Juraj Tesák Mošovský was an important Protestant church dignitary and one of the most prolific humanist writers among Slovak authors who found professional employment in the Kingdom of Bohemia at the turn of the 17th century. In total, the professional literature lists more than 38 titles of his Czech and Latin as well as bilingual Czech-Latin writings. Tesák is the author of religious-educational moral treatises, reflections, sermons and occasional verse works. His work was mostly theological in nature and probably revealed Mošovský’s inclination towards Utraquism. Around 1577, he was consecrated (ordained) and signed the church order of Utraquist priests. Therefore, the well-known Jesuit censor Antonín Koniaš included Tesák’s writings in his index of forbidden books, and during the period of Counter-Reformation and recatholicisation in Bohemia, they were destroyed en masse. The study provides an overview of Mošovský’s prints, dividing them into two categories: the files of Tesák Mošovský which are not recorded in the indexes of prohibited books (11 items) and his unpreserved writings (21 items). A list of the prints that were published twice is also added (3 items). The initial analysis of what is known about the prints that were supposed to be destroyed (and have not been preserved to this day) showed that they were mostly prints that, according to Koniaš, contained heretical teachings that did not correspond to the teachings of the Catholic Church. Among them were also writings in which Tesák Mošovský expressed a positive attitude towards the persons who were considered heretics. Finally, there were prints that referred to Hussiteism and older Hussite songs. It is natural that these were the reasons why so many prints of J. Tesák Mošovský were condemned to destruction, and why even literary history during the period of socialism was not interested in them.
Juraj Tesák Mošovský是一位重要的新教教会要人，也是17世纪初在波希米亚王国找到专业工作的斯洛伐克作家中最多产的人文主义作家之一。在专业文献中，他的捷克语和拉丁语以及捷克语和拉丁语双语作品共计38余种。Tesák是宗教教育道德论文，反思，布道和偶尔的诗歌作品的作者。他的工作主要是神学性质，并可能揭示Mošovský的倾向于Utraquism。1577年左右，他被祝圣，并签署了乌特拉奎派牧师的教会命令。因此，著名的耶稣会审查官Antonín科尼亚什将Tesák的著作列入他的禁书索引，在波西米亚的反宗教改革和天主教化期间，这些著作被大量销毁。本研究对Mošovský的印刷品进行了概览，将其分为两类:未被列入禁书索引的Tesák Mošovský的文件(11项)和未保存的作品(21项)。还添加了两次出版的印刷品列表(3项)。根据科尼亚什的说法，对已知的应该被销毁的印刷品(以及至今没有保存下来的印刷品)的初步分析表明，它们大多是包含异端教义的印刷品，与天主教会的教义不符。其中也有Tesák Mošovský对被认为是异教徒的人持积极态度的文章。最后，还有一些印刷品涉及胡赛派和老胡赛派歌曲。很自然，这就是为什么J. Tesák Mošovský的许多作品遭到破坏的原因，也是为什么即使是社会主义时期的文学史对它们也不感兴趣的原因。
{"title":"Juraj Tesák Mošovský — a humanist whose works were forgotten twice","authors":"A. Škovierová","doi":"10.19195/0080-3626.66.2","DOIUrl":"https://doi.org/10.19195/0080-3626.66.2","url":null,"abstract":"Juraj Tesák Mošovský was an important Protestant church dignitary and one of the most prolific humanist writers among Slovak authors who found professional employment in the Kingdom of Bohemia at the turn of the 17th century. In total, the professional literature lists more than 38 titles of his Czech and Latin as well as bilingual Czech-Latin writings. Tesák is the author of religious-educational moral treatises, reflections, sermons and occasional verse works. His work was mostly theological in nature and probably revealed Mošovský’s inclination towards Utraquism. Around 1577, he was consecrated (ordained) and signed the church order of Utraquist priests. Therefore, the well-known Jesuit censor Antonín Koniaš included Tesák’s writings in his index of forbidden books, and during the period of Counter-Reformation and recatholicisation in Bohemia, they were destroyed en masse. The study provides an overview of Mošovský’s prints, dividing them into two categories: the files of Tesák Mošovský which are not recorded in the indexes of prohibited books (11 items) and his unpreserved writings (21 items). A list of the prints that were published twice is also added (3 items). The initial analysis of what is known about the prints that were supposed to be destroyed (and have not been preserved to this day) showed that they were mostly prints that, according to Koniaš, contained heretical teachings that did not correspond to the teachings of the Catholic Church. Among them were also writings in which Tesák Mošovský expressed a positive attitude towards the persons who were considered heretics. Finally, there were prints that referred to Hussiteism and older Hussite songs. It is natural that these were the reasons why so many prints of J. Tesák Mošovský were condemned to destruction, and why even literary history during the period of socialism was not interested in them.","PeriodicalId":250542,"journal":{"name":"Roczniki Biblioteczne","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114803119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-23DOI: 10.19195/0080-3626.66.10
Justyna Pałosz
Zarys zjawiska i jego społeczny charakter. Elementy literackie i funkcjonowanie formy w fandomie. Motywacje autorów do tworzenia tekstów. Fanfik jako utwór współtworzony, oparty na zbiorowej wyobraźni.
{"title":"Fan fiction jako współczesna forma publikowania. Próba charakterystyki zjawiska z punktu widzenia komunikacji sieciowej","authors":"Justyna Pałosz","doi":"10.19195/0080-3626.66.10","DOIUrl":"https://doi.org/10.19195/0080-3626.66.10","url":null,"abstract":"Zarys zjawiska i jego społeczny charakter. Elementy literackie i funkcjonowanie formy w fandomie. Motywacje autorów do tworzenia tekstów. Fanfik jako utwór współtworzony, oparty na zbiorowej wyobraźni.","PeriodicalId":250542,"journal":{"name":"Roczniki Biblioteczne","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133830739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-23DOI: 10.19195/0080-3626.66.15
J. M. Łubocki
On October 12–14, 2022, the conference “Mutual Learning Workshop for Improving Cultural Heritage Bibliographical Data” took place, organised by the Bibliographical Data Working Group (BD WG) of the DARIAH-EU consortium. This group consists of representatives of cultural heritage institutions as well as researchers, who, during this meeting, discussed re-using, enriching and automated generating of bibliographical data in an interdisciplinary perspective. The event was held in in the Upper Conference Hall at Ústav pro českou literaturu Akademie věd České republiky (Institute of Czech Literature of the Czech Academy of Sciences — ICL CAS) in Prague (Na Florenci 1420/3). Thanks to the funding from DARIAH-EU, the stay and participation of many speakers from abroad was possible, which made the conference truly international and interdisciplinary. There were 24 participants from 11 countries (Belgium, the Czech Republic, Finland, France, Germany, Greece, Hungary, the Netherland, Poland, Spain, Switzerland) who gave 20 speeches in total. The conference was held in an in-person format but was also accessible online via Zoom (with some participants delivering remote speeches).
2022年10月12日至14日，由DARIAH-EU联盟书目数据工作组(BD WG)组织的“改善文化遗产书目数据互学研讨会”召开。该小组由文化遗产机构的代表和研究人员组成，他们在会议期间从跨学科的角度讨论了书目数据的再利用、丰富和自动生成。该活动在位于布拉格(Na Florenci 1420/3)的捷克科学院捷克文学研究所(Ústav pro eskou literaturu Akademie v České repuby)的高层会议厅举行。由于DARIAH-EU的资助，许多来自国外的演讲者得以留下来和参与，这使得会议真正的国际化和跨学科。来自11个国家(比利时、捷克、芬兰、法国、德国、希腊、匈牙利、荷兰、波兰、西班牙、瑞士)的24位代表共发表了20次演讲。会议以面对面的形式举行，但也可以通过Zoom在线访问(一些参与者发表远程演讲)。
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Zarys biografii Sebalda IV Sauermanna. Podróż edukacyjna po Europie w latach 1578–1586. Krąg znajomych i przyjaciół w świetle sztambucha. Dekoracja malarska sztambucha. Księgozbiór Sebalda IV Sauermanna.
{"title":"Sztambuch Sebalda Sauermanna — przyczynek do kultury intelektualnej patrycjatu wrocławskiego w drugiej połowie XVI i na początku XVII wieku","authors":"Adam Szczepaniec","doi":"10.19195/0080-3626.66.3","DOIUrl":"https://doi.org/10.19195/0080-3626.66.3","url":null,"abstract":"Zarys biografii Sebalda IV Sauermanna. Podróż edukacyjna po Europie w latach 1578–1586. Krąg znajomych i przyjaciół w świetle sztambucha. Dekoracja malarska sztambucha. Księgozbiór Sebalda IV Sauermanna.","PeriodicalId":250542,"journal":{"name":"Roczniki Biblioteczne","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133623629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Polskie modlitewniki różnych wyznań w XIX wieku zainicjowane i/lub użytkowane przez kobiety. Przybliżenie sylwetek wybranych twórczyń tekstów modlitewnych i ich zbiorów. Cechy wydawnicze i osobnicze dziewiętnastowiecznych modlitewników. Drogi i sposoby dystrybucji modlitewników w XIX wieku. Czytelniczki dziewiętnastowiecznych modlitewników.
{"title":"Autorki i użytkowniczki. O polskojęzycznych modlitewnikach kobiecych w XIX stuleciu","authors":"T. Ratajczak","doi":"10.19195/0080-3626.66.4","DOIUrl":"https://doi.org/10.19195/0080-3626.66.4","url":null,"abstract":"Polskie modlitewniki różnych wyznań w XIX wieku zainicjowane i/lub użytkowane przez kobiety. Przybliżenie sylwetek wybranych twórczyń tekstów modlitewnych i ich zbiorów. Cechy wydawnicze i osobnicze dziewiętnastowiecznych modlitewników. Drogi i sposoby dystrybucji modlitewników w XIX wieku. Czytelniczki dziewiętnastowiecznych modlitewników.","PeriodicalId":250542,"journal":{"name":"Roczniki Biblioteczne","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134300389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Biblioteka zamkowa w Karolat. Losy zbiorów po 1945 roku. Spuścizny osobowe członków rodziny Schönaichów. Dokumentacja archiwalna dotycząca dóbr i zamku Karolat. Zbiory z Karolat znajdujące się w innych bibliotekach i archiwach.
{"title":"Rękopisy rodu von Schönaich, gałęzi Carolath-Beuthen, w zbiorach Biblioteki Uniwersyteckiej w Warszawie","authors":"Krystyna Jarosławska","doi":"10.19195/0080-3626.66.8","DOIUrl":"https://doi.org/10.19195/0080-3626.66.8","url":null,"abstract":"Biblioteka zamkowa w Karolat. Losy zbiorów po 1945 roku. Spuścizny osobowe członków rodziny Schönaichów. Dokumentacja archiwalna dotycząca dóbr i zamku Karolat. Zbiory z Karolat znajdujące się w innych bibliotekach i archiwach.","PeriodicalId":250542,"journal":{"name":"Roczniki Biblioteczne","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125002651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Prague Nostitz Library hides among its 14 000 books 60 volumes from the library fragment once belonging to Matthias Stoius Jr (1526–1583), the personal physician of the first Duke of Prussia Albert of Hohenzollern. The most interesting volume from the Stoius’s heritage is a copy of an astronomical calendar Almanach novum by Pietro Pitati used by Stoius as a diary containing his handwritten notes and comments about weather, income, his activity at the Königsberg University and, the most importantly, his medical records concerning the health condition and problems of his noble patient Albert of Hohenzollern. Stoius also took detailed notes about medicaments he delivered to the ill Duke as well as about treatments he applied especially in November 1559 and December 1560 when the physical condition of the duke of Prussia apparently worsened. In 1572, Stoius published in print his report about the last days of Duke Albert and although the handwritten sources on which the report is based are missing they were presumably recorded in the similar diaries.
{"title":"Diary notes of Matthias Stoius in “Almanach Novum” (1552–1562)","authors":"Richard Šípek","doi":"10.19195/0080-3626.65.2","DOIUrl":"https://doi.org/10.19195/0080-3626.65.2","url":null,"abstract":"Prague Nostitz Library hides among its 14 000 books 60 volumes from the library fragment once belonging to Matthias Stoius Jr (1526–1583), the personal physician of the first Duke of Prussia Albert of Hohenzollern. The most interesting volume from the Stoius’s heritage is a copy of an astronomical calendar Almanach novum by Pietro Pitati used by Stoius as a diary containing his handwritten notes and comments about weather, income, his activity at the Königsberg University and, the most importantly, his medical records concerning the health condition and problems of his noble patient Albert of Hohenzollern. Stoius also took detailed notes about medicaments he delivered to the ill Duke as well as about treatments he applied especially in November 1559 and December 1560 when the physical condition of the duke of Prussia apparently worsened. In 1572, Stoius published in print his report about the last days of Duke Albert and although the handwritten sources on which the report is based are missing they were presumably recorded in the similar diaries.","PeriodicalId":250542,"journal":{"name":"Roczniki Biblioteczne","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129345959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-27DOI: 10.19195/0080-3626.65.20
Katarzyna Krzak-Weiss
{"title":"Anna Boguszewska, „Sztuka książki. O kształceniu graficznym w środowisku akademickim Krakowa i Warszawy w latach 1918–1989”, Lublin: Wydawnictwo UMCS, 2020, 235 ss., il.","authors":"Katarzyna Krzak-Weiss","doi":"10.19195/0080-3626.65.20","DOIUrl":"https://doi.org/10.19195/0080-3626.65.20","url":null,"abstract":"","PeriodicalId":250542,"journal":{"name":"Roczniki Biblioteczne","volume":"173 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121319798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-27DOI: 10.19195/0080-3626.65.11
E. Repucho
Janusz Górski — projektant, edytor wydawca. Droga do projektowania książki. Tradycja książki i wyzwania czytelności. Cztery zasady: prostota, czytelność pomysł i oryginalność.
{"title":"Prostota, czytelność, pomysł i oryginalność w projektowaniu książki. Cztery zasady Janusza Górskiego","authors":"E. Repucho","doi":"10.19195/0080-3626.65.11","DOIUrl":"https://doi.org/10.19195/0080-3626.65.11","url":null,"abstract":"Janusz Górski — projektant, edytor wydawca. Droga do projektowania książki. Tradycja książki i wyzwania czytelności. Cztery zasady: prostota, czytelność pomysł i oryginalność. ","PeriodicalId":250542,"journal":{"name":"Roczniki Biblioteczne","volume":"206 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116279509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Successfully profiting from textbook publishing as the typographer at Vilnius University, Józef Zawadzki (1781‒1838) established one of the most important and most successful book publishing, production, and distribution companies of the 19th and the first half of the 20th century in the territories of former Polish-Lithuanian Commonwealt. The Zawadzki firm represented the new category of professional publishers. Over the first seventy years of the firm’s existence at the firm’s expense were published 122 Lithuanian books, as well as printed about 50 Lithuanian publications at their authors finances. The attitude of the members of Zawadzki family regarding the publishing of Lithuanian books essentially changed. While the Józef Zawadzki was indifferent towards them, in the middle of the 19th century Adam Zawadzki (1814‒1875) outcompeted other professional book publishers and distributors, and monopolized the publishing of Lithuanian books in the Samogitian Diocese, becoming not only the most important publisher of Lithuanian books, but also their printer and distributor. The successful realization of Adam Zawadzki’s business plans was partly due to his longstanding contacts with the most active figures of Lithuanian written culture, with whom he maintained a new form of cooperation based on authorial royalties, partly due effectively distribution of published matter, using first stationary bookstore in the periphery, located in the west of Lithuania (which served as a retail and wholesale trade enterprise), various ways of non-stationary book trade, services of a commercial library and advertising. Owing to Adam’s efforts, the Zawadzki firm made a significant contribution uniting main forces of authors and publishers of Lithuanian books in 19th century Lithuania, renewing the repertoire of Lithuanian books, as well as giving Lithuanian book publishing, production and distribution features characteristic for a modern business. A model of dealing with censorship through illegal publishing, developed with the publication Apej brostwą błaiwistes arba nusiturieima, was used throughout all the forty years of the press ban and helped raising several generations of literate Lithuanians and bringing Lithuania and Lithuania Minor closer together.
Józef扎瓦兹基(1781-1838)作为维尔纽斯大学的排字师，成功地从教科书出版中获益，在19世纪和20世纪上半叶，在前波兰立陶宛联邦领土上建立了最重要、最成功的图书出版、生产和分销公司之一。扎瓦兹基公司代表了专业出版商的新类别。在公司成立的头七十年里，公司自费出版了122本立陶宛书籍，并在其作者的资助下印刷了大约50种立陶宛出版物。扎瓦兹基家族成员对立陶宛书籍出版的态度发生了根本性的变化。虽然Józef Zawadzki对他们漠不关心，但在19世纪中叶，Adam Zawadzki(1814-1875)击败了其他专业图书出版商和经销商，垄断了萨莫吉吉安教区立陶宛书籍的出版，不仅成为立陶宛书籍最重要的出版商，而且还是他们的印刷商和经销商。Adam Zawadzki的商业计划之所以能够成功实现，部分原因在于他与立陶宛文字文化中最活跃的人物保持着长期的联系，与他们保持着一种基于作者版税的新型合作形式;部分原因在于出版物的有效分配，利用位于立陶宛西部外围的第一家固定书店(作为零售和批发贸易企业)，各种非固定图书贸易方式，商业图书馆及广告服务。由于亚当的努力，Zawadzki公司作出了重大贡献，将19世纪立陶宛书籍的主要作者和出版商联合起来，更新了立陶宛书籍的保留曲目，并使立陶宛书籍出版、生产和分销具有现代商业的特征。通过非法出版处理审查制度的模式，由出版物Apej brostwoe błaiwistes arba nusiturieima发展而来，在新闻禁令的四十年中一直使用，并帮助培养了几代识字的立陶宛人，使立陶宛和小立陶宛更紧密地联系在一起。
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