Pub Date : 2018-07-20DOI: 10.4324/9781315393865-13
Rica Narimoto
{"title":"Heritage within the avant-garde? Traditional and contemporary musics in post-war Japan","authors":"Rica Narimoto","doi":"10.4324/9781315393865-13","DOIUrl":"https://doi.org/10.4324/9781315393865-13","url":null,"abstract":"","PeriodicalId":231608,"journal":{"name":"Music as Heritage","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124702155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The early-romantic piano concerto and the lost cultural heritage of improvisation","authors":"R. Stewart-Macdonald","doi":"10.4324/9781315393865-9","DOIUrl":"https://doi.org/10.4324/9781315393865-9","url":null,"abstract":"","PeriodicalId":231608,"journal":{"name":"Music as Heritage","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130316680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Life beyond ritual? Preserving the shamanic performance arts in South Korea today","authors":"S. Mills","doi":"10.4324/9781315393865-6","DOIUrl":"https://doi.org/10.4324/9781315393865-6","url":null,"abstract":"","PeriodicalId":231608,"journal":{"name":"Music as Heritage","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133539028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-07-20DOI: 10.4324/9781315393865-11
Hwee-San Tan
{"title":"Safeguarding intangible cultural heritage in China","authors":"Hwee-San Tan","doi":"10.4324/9781315393865-11","DOIUrl":"https://doi.org/10.4324/9781315393865-11","url":null,"abstract":"","PeriodicalId":231608,"journal":{"name":"Music as Heritage","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133501934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Audiovisual media and performing arts in danger","authors":"Terada Yoshitaka","doi":"10.4324/9781315393865-4","DOIUrl":"https://doi.org/10.4324/9781315393865-4","url":null,"abstract":"","PeriodicalId":231608,"journal":{"name":"Music as Heritage","volume":"251 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117288922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Safeguarding Kunqu in the People’s Republic of China","authors":"M. Ong","doi":"10.4324/9781315393865-7","DOIUrl":"https://doi.org/10.4324/9781315393865-7","url":null,"abstract":"","PeriodicalId":231608,"journal":{"name":"Music as Heritage","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115300148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Safeguarding the heart’s home town","authors":"David W. Hughes","doi":"10.4324/9781315393865-8","DOIUrl":"https://doi.org/10.4324/9781315393865-8","url":null,"abstract":"","PeriodicalId":231608,"journal":{"name":"Music as Heritage","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128349790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In 1998 UNESCO launched a new programme of registering and protecting ‘masterpieces of the oral and intangible heritage of humanity’. The first proclamation of such pieces in May 2001 listed 19 items including the marionette theatre practice, l'opera dei pupi, long considered as a characteristic Sicilian cultural tradition. The standard repertoire of L'opera dei pupi consists of chivalric stories based mainly on Italy’s renowned epics Orlando furioso [The Frenzy of Orlando] by Ludovico Ariosto (1474−1533) and Orlando innamorato [Orlando in Love] by Matteo Maria Boiardo (1440 or 41−1494). The interludes between the acts of the main programme present another, separate story in lighter vein often featuring characters from the commedia dell’ arte tradition. A form of puppet theatre in Italy seems to have existed in Roman times but there appears to be very little link between the ancient practice and what we now know as l'opera dei pupi. Arguably, its direct archetype may have been formed in the sixteenth and seventeenth centuries, but it is during the nineteenth century that l’opera dei pupi established itself. During that century, versions of it could found in Rome, Puglia and Naples, but it became particularly successful in Sicily (Morse 2007: 36−42).
1998年，联合国教科文组织发起了一项登记和保护“人类口头和非物质遗产杰作”的新计划。2001年5月，第一次公布了这类作品，列出了19个项目，包括木偶剧院的实践，l'opera dei pupi，长期以来被认为是西西里文化传统的特色。《少年歌剧》的标准曲目包括骑士故事，主要取材于意大利著名的史诗《奥兰多狂乱》(Ludovico Ariosto, 1474 - 1533)和《奥兰多恋爱》(Orlando innamorato, Matteo Maria Boiardo, 1440或41 - 1494)。主要节目的幕间休息呈现了另一个轻松的独立故事，通常以喜剧艺术传统中的人物为特色。意大利的一种木偶戏剧形式似乎在罗马时代就存在了，但这种古老的表演方式与我们现在所知的l'opera dei pupi之间似乎没有什么联系。可以说，它的直接原型可能是在16世纪和17世纪形成的，但在19世纪，“小学生歌剧”才确立了自己的地位。在那个世纪，它的版本可以在罗马，普利亚和那不勒斯找到，但它在西西里岛特别成功(Morse 2007: 36−42)。
{"title":"L’opera dei pupi, torneo, and early opera","authors":"Naomi Matsumoto","doi":"10.4324/9781315393865-3","DOIUrl":"https://doi.org/10.4324/9781315393865-3","url":null,"abstract":"In 1998 UNESCO launched a new programme of registering and protecting ‘masterpieces of the oral and intangible heritage of humanity’. The first proclamation of such pieces in May 2001 listed \u000019 items including the marionette theatre practice, l'opera dei pupi, long considered as a characteristic Sicilian cultural tradition. The standard repertoire of L'opera dei pupi consists of chivalric stories based mainly on Italy’s renowned epics Orlando furioso [The Frenzy of Orlando] by Ludovico Ariosto (1474−1533) and Orlando innamorato [Orlando in Love] by Matteo Maria Boiardo (1440 or 41−1494). The interludes between the acts of the main programme present another, separate story in lighter vein often featuring characters from the commedia dell’ arte tradition. A form of puppet theatre in Italy seems to have existed in Roman times but there appears to be very little link between the ancient practice and what we now know as l'opera dei pupi. Arguably, its direct archetype may have been formed in the sixteenth and seventeenth centuries, but it is during the nineteenth century that l’opera dei pupi established itself. During that century, versions of it could found in Rome, Puglia and Naples, but it became particularly successful in Sicily (Morse 2007: 36−42).","PeriodicalId":231608,"journal":{"name":"Music as Heritage","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129921806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musical heritage as a cultural and global concept","authors":"Anthony J. Pryer","doi":"10.4324/9781315393865-2","DOIUrl":"https://doi.org/10.4324/9781315393865-2","url":null,"abstract":"","PeriodicalId":231608,"journal":{"name":"Music as Heritage","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131308518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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