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Kultura popularna i ideologia Polityczne interpretacje rozrywki i sztuki最新文献

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Kanibalizm jako symptom fałszywej świadomości w filmie Zielona pożywka (1973)
Pub Date : 2020-06-01 DOI: 10.14746/9788365817921.5
Piotr Urbanowicz
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引用次数: 0
Raport Weyland Yutani nr 263: Nowe możliwości ekspansji na księżycu LV-223
Pub Date : 2020-06-01 DOI: 10.14746/9788365817921.6
Jarema Drozdowicz
: The chapter makes an attempt at reconstructing the semiotic structure of the cinemato graphic series, initiated by the movie „Alien” directed by Ridley Scott. It does so by the use of inter pretative methodology towards the presence and the representations of three main ideological topics, i.e.: the neoliberal ideology, postcolonial hegemony and the feminist critique. These three ideologi cal fields shape together the meaningful dimension, which in the case of each part of the series and other related popcultural forms is characterized by a high level of complexity. The main area of the symbolic anchoring and the point of reference for the motivations of the main characters, trajectories of side narratives, as well the diachronic structure of the series remains the futuristic corporation Weyland-Yutani. It is a large complex and the source of economic pressure in a world in which profit becomes the leading imperative and it is gained above the registry of morals and life of the crew of the Nostromo ship. In effect this article reveals the way in which the mentioned institution handles its power thanks to tools typical for neoliberal economy and how, thanks to such pop-cultural works, such modelhas been popularized or criticized.
:本章试图重构由雷德利·斯科特导演的电影《异形》所开创的电影图像系列的符号学结构。它通过对三个主要意识形态主题的存在和表现使用解释性方法来做到这一点,即:新自由主义意识形态,后殖民霸权和女权主义批判。这三个意识形态领域共同塑造了有意义的维度,在这个系列的每一部分和其他相关的流行文化形式的情况下,都具有高度的复杂性。象征锚定的主要领域和主角动机的参考点,支线叙事的轨迹,以及系列的历时结构仍然是未来主义公司Weyland-Yutani。这是一个庞大的综合体,也是经济压力的来源,在这个世界上,利润成为首要的当务之急,它的获得超越了诺斯特罗莫船上船员的道德和生活。实际上,这篇文章揭示了上述机构利用新自由主义经济的典型工具来处理其权力的方式,以及由于这些流行文化作品,这种模式是如何被推广或批评的。
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引用次数: 0
Ideologia i interpretacja dzieł kultury popularnej
Pub Date : 2020-06-01 DOI: 10.14746/9788365817921.2
F. Biały
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引用次数: 0
Medialny wojeryzm w XXI wieku na przykładzie programu telewizyjnego Gogglebox. Przed telewizorem
Pub Date : 2020-06-01 DOI: 10.14746/9788365817921.10
Weronika Dopierała, Beata Użarowska
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引用次数: 0
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Kultura popularna i ideologia Polityczne interpretacje rozrywki i sztuki
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