Pub Date : 2002-01-01DOI: 10.1163/9789047401148_010
{"title":"The Manchu Graphemes and the Way of their Writing","authors":"","doi":"10.1163/9789047401148_010","DOIUrl":"https://doi.org/10.1163/9789047401148_010","url":null,"abstract":"","PeriodicalId":210926,"journal":{"name":"Manchu Grammar","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116397209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2002-01-01DOI: 10.1163/9789047401148_018
{"title":"Elements of Morphophonemics. Morphemic Structure of a Word. Stems and Suffixes","authors":"","doi":"10.1163/9789047401148_018","DOIUrl":"https://doi.org/10.1163/9789047401148_018","url":null,"abstract":"","PeriodicalId":210926,"journal":{"name":"Manchu Grammar","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121893386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2002-01-01DOI: 10.1163/9789047401148_013
G. Sherwin, Lynn Loo
Recently, the entry of film/video into the art gallery has generated interest in earlier periods of artists' cinema, specifically the material/formal ideas of 1970s ‘expanded cinema' (Live in Your Head, Whitechapel 2000) and has contributed to a renewal of critical production. This ‘film performance' stretches the boundaries of film in three ways: production, authorship, means of exhibition. Production. This work is possibly unique in exploring relationships between letterforms and output as optical sounds. Made without a camera, all images and sounds in the film derive from computer-generated letterforms copied photographically onto 16mm film. The work asks: what is the character of sound made by these physical shapes of letters (e.g. ‘O' is warm, ‘E' is hard) and how can they be composed as a film artwork? Authorship. The work is an equal collaboration with artist Lynn Loo (UEA). Improvising musicians are at times co-opted to play live during its performances (Washington and Aufermann London 2005; Wilkinson Leeds 2006; Besson Paris 2006; Alan Montreal 2006). The musicians are asked to play within the implied space between the optical noises made by the letters and our knowledge of them as uttered sounds. Exhibition. The work is radical in its means of exhibition, using six 16mm projectors as instruments while their soundtracks interact with the live musicians. The work tests whether film projection can be brought closer to the realm of improvised music. In its various aspects the work develops ideas of optical sound (McLaren 1950s, Sherwin's own optical sound films of the 1970s - see DVD); of ‘expanded cinema' exhibition (ICA 1976, Dortmund 2004) and of image / sound collaboration (Metamkine 2005-7, Reble/Koner 2004-6). Success of the work is demonstrated using the same criteria as output one. A combined DVD/book ‘Guy Sherwin - Optical Sound Films' is in production.
最近，电影/录像进入艺术画廊引起了对早期艺术家电影的兴趣，特别是20世纪70年代“扩展电影”的材料/形式思想(Live in Your Head, Whitechapel 2000)，并促进了批判性生产的更新。这种“电影表演”从三个方面扩展了电影的边界:制作、作者、展示方式。生产。这项工作可能是独特的探索之间的关系字母形式和输出作为光学声音。这部电影没有相机，所有的图像和声音都是由电脑生成的字体复制到16毫米胶片上。这个作品的问题是:这些字母的物理形状(例如“O”是温暖的，“E”是硬的)发出的声音的特征是什么，它们如何被创作成电影艺术作品?作者。该作品是与艺术家Lynn Loo (UEA)的平等合作。在演出期间，有时会邀请即兴音乐家进行现场演奏(Washington and Aufermann London 2005;Wilkinson Leeds 2006;2006年巴黎贝松;Alan Montreal, 2006)。音乐家们被要求在字母发出的光学噪声和我们所知道的发出的声音之间的隐含空间内演奏。展览。该作品在展示方式上是激进的，使用六台16毫米投影仪作为乐器，而它们的配乐与现场音乐家互动。这部作品测试了电影放映是否可以更接近即兴音乐的境界。在各个方面，作品发展了光学声音的思想(麦克拉伦20世纪50年代，舍温自己的70年代光学声音电影-见DVD);“扩展电影”展览(ICA 1976，多特蒙德2004)和图像/声音合作(Metamkine 2005-7, Reble/Koner 2004-6)。使用与输出一相同的标准来演示工作的成功。DVD/书《盖伊·谢温-光学有声电影》正在制作中。
{"title":"Vowels and Consonants","authors":"G. Sherwin, Lynn Loo","doi":"10.1163/9789047401148_013","DOIUrl":"https://doi.org/10.1163/9789047401148_013","url":null,"abstract":"Recently, the entry of film/video into the art gallery has generated interest in earlier periods of artists' cinema, specifically the material/formal ideas of 1970s ‘expanded cinema' (Live in Your Head, Whitechapel 2000) and has contributed to a renewal of critical production. \u0000 \u0000This ‘film performance' stretches the boundaries of film in three ways: production, authorship, means of exhibition. \u0000 \u0000Production. This work is possibly unique in exploring relationships between letterforms and output as optical sounds. Made without a camera, all images and sounds in the film derive from computer-generated letterforms copied photographically onto 16mm film. The work asks: what is the character of sound made by these physical shapes of letters (e.g. ‘O' is warm, ‘E' is hard) and how can they be composed as a film artwork? \u0000 \u0000Authorship. The work is an equal collaboration with artist Lynn Loo (UEA). Improvising musicians are at times co-opted to play live during its performances (Washington and Aufermann London 2005; Wilkinson Leeds 2006; Besson Paris 2006; Alan Montreal 2006). The musicians are asked to play within the implied space between the optical noises made by the letters and our knowledge of them as uttered sounds. \u0000 \u0000Exhibition. The work is radical in its means of exhibition, using six 16mm projectors as instruments while their soundtracks interact with the live musicians. The work tests whether film projection can be brought closer to the realm of improvised music. \u0000 \u0000In its various aspects the work develops ideas of optical sound (McLaren 1950s, Sherwin's own optical sound films of the 1970s - see DVD); of ‘expanded cinema' exhibition (ICA 1976, Dortmund 2004) and of image / sound collaboration (Metamkine 2005-7, Reble/Koner 2004-6). \u0000 \u0000Success of the work is demonstrated using the same criteria as output one. \u0000 \u0000A combined DVD/book ‘Guy Sherwin - Optical Sound Films' is in production.","PeriodicalId":210926,"journal":{"name":"Manchu Grammar","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122075044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2002-01-01DOI: 10.1163/9789047401148_029
{"title":"Reduplication of Words. Grammatical Meanings of Pair Words","authors":"","doi":"10.1163/9789047401148_029","DOIUrl":"https://doi.org/10.1163/9789047401148_029","url":null,"abstract":"","PeriodicalId":210926,"journal":{"name":"Manchu Grammar","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117071389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2002-01-01DOI: 10.1163/9789047401148_015
{"title":"The Dropping of Vowels and Consonants in Manchu Words","authors":"","doi":"10.1163/9789047401148_015","DOIUrl":"https://doi.org/10.1163/9789047401148_015","url":null,"abstract":"","PeriodicalId":210926,"journal":{"name":"Manchu Grammar","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134374867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2002-01-01DOI: 10.1163/9789047401148_020
{"title":"Polysemantics and Polyfunctionality of Language Units as Two Principal Features of Manchu Grammar","authors":"","doi":"10.1163/9789047401148_020","DOIUrl":"https://doi.org/10.1163/9789047401148_020","url":null,"abstract":"","PeriodicalId":210926,"journal":{"name":"Manchu Grammar","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133478466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2002-01-01DOI: 10.1163/9789047401148_017
{"title":"Types of Syllables and Syllabic Structure of Manchu Words","authors":"","doi":"10.1163/9789047401148_017","DOIUrl":"https://doi.org/10.1163/9789047401148_017","url":null,"abstract":"","PeriodicalId":210926,"journal":{"name":"Manchu Grammar","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115216137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2002-01-01DOI: 10.1163/9789047401148_032
{"title":"The Means of Pragmatic Structuring in Manchu","authors":"","doi":"10.1163/9789047401148_032","DOIUrl":"https://doi.org/10.1163/9789047401148_032","url":null,"abstract":"","PeriodicalId":210926,"journal":{"name":"Manchu Grammar","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115939860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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