{"title":"THREE. A CRASH COURSE ON HOLLYWOOD’S LATINO IMAGERY","authors":"","doi":"10.7560/709065-005","DOIUrl":"https://doi.org/10.7560/709065-005","url":null,"abstract":"","PeriodicalId":247579,"journal":{"name":"Latino Images in Film","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2002-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121678719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TEN. THE MARIACHI AESTHETIC GOES TO HOLLYWOOD An Interview with Robert Rodríguez","authors":"","doi":"10.7560/709065-013","DOIUrl":"https://doi.org/10.7560/709065-013","url":null,"abstract":"","PeriodicalId":247579,"journal":{"name":"Latino Images in Film","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2002-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134486450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"NINE. ETHNIC INGENUITY AND MAINSTREAM CINEMA Robert Rodríguez’s Bedhead (1990) and El Mariachi (1993)","authors":"","doi":"10.7560/709065-012","DOIUrl":"https://doi.org/10.7560/709065-012","url":null,"abstract":"","PeriodicalId":247579,"journal":{"name":"Latino Images in Film","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2002-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116331579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TWO. STEREOTYPES IN FILM","authors":"","doi":"10.7560/709065-004","DOIUrl":"https://doi.org/10.7560/709065-004","url":null,"abstract":"","PeriodicalId":247579,"journal":{"name":"Latino Images in Film","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2002-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116776064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"FIVE. BORDERTOWN, THE ASSIMIL ATION NARRATIVE, AND THE CHICANO SOCIAL PROBLEM FILM","authors":"","doi":"10.7560/709065-007","DOIUrl":"https://doi.org/10.7560/709065-007","url":null,"abstract":"","PeriodicalId":247579,"journal":{"name":"Latino Images in Film","volume":"116 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2002-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129062878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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