{"title":"Three Dimensions of Bond:","authors":"I. Jones, Chris Carloy","doi":"10.2307/j.ctv1850jbk.19","DOIUrl":"https://doi.org/10.2307/j.ctv1850jbk.19","url":null,"abstract":"","PeriodicalId":256748,"journal":{"name":"The Cultural Life of James Bond","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123955216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Back Matter","authors":"","doi":"10.2307/j.ctv1850jbk.21","DOIUrl":"https://doi.org/10.2307/j.ctv1850jbk.21","url":null,"abstract":"","PeriodicalId":256748,"journal":{"name":"The Cultural Life of James Bond","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115340802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-15DOI: 10.5117/9789462982185_ch12
Jan-christopher Horak
The James Bond series has maintained its brand identity through the James Bond character, recurring plot elements, and its film design, in particular the credits sequences of Maurice Binder, Robert Brownjohn, MK12, and Daniel Kleinman. This chapter will examine the work of Binder, who created fourteen of the first eighteen Bond titles and has been rightly singled out as one of a new generation of title designers who utilized modernist aesthetics to create a specific look for the James Bond franchise. The chapter also asks how the digital turn, which coincided with the transition from Binder to Kleinman in the 1990s, has impacted the design and aesthetics of the James Bond title sequences.
{"title":"Branding 007 : Title Sequences in the James Bond Films","authors":"Jan-christopher Horak","doi":"10.5117/9789462982185_ch12","DOIUrl":"https://doi.org/10.5117/9789462982185_ch12","url":null,"abstract":"The James Bond series has maintained its brand identity through the\u0000 James Bond character, recurring plot elements, and its film design, in\u0000 particular the credits sequences of Maurice Binder, Robert Brownjohn,\u0000 MK12, and Daniel Kleinman. This chapter will examine the work of\u0000 Binder, who created fourteen of the first eighteen Bond titles and has\u0000 been rightly singled out as one of a new generation of title designers who\u0000 utilized modernist aesthetics to create a specific look for the James Bond\u0000 franchise. The chapter also asks how the digital turn, which coincided\u0000 with the transition from Binder to Kleinman in the 1990s, has impacted\u0000 the design and aesthetics of the James Bond title sequences.","PeriodicalId":256748,"journal":{"name":"The Cultural Life of James Bond","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126089558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bond Rebooted:","authors":"H. Jones, A. Higson","doi":"10.2307/j.ctv1850jbk.9","DOIUrl":"https://doi.org/10.2307/j.ctv1850jbk.9","url":null,"abstract":"","PeriodicalId":256748,"journal":{"name":"The Cultural Life of James Bond","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131964035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Branding 007:","authors":"Jan-christopher Horak","doi":"10.2307/j.ctv1850jbk.16","DOIUrl":"https://doi.org/10.2307/j.ctv1850jbk.16","url":null,"abstract":"","PeriodicalId":256748,"journal":{"name":"The Cultural Life of James Bond","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126804781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-15DOI: 10.1017/9789048532117.013
Jan-christopher Horak
The James Bond series has maintained its brand identity through the James Bond character, recurring plot elements, and its f ilm design, in particular the credits sequences of Maurice Binder, Robert Brownjohn, MK12, and Daniel Kleinman. This chapter will examine the work of Binder, who created fourteen of the f irst eighteen Bond titles and has been rightly singled out as one of a new generation of title designers who utilized modernist aesthetics to create a specif ic look for the James Bond franchise. The chapter also asks how the digital turn, which coincided with the transition from Binder to Kleinman in the 1990s, has impacted the design and aesthetics of the James Bond title sequences.
{"title":"Branding 007: Title Sequences in the James Bond Films","authors":"Jan-christopher Horak","doi":"10.1017/9789048532117.013","DOIUrl":"https://doi.org/10.1017/9789048532117.013","url":null,"abstract":"The James Bond series has maintained its brand identity through the James Bond character, recurring plot elements, and its f ilm design, in particular the credits sequences of Maurice Binder, Robert Brownjohn, MK12, and Daniel Kleinman. This chapter will examine the work of Binder, who created fourteen of the f irst eighteen Bond titles and has been rightly singled out as one of a new generation of title designers who utilized modernist aesthetics to create a specif ic look for the James Bond franchise. The chapter also asks how the digital turn, which coincided with the transition from Binder to Kleinman in the 1990s, has impacted the design and aesthetics of the James Bond title sequences.","PeriodicalId":256748,"journal":{"name":"The Cultural Life of James Bond","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125976237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-15DOI: 10.5117/9789462982185_ch05
H. Jones, A. Higson
The James Bond films starring Daniel Craig are amongst the most globally successful films of the twenty-first century. The transnational appeal of these films can only be partly explained by their textual attractions, such as the way they play out ideas of British identity. Much of their success depends on the business of Bond, from rights ownership to distribution. Focus group interviews with audiences in continental Europe also reveal an ambivalence about whether the Bond character and the Bond films are perceived as British or American. This ambivalence extends the appeal of the films to different audiences. This chapter therefore provides new insights into Bond’s enduring transnational appeal.
{"title":"Bond Rebooted : The Transnational Appeal of the Daniel Craig James Bond Films","authors":"H. Jones, A. Higson","doi":"10.5117/9789462982185_ch05","DOIUrl":"https://doi.org/10.5117/9789462982185_ch05","url":null,"abstract":"The James Bond films starring Daniel Craig are amongst the most globally\u0000 successful films of the twenty-first century. The transnational appeal of\u0000 these films can only be partly explained by their textual attractions, such\u0000 as the way they play out ideas of British identity. Much of their success\u0000 depends on the business of Bond, from rights ownership to distribution.\u0000 Focus group interviews with audiences in continental Europe also reveal\u0000 an ambivalence about whether the Bond character and the Bond films are\u0000 perceived as British or American. This ambivalence extends the appeal\u0000 of the films to different audiences. This chapter therefore provides new\u0000 insights into Bond’s enduring transnational appeal.","PeriodicalId":256748,"journal":{"name":"The Cultural Life of James Bond","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122808529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Global Agency between Bond and Bourne:","authors":"Seung-hoon Jeong","doi":"10.2307/j.ctv1850jbk.14","DOIUrl":"https://doi.org/10.2307/j.ctv1850jbk.14","url":null,"abstract":"","PeriodicalId":256748,"journal":{"name":"The Cultural Life of James Bond","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116864821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-15DOI: 10.5117/9789462982185_ch02
Mikołaj Kunicki
If the James Bond films were officially unavailable to East European audiences until 1989, the Eastern Bloc did not escape the global reach of the Bond phenomenon. East European spy dramas began to appear during the late 1960s, and they were mostly made for television and not all that distant in spirit from the Bond films. This chapter examines three television series: More Than Life at Stake (1967-1968) from Poland, The Invisible Gun Sight (1973-1979) from the German Democratic Republic, and Seventeen Moments of Spring (1972) from the Soviet Union. While these tales of espionage evince the projections of the west in the east during the Cold War, they reveal foremost the powerful appeal of consumerism behind the Iron Curtain.
{"title":"A Socialist 007 : East European Spy Dramas in the Early James Bond Era","authors":"Mikołaj Kunicki","doi":"10.5117/9789462982185_ch02","DOIUrl":"https://doi.org/10.5117/9789462982185_ch02","url":null,"abstract":"If the James Bond films were officially unavailable to East European\u0000 audiences until 1989, the Eastern Bloc did not escape the global reach\u0000 of the Bond phenomenon. East European spy dramas began to appear\u0000 during the late 1960s, and they were mostly made for television and not\u0000 all that distant in spirit from the Bond films. This chapter examines three\u0000 television series: More Than Life at Stake (1967-1968) from Poland, The\u0000 Invisible Gun Sight (1973-1979) from the German Democratic Republic, and\u0000 Seventeen Moments of Spring (1972) from the Soviet Union. While these\u0000 tales of espionage evince the projections of the west in the east during\u0000 the Cold War, they reveal foremost the powerful appeal of consumerism\u0000 behind the Iron Curtain.","PeriodicalId":256748,"journal":{"name":"The Cultural Life of James Bond","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126700685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Socialist 007:","authors":"Mikołaj Kunicki","doi":"10.2307/j.ctv1850jbk.6","DOIUrl":"https://doi.org/10.2307/j.ctv1850jbk.6","url":null,"abstract":"","PeriodicalId":256748,"journal":{"name":"The Cultural Life of James Bond","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127885661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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