: 10.52547/mth.10.20.79
Zahra Nosrati, Abdolkarim Attarzadeh
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引用次数: 0
Review and Comparison of the Visual Characteristics of Anubanini and Bistoon Rock Reliefs 阿努巴尼尼和比斯顿岩石浮雕视觉特征综述与比较
Pub Date : 2020-09-01 DOI: 10.29252/MTH.10.19.69
Hadi ghaempanah, M. Mobini
5 Abstract Among the memorials of ancient Iranian art, rock reliefs are of particular importance. Anubanini relief as the oldest and Bistoon relief as one of the most important example of these works, besides having a similar subject, have other symbolic and visual similarities that has led many scholars to regard Bistoon relief as an imitation of Anubanini relief. Despite the importance and similarities of these memorials, until now, no specific comparative study has been performed in the field of visual characteristics of them. The present study, in a descriptive-analytical-comparative method and using library resources, has sought to answer the questions: What is the most important similarity and visual difference between Bistoon and Anubanini reliefs? And to what extent has Bistoon relief influenced by Anubanini relief? In this research, the visual-artistic features and background of the images and symbols used in these motifs have been studied and analysed. The similarities and differences between them have been compared in order to clarify the relationship between these two memorials as much as possible. The visual and symbolic features of the Anubanini memorial are taken from the art of ancient Mesopotamia (especially Akkadian art) which are placed side by side in a new design. The visual and symbolic features of the Bistoon memorial are also influenced by the art of previous nations (especially Assyrian art) which have been presented in the form of Achaemenid art. The results show that Bistoon relief is not a mere imitation of Anubanini relief, Rather, it is an updated and modified representation that has done in the line of Achaemenid art. The most important similarity of these works is in their scheme (narrated story) and the most important difference in the prevailing visual spirit is in the Bistoon relief plan, which has led to not humiliating the enemies and using violence against them.
在古伊朗艺术的纪念物中,岩石浮雕尤为重要。阿努巴尼尼浮雕是最古老的,比斯顿浮雕是这些作品中最重要的例子之一,除了主题相似之外,还有其他象征和视觉上的相似之处,这使得许多学者认为比斯顿浮雕是对阿努巴尼尼浮雕的模仿。尽管这些纪念物的重要性和相似性,但到目前为止,还没有在它们的视觉特征领域进行具体的比较研究。本研究采用描述-分析-比较的方法,并利用图书馆资源,试图回答以下问题:毕斯顿和阿努巴尼尼浮雕之间最重要的相似之处和视觉差异是什么?毕斯顿浮雕在多大程度上受到了阿努巴尼尼浮雕的影响?本研究对这些图案中使用的图像和符号的视觉艺术特征和背景进行了研究和分析。为了尽可能澄清这两个纪念馆之间的关系,本文对它们之间的异同进行了比较。阿努巴尼尼纪念碑的视觉和象征特征取自古代美索不达米亚艺术(尤其是阿卡德艺术),它们并排放置在一个新的设计中。比斯顿纪念碑的视觉和象征特征也受到了以前国家的艺术(尤其是亚述艺术)的影响,这些艺术以阿契美尼德艺术的形式呈现。结果表明,比斯顿浮雕不是单纯模仿阿努巴尼尼浮雕,而是在阿契美尼德艺术的路线上进行了更新和修改的表现。这些作品最重要的相似之处在于它们的方案(叙述的故事),而在主流视觉精神上最重要的区别在于比斯顿的救济计划,这导致了没有羞辱敌人和对他们使用暴力。
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引用次数: 0
A Comparative Study of Abulvafa Buzjani's Views on the Geometric Structure of Qajar Marriage Certificate 布尔瓦法·布兹贾尼对卡扎尔族结婚证几何结构观点的比较研究
Pub Date : 2020-01-01 DOI: 10.29252/MTH.9.18.89
Elaheh Panjebashi, M. Ghavamipour
angle, and quadrilateral knot are investigated
对角和四边形结进行了研究
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引用次数: 0
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Motaleat-e Tatbighi-e Honar
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