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Latinx Studies最新文献

英文 中文
Immigration 移民
Pub Date : 2018-12-07 DOI: 10.4324/9781315109862-11
Frederick Luis Aldama, Christopher González
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引用次数: 0
Narrative 叙述
Pub Date : 2018-12-07 DOI: 10.4324/9781315109862-19
Frederick Luis Aldama, Christopher González
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引用次数: 0
Myths and Monsters 神话与怪物
Pub Date : 2018-12-07 DOI: 10.4324/9781315109862-17
F. Aldama, Christopher González
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引用次数: 0
Media 媒体
Pub Date : 2018-12-07 DOI: 10.4324/9781315109862-16
Frederick Luis Aldama, Christopher González
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引用次数: 0
Performance 表演
Pub Date : 2018-12-07 DOI: 10.4324/9781315109862-21
Frederick Luis Aldama, Christopher González
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引用次数: 0
Latinofuturism
Pub Date : 2018-12-07 DOI: 10.4324/9781315109862-15
Frederick Luis Aldama, Christopher González
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引用次数: 0
Youth 青年
Pub Date : 2018-12-07 DOI: 10.5040/9781350995970.0005
Frederick Luis Aldama, Christopher González
Scholarship on and experiences from across conflict zones worldwide suggests that the use of creative arts forges pathways for youth to engage in transformative experiences that contribute enormously towards developing peace initiatives. methods used as pedagogical tools hold the to expand the where is account of to it is simplicity in these methods that carry the for This is because such methods and tools go beyond the cognitive experiences of the individuals and instead involves the and larger society. the emphases on of
来自世界各地冲突地区的学术研究和经验表明,创造性艺术的使用为青年提供了参与变革经历的途径,这些经历对发展和平倡议作出了巨大贡献。作为教学工具使用的方法具有扩展其考虑范围的特点,因为这些方法和工具超越了个人的认知经验,而是涉及到更大的社会。对…的强调
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引用次数: 0
Body 身体
Pub Date : 2018-12-07 DOI: 10.4324/9781315109862-4
Frederick Luis Aldama, Christopher González
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引用次数: 0
Border Theory 边界理论
Pub Date : 2018-12-07 DOI: 10.4324/9781315109862-3
Frederick Luis Aldama, Christopher González
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引用次数: 3
Popular Culture 流行文化
Pub Date : 2018-12-07 DOI: 10.4324/9781315109862-23
Frederick Luis Aldama, Christopher González
What is legal personhood? Many people understand personhood – and by extension law – through depictions in popular culture. The contemporary feature film for example provides a lens through which non-specialists (people without a background in information technology, philosophy and law) can make sense of humanoid robots and distributed artificial intelligence (AI), entities that perform as ‘human’. Such an understanding is increasingly salient as AI becomes a pervasive but under-recognised aspect of daily life, and continues to evolve in its sophistication and complexity, provoking questions about rights, responsibilities and regulation regarding artificial entities that are independent rather than autonomous. The article accordingly analyses depictions of personhood in films such as Ex Machina, WarGames, Alien and Alien Covenant, Forbidden Planet, RoboCop and AI. It suggests that popular culture has an uncertain grasp of legal personhood but provokes thought and tells us something useful about the difference between human animals, non-human animals, corporations and new artificial persons. Those differences will be legally and culturally contested in the emerging age of smart machines and governance by algorithm. Legal personhood is a strange creature, more omnipresent but less colourful than the creatures featured on screen in films such as Metropolis, 2 Prometheus and Alien 1 Dr Bruce Baer Arnold is an Assistant Professor at the School of Law & Justice at the University of Canberra. His work has appeared in Melbourne University Law Review and other journals, along with chapters on digital cities, privacy and secrecy. His current research focuses on regulatory incapacity at the intersection of public health, consumer protection and technology. Mr Drew Gough is an Information Technology consultant who has worked across federal, state and local government. His area of expertise is IT security and high availability infrastructure and disaster recovery. He is the creator and primary contributor to the technology and gaming blog ConstantlyRespawning.com. Work on law, code and ethics in learning platforms is forthcoming. 2 Metropolis (Directed by Fritz Lang, Universum Film, 1927). Arnold & Gough, ‘Turing’s People’ Canberra Law Review (2017) 15(1) 2 Covenant, The Terminator, Ex Machina, RoboCop, and Star Wars or in canonical texts such as Frankenstein, Or The Modern Prometheus (1818) and L'Ève future (1886). Legal personhood is man-made, a creature of administrative convenience and social convention that specialists and non-specialists alike often take for granted. 10 It privileges some interests. It enshrines particular capacities, for example the sentience and susceptibility to suffering of human animals – the paradigmatic legal persons – rather than their non-human peers on the disadvantaged side of what rights scholar Steven Wise characterised as the thick legal wall differentiating humans from other animal species. As noted below it involves a bu
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引用次数: 3
期刊
Latinx Studies
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