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Introduction to the Special Issue on DEIA in Copyright Librarianship 版权图书馆学中的 DEIA 特刊简介
Pub Date : 2024-05-24 DOI: 10.17161/jcel.v7i1.21735
Sara Benson
An introduction to the special issue from the guest editor, Sara R. Benson.
特邀编辑 Sara R. Benson 为特刊撰写的序言。
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引用次数: 0
Protecting More Than Just Books: A Curricula Study of Traditional Cultural Expression in U.S. LIS Programs 保护的不仅仅是书籍:美国 LIS 课程中的传统文化表达课程研究
Pub Date : 2024-05-24 DOI: 10.17161/5w6rtm03
Siyao Cheng, Melissa Ocepek, Sara Benson
More and more, librarians’ day-to-day job responsibilities include working with Traditional Cultural Expressions (TCEs) and their divergent needs. Nevertheless, TCEs—and their specialized care—lack adequate attention and appropriate training in Library and Information Science (LIS) pedagogy. This indicates that LIS students may be less prepared to ethically work on TCE-related inquiries in the future. This study conducts a curricula content analysis of 35 ALA-accredited Master of Library and Information Science (MSLIS) programs to preliminarily assess the current state of TCE-related topics represented in LIS programs. Through investigating course descriptions, the research evaluates the depth and breadth to which LIS students’ coursework incorporates topics related to TCEs and their care. The synthesized findings demonstrate that only a small number of LIS programs even offer TCE-centric courses; of these, very few programs explicitly require students to take them. Failure to integrate TCEs into the core curriculum results in students being unprepared for the corresponding challenges in their prospective workplaces, especially as most TCEs are not covered by copyright law. The implication of this study could be a fruitful and rigorous invitation for LIS educators to revise their LIS curriculum to keep pace with the ever-evolving information needs that arise in contemporary library contexts for diverse populations.
图书馆员的日常工作职责越来越多地包括与传统文化表现形式(TCEs)及其不同需求打交道。然而,传统文化表现形式及其专门护理在图书馆与信息科学(LIS)教学法中缺乏足够的关注和适当的培训。这表明,图书馆与信息科学(LIS)专业的学生在未来从事与 TCE 相关的研究工作时,在道德方面可能准备不足。本研究对 35 个经 ALA 认证的图书馆与信息科学硕士(MSLIS)课程进行了课程内容分析,以初步评估 LIS 课程中与 TCE 相关主题的现状。通过调查课程描述,研究评估了图书馆与信息科学专业学生的课程在深度和广度上纳入了与 TCE 及其护理相关的主题。综合研究结果表明,只有少数 LIS 课程甚至开设了以 TCE 为中心的课程;在这些课程中,只有极少数课程明确要求学生选修。如果不将传统文化表现形式纳入核心课程,学生就无法应对未来工作场所的相应挑战,尤其是大多数传统文化表现形式不在版权法的保护范围之内。这项研究的意义在于,它可以富有成效地严格要求图书情报学教育者修订图书情报学课程,以跟上当代图书馆环境中不同人群不断变化的信息需求的步伐。
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引用次数: 0
Book Review: A Digital Bundle: Protecting and Promoting Indigenous Knowledge Online 书评数字捆绑:在线保护和推广土著知识
Pub Date : 2024-05-24 DOI: 10.17161/8ng7dr21
Treasa Bane
When Indigenous Knowledge is made openly available, it enables members of Indigenous communities to resist colonialism to pursue self-determination as well as cultural transformation for Indigenous Peoples and non-Indigenous Peoples alike. Jennifer Wemigwans’ A Digital Bundle: Protecting and Promoting Indigenous Knowledge Online explores what opening cultural heritage entails from an Indigenous perspective.  
当土著知识被公开提供时,它使土著社区成员能够抵制殖民主义,为土著人民和非土著人民谋求自决和文化变革。Jennifer Wemigwans 的《A Digital Bundle:从土著人的角度探讨了开放文化遗产的意义。
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引用次数: 0
An Interview with Dr. Kimber Thomas, Senior Innovation Specialist with the Connecting Communities Digital Initiative (CCDI) at the Library of Congress 专访美国国会图书馆 "连接社区数字倡议"(CCDI)高级创新专家金伯-托马斯(Kimber Thomas)博士
Pub Date : 2024-05-24 DOI: 10.17161/jcel.v7i1.22364
Tucker Taylor, Kimber Thomas
In this interview, Dr. Thomas discusses the relationship between race and copyright. This conversation with Tucker Taylor of the Journal of Copyright in Education and Librarianship covers Dr. Thomas’s path to copyright education as well as her work at Connecting Communities Digital Initiative (CCDI) at the Library of Congress.  Dr. Thomas details the interaction of race and copyright, and how it relates to librarianship and education.  She also details ideas for librarians and educators to help improve our current situation.
在这次访谈中,托马斯博士讨论了种族与版权之间的关系。托马斯博士与《教育与图书馆学版权期刊》的塔克-泰勒(Tucker Taylor)的对话涉及托马斯博士的版权教育之路以及她在美国国会图书馆 "连接社区数字倡议"(CCDI)的工作。 托马斯博士详细介绍了种族与版权的互动关系,以及种族与版权与图书馆学和教育的关系。 她还详细介绍了图书馆员和教育工作者帮助改善目前状况的想法。
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引用次数: 0
Stewarding Collections in Times of Changing Perspectives 在观点不断变化的时代管理藏品
Pub Date : 2024-05-24 DOI: 10.17161/jcel.v7i1.21005
Rina Pantalony
Libraries, archives, museums and other cultural heritage organizations are collections-based institutions with the mission to preserve their collections and make them accessible in various ways, whether for research, study, exhibition and educational purposes, while holding the physical collections in trust for the public. With the transitioning values for the collecting practices, the norms of collecting practices and accessibility standards are being challenged. The provenance of collections is being challenged, as well, and in some cases, objects and materials in collections have become the subject of repatriation. This is particularly true where collections include objects and materials that were acquired or taken from one global region or community and accessioned into the collection of a cultural heritage organization in another. How can access to collections be provided to patrons and the public in a way that is true and respectful of the normative traditions of traditional communities, in keeping with shifting societal values? This article presents the argument that a recognition and respect for intellectual property norms, specifically traditional knowledge (TK) and traditional cultural expressions (TCEs), facilitates quality collections stewardship and access to collections.
图书馆、档案馆、博物馆和其他文化遗产组织都是以藏品为基础的机构,其使命是保 护藏品,并以各种方式提供藏品,无论是用于研究、学习、展览还是教育目的,同时为公 众托管实物藏品。随着收藏实践价值观的转变,收藏实践规范和无障碍标准正在受到挑战。藏品的来源也受到了挑战,在某些情况下,藏品中的物品和材料已成为归还的对象。尤其是当藏品中的物品和材料是从一个全球地区或社区获得或拿走,然后被另一个地区或社区的文化遗产组织收藏时,情况更是如此。如何才能以一种真实和尊重传统社区规范传统的方式,向赞助人和公众提供藏品,并与不断变化的社会价值观保持一致?本文提出的论点是,承认并尊重知识产权准则,特别是传统知识(TK)和传统文化表现形式(TCEs),有利于高质量的藏品管理和藏品的使用。
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引用次数: 0
The Order of Success: A Slow Path to Copyright Librarianship 成功的顺序:通往版权图书馆的缓慢之路
Pub Date : 2022-09-13 DOI: 10.17161/jcel.v6i1.18265
LeEtta M. Schmidt
No faculty lines were open when I graduated with my MLS at the library where I was employed as a staff member, but I was able to take advantage of organizational restructuring to obtain a management position over interlibrary loan. My department head at the time was assigned with providing copyright assistance. I seized the opportunity to learn more while I searched for a position that required my degree. I was supported while pursuing continuing education in copyright. I was also given increasing responsibilities that I suspected were beyond my rank. My eagerness to develop a professional skill set had worked both for and against me.
当我毕业时,我的MLS在图书馆被聘为一名工作人员,但我能够利用组织重组获得馆际互借的管理职位。我当时的部门主管被指派提供版权方面的协助。我抓住了这个机会,在寻找一份需要我的学位的工作时,我学到了更多的东西。我在继续接受版权方面的教育时得到了资助。我也被赋予了越来越多的责任,我怀疑这些责任超出了我的级别。我急于发展一套专业技能,这对我有利也对我不利。
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引用次数: 0
A Tribute to Fritz Dolak, Copyright Librarian of Ball State University 致敬弗里茨·多拉克,波尔州立大学版权图书管理员
Pub Date : 2022-09-13 DOI: 10.17161/jcel.v6i1.18268
Dwayne K. Buttler, K. Crews, Donna L. Ferullo
The community of copyright professionals lost a champion recently, with the passing of Frank J. (“Fritz”) Dolak on July 14, 2021. Fritz was the copyright librarian at Ball State University, and he was known nationally for the series of annual copyright conferences he organized and led in Indiana, and for his leadership in addressing the use of copyrighted works for the enhancement of distance education. He came to copyright after years of music, military service, and more. A hallmark of his life was bringing clarity and humor to serious challenges, starting with his family name. He had a simple family name that was routinely mispronounced. As Fritz would tell anyone who would listen, “The name is ‘Doo-Lok,’ as in ‘Do Lock the Door.’” Fritz was a professional colleague to many editors and contributors to JCEL. Three of his copyright colleagues—Dwayne K. Buttler, Kenneth D. Crews, and Donna L. Ferullo—worked with him for many years, and they share memories of Dr. Fritz Dolak and his influence and leadership. The story of Fritz Dolak is a story of kindness, generosity, and inspiration.
随着Frank J.(“Fritz”)Dolak于2021年7月14日去世,版权专业人士社区最近失去了一位冠军。弗里茨是波尔州立大学的版权图书管理员,他在印第安纳州组织和领导了一系列年度版权会议,并在解决版权作品的使用以增强远程教育方面发挥了领导作用,因此在全国闻名。在从事音乐、服兵役等工作多年后,他进入了版权行业。他一生的一个特点是,从他的姓氏开始,用清晰和幽默来应对严峻的挑战。他的姓氏很简单,但经常被读错。弗里茨会告诉任何愿意听他说话的人:“名字是‘Doo-Lok’,意思是‘锁上门’。弗里茨是许多JCEL编辑和撰稿人的专业同事。他的三位版权同事——dwayne K. Buttler、Kenneth D. Crews和Donna L. ferullo——与他一起工作了多年,他们分享了对Fritz Dolak博士的回忆,以及他的影响力和领导能力。弗里茨·多拉克的故事是一个关于善良、慷慨和鼓舞人心的故事。
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引用次数: 0
Anatomy of a New Copyright Librarian 新型版权馆员剖析
Pub Date : 2022-09-13 DOI: 10.17161/jcel.v6i1.18247
S. Kendall
My journey to working with copyright at the Michigan State University (MSU) Libraries began with images for medical education. I was Coordinator for Health Sciences at the Libraries, during which time instructors creating a new online curriculum asked for clear guidance on images they could include.  Over a period of years, I negotiated licenses with major medical publishers to allow image use from our subscription resources for this purpose.  Through this project, I grew my expertise and knowledge about copyright issues, which gave me confidence to propose taking on the part-time copyright librarian position when the existing copyright librarian retired. I’m now in the position and enjoy collaborating with people across the MSU Libraries and across subject areas to promote understanding of copyright for teaching, learning, and scholarship. 
我在密歇根州立大学(MSU)图书馆从事版权工作的旅程始于医学教育的图像。我是图书馆的健康科学协调员,在此期间,教师创建了一个新的在线课程,要求对他们可以包括的图像有明确的指导。在几年的时间里,我与主要的医学出版商谈判许可,允许使用我们的订阅资源中的图像用于此目的。通过这个项目,我增加了自己对版权问题的专业知识和知识,这让我有信心在现有的版权馆员退休后提出兼职版权馆员的职位。我现在在这个职位上,喜欢与密歇根州立大学图书馆和跨学科领域的人们合作,以促进对教学、学习和奖学金版权的理解。
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引用次数: 0
Being a Copyright Professional in Museum and Library Land 成为博物馆和图书馆领域的版权专家
Pub Date : 2022-09-13 DOI: 10.17161/jcel.v6i1.18266
Kiowa Hammons
A big lesson I’ve learned in my career as a copyright specialist is that copyright is an inevitable and essential factor for collecting institutions, but is often overlooked. I attended the Pratt Institute in New York for an MLIS with the intention of working as a librarian in a museum or public library, but as I neared graduation I found the job market and my focus wavering. An internship at Exit Art Gallery digitizing their archives showed me the growing importance of digitization for preservation and access. This internship led me to a job at The Whitney Museum in their Rights and Reproductions department: licensing images and contacting rights holders for permission to use their work. I was finding a unique pathway to archives and collections through copyright research, and the desire of cultural institutions to make these collections more accessible was one I believed in. These skills coalesced when I started at The New York Public Library as a Rights Coordinator, and later as a Manager leading a team to facilitate digitization. The library offered vast collections with copyright webs to untangle, and gave me the chance to utilize my degree as a library specialist in copyright.
在我作为版权专家的职业生涯中,我学到的一个重要教训是,版权是收藏机构不可避免的重要因素,但却经常被忽视。我在纽约的普拉特学院(Pratt Institute)攻读硕士学位,本打算在博物馆或公共图书馆当一名图书管理员,但临近毕业时,我发现就业市场和我的重点都动摇了。在出口处艺术画廊(Exit Art Gallery)进行档案数字化的实习,让我意识到数字化对保存和访问的重要性日益增强。这次实习让我在惠特尼博物馆的版权和复制部门找到了一份工作:授权图像并联系版权所有者以获得使用他们作品的许可。我找到了一条通过版权研究来获取档案和藏品的独特途径,我相信文化机构希望让这些藏品更容易获得。当我开始在纽约公共图书馆担任权利协调员时,这些技能结合在一起,后来成为领导团队促进数字化的经理。图书馆提供了大量的收藏和版权网络,让我有机会利用我作为图书馆版权专家的学位。
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引用次数: 0
A Researcher’s Curiosity, a Risk Manager’s Temperament, and an Educator’s Commitment 研究者的好奇心、风险管理者的气质和教育者的承诺
Pub Date : 2022-09-13 DOI: 10.17161/jcel.v6i1.18491
Mayya Revzina
I am Mayya Revzina, originally from Kirov and Moscow, Russia, currently living in Bethesda, Maryland. I am a publishing professional with experience in communications and international publishing in Russia, the U.K., and the U.S. I began my career in publishing in 2006 working for a small Russian publisher, OGI Press (United Humanities Press), famous for its publications of poetry, non-fiction, and contemporary novels. When interviewed by a panel of officers from World Bank Publications at the London Book Fair 2007, where I was competing with fellow graduate students from U.K. universities for the World Bank Publishing Internship Prize, I confessed that my dream job would be to become a rights manager and facilitate translations into different languages. For the past 15 years, I have been working as a copyright and publishing rights manager at the World Bank. At the moment I am focused on safeguarding the success of the Bank’s Open Access Policy and Open Knowledge Repository, as well as educating my colleagues, including researchers, communication professionals, and knowledge managers, about copyright, open access and public licensing. In 2017 I launched the Copyright Coffee educational series at the World Bank Group library, which have generated great demand.
我是Mayya Revzina,来自俄罗斯基洛夫和莫斯科,目前住在马里兰州贝塞斯达。我是一名出版专业人士,在俄罗斯、英国和美国都有过传播和国际出版的经验。2006年,我开始了自己的出版生涯,在一家小型的俄罗斯出版社OGI Press (United Humanities Press)工作,这家出版社以出版诗歌、非小说和当代小说而闻名。在2007年伦敦书展上,当我与来自英国大学的研究生同学竞争世界银行出版实习奖时,世界银行出版社的一组官员对我进行了面试,我承认我的梦想工作是成为一名版权经理,帮助翻译成不同的语言。在过去的15年里,我一直在世界银行担任版权和出版权经理。目前,我的工作重点是维护世行开放获取政策和开放知识资源库的成功,同时对我的同事们,包括研究人员、传播专业人员和知识管理人员进行版权、开放获取和公共许可方面的教育。2017年,我在世界银行集团图书馆推出了“版权咖啡”教育系列,产生了巨大的需求。
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引用次数: 0
期刊
Journal of Copyright in Education & Librarianship
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