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New Medieval Literatures 20最新文献

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Performative Typology, Jewish Gender and Jesus’s Queer Romance in the York Corpus Christi Plays 约克科珀斯基督教戏剧中的表演类型学、犹太性别与耶稣的酷儿浪漫
Pub Date : 2020-05-15 DOI: 10.2307/j.ctvxhrjbb.9
T. Pugh
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引用次数: 0
List of Illustrations 插图一览表
Pub Date : 2020-05-15 DOI: 10.2307/j.ctvxhrjbb.3
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引用次数: 0
‘Wereyed on every side:’ Chaucer’s Troilus and Criseyde and the Logic of Siege Warfare 乔叟的《特洛伊罗斯和克里塞德》和《攻城战的逻辑》
Pub Date : 2020-05-15 DOI: 10.1017/9781787449091.003
D. Davies
Geo)rey Chaucer’s Troilus and Criseyde is a narrative of war that disavows any interest in recounting the events of war. Set towards the end of the Trojan War, Chaucer’s tale turns its back on valorous deeds and bloody battles in favour of the love a)air between a Trojan prince and a beautiful widow, Troilus and Criseyde. *is attitude is epitomized by a line from the opening of the poem that Chaucer closely translated from Giovanni Boccaccio’s Il Filostrato: ‘*e thynges fellen, as they don of werre’ (1.134).1 *ings happened, as they do in war: armies attacked the city, the city fought back; pitched battles occurred, soldiers died; the war of attrition continued. *e events of the Trojan War are ‘wel wist’ (1.57), and it is not Chaucer’s task or his intention to recapitulate what we already know about the war. *is idea is repeated at the end of the poem, where Chaucer states that if he had intended to write ‘*e armes of this ilke worthi man, / *an wolde ich of his batailles endite; / But for that I to writen /rst bigan / Of his love, I have seyd as I kan’ (5.1765–1769). If Chaucer had meant to write about Troilus’ military endeavours, then
乔叟的《特洛伊和克里塞德》是一部对战争的叙述,它否认对叙述战争事件有任何兴趣。乔叟的故事以特洛伊战争即将结束为背景,不再讲述英勇的事迹和血腥的战斗,而是讲述了特洛伊王子和美丽的寡妇特洛伊罗斯和克里塞德之间的爱情故事。他的态度在这首诗开头的一句话中得到了体现,这句话是乔叟从乔瓦尼·薄伽丘(Giovanni Boccaccio)的《Il Filostrato》中密切翻译过来的:“万物皆因其本来而堕落”(1.134)。事情发生了,就像在战争中一样:军队进攻城市,城市反击;激战发生,士兵死亡;消耗战仍在继续。特洛伊战争的所有事件都是“众所周知的”(1.57),乔叟的任务或意图不是重述我们已经知道的关于这场战争的事情。这一观点在诗的末尾再次出现,乔叟在诗中说,如果他打算写“这个有价值的人的武器”,那么他的batailles endite中的一个wolde;/若不是为了这一点,我/首先要写/他的爱,我已尽我所能地说了。如果乔叟想写特洛伊罗斯的军事行动,那么
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引用次数: 0
John of Howden’s Rossignos and the Sounds of Francophone Devotion 约翰·豪登的《罗西尼奥》和法语国家的虔诚之声
Pub Date : 2020-05-15 DOI: 10.2307/j.ctvxhrjbb.6
Terrence Cullen
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引用次数: 0
Lion-Keu-Coupé: Lion-Keu-Coupé:
Pub Date : 2020-05-15 DOI: 10.2307/j.ctvxhrjbb.5
L. Ovrom
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引用次数: 0
Locating Charles d’Orleans: 查尔斯·德奥尔良的定位:
Pub Date : 2020-05-15 DOI: 10.2307/j.ctvxhrjbb.10
Rory G. Critten
The poetry of Charles d’Orléans (1394–1465) cannot easily be incorporated into the pattern of traditional literary history, which requires that an author’s national and linguistic allegiances be identical and exclusive. Born in Paris in 1394, Charles spent the first twenty-one years of his life in France; following his capture at the Battle of Agincourt, in 1415, he spent twenty-five years in England; after his release in 1440 he spent the last twenty-five years of his life back on the Continent.1 The duke’s writing cuts across these temporal divisions. During his English captivity, as well as continuing to write lyrics in French, Charles apparently learned English and began to compose poetry in that language too, sometimes in parallel with his French texts, sometimes in independent work that has no surviving French equivalent.2 Before his repatriation, the duke oversaw the production of at least two manuscripts of his verse: one book, now London, British Library, MS Harley 682, which brought together his English writings,
Charles d’orlsamans(1394-1465)的诗歌不容易被纳入传统文学史的模式,传统文学史要求作者的民族和语言忠诚是一致的和排他性的。1394年,查理出生于巴黎,他在法国度过了人生的前21年。1415年在阿金库尔战役中被俘后,他在英国呆了25年;1440年获释后,他在欧洲大陆度过了生命的最后25年。公爵的写作跨越了这些时间的界限。在他被囚禁在英国期间,除了继续用法语写歌词外,查尔斯显然还学习了英语,并开始用英语写诗,有时与他的法语文本并行,有时在独立的作品中,没有现存的法语同类作品在他被遣返之前,公爵监督了至少两本他的诗歌手稿的制作:一本书,现在伦敦,大英图书馆,MS Harley 682,汇集了他的英语作品;
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引用次数: 1
‘Wereyed on every side:’ “我们的眼睛到处都是。”
Pub Date : 2020-05-15 DOI: 10.2307/j.ctvxhrjbb.7
D. Davies
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引用次数: 0
‘Ave ave ave [ave]:’ ' have Ave Ave [have]: '
Pub Date : 2020-05-15 DOI: 10.2307/j.ctvxhrjbb.8
Steven Rozenski
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引用次数: 0
Urinals and Hunting Traps: 小便池和狩猎陷阱:
Pub Date : 2020-05-15 DOI: 10.2307/j.ctvxhrjbb.11
Daniel Wakelin
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引用次数: 0
Back Matter 回到问题
Pub Date : 2020-05-15 DOI: 10.2307/j.ctvxhrjbb.12
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引用次数: 0
期刊
New Medieval Literatures 20
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