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Distorted Reality 扭曲的现实
Pub Date : 2018-10-08 DOI: 10.4324/9780429499326-5
S. Lichter, Daniel Amundson
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引用次数: 2
Stereotyping in Films in Seneral and of the Hispanic in Particular 电影中的刻板印象,尤其是对西班牙裔的刻板印象
Pub Date : 2018-10-08 DOI: 10.4324/9780429499326-9
C. Berg
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引用次数: 0
From Assimilation to Annihilation 从同化到湮灭
Pub Date : 2018-10-08 DOI: 10.4324/9780429499326-11
Richie Pérez
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引用次数: 2
West Side Story 西区故事
Pub Date : 2018-10-08 DOI: 10.4324/9780429499326-12
A. Sánchez
After my immigration to Wisconsin in 1973 to attend college, the musical film WEST SIDE STORY frequently was imposed upon me as a "model of of/for" my Puerto Rican ethnic identity. Certainly it was a strange and foreign model for a newcomer, but not for the Anglo-Americans who actualize with my bodily presence their stereotypes of Latinos' Otherness. Over and over again, to make me feel comfortable in their family rooms and to tell me of their knowledge about Puerto Ricans, they would start their conversations with WEST SIDE STORY: "Al, we loved WEST SIDE STORY." "Have you seen the movie'?" "Did you like it?" On other occasions, some people even sang parodically in my ears: "Alberto, I've just met a guy named Alberto." And, how can I forget those who upon my arrival would start tapping flamenco steps and squealing: "I like to be in America!...Everything free in America."[1][open notes in new window] As the years passed by I grew accustomed to their actions and reactions to my presence. I would smile and ignore the stereotype of Puerto Ricans that Hollywood promotes. Or perhaps, was I unwilling to identify with the Puerto Rican immigrants living in New York because of my own prejudices of class or race?
1973年我移民到威斯康辛州上大学后,歌舞片《西区故事》(WEST SIDE STORY)经常被强加给我,作为我波多黎各民族身份的“典范”。当然,对于一个新来者来说,这是一个奇怪而陌生的模式,但对于盎格鲁-美国人来说却不是这样,他们通过我的身体存在来实现他们对拉丁美洲人的异类的刻板印象。一次又一次,为了让我在他们的家庭房间里感到自在,为了告诉我他们对波多黎各人的了解,他们会以《西区故事》开始他们的谈话:“阿尔,我们喜欢《西区故事》。”“你看过这部电影吗?”“你喜欢吗?”在其他场合,有些人甚至在我耳边模仿地唱:“阿尔贝托,我刚刚遇到了一个叫阿尔贝托的家伙。”还有,我怎么能忘记那些一到美国就开始敲着弗拉门戈舞步尖叫的人:“我喜欢在美国!在美国一切都是免费的。[1]随着时间的流逝,我渐渐习惯了他们对我的行为和反应。我会微笑,无视好莱坞宣扬的对波多黎各人的刻板印象。或者,也许是因为我自己的阶级或种族偏见,我不愿意认同生活在纽约的波多黎各移民?
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引用次数: 0
Two Film Reviews 两部影评
Pub Date : 2018-10-08 DOI: 10.4324/9780429499326-18
Santiago Nieves, Frank Algarin
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引用次数: 0
Keeping It Reel? Films of the 1980s and 1990s 保持卷轴?80年代和90年代的电影
Pub Date : 2018-10-08 DOI: 10.4324/9780429499326-13
Clara E. Rodríguez
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引用次数: 1
Chicanas in Film 电影中的墨西哥人
Pub Date : 2018-10-08 DOI: 10.4324/9780429499326-10
C. E. Cortés
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引用次数: 0
Hispanic Voices 西班牙裔的声音
Pub Date : 2018-10-08 DOI: 10.4324/9780429499326-4
Jorge Quiroga
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引用次数: 0
Visual Retrospective 视觉的回顾
Pub Date : 2018-10-08 DOI: 10.4324/9780429499326-7
Clara E. Rodríguez
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引用次数: 0
Unofficial Stories 非官方的故事
Pub Date : 2018-10-08 DOI: 10.4324/9780429499326-16
L. Kotz
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引用次数: 0
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Latin Looks
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