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Lives of the Dead Poets最新文献

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2. The art of losing: Shelley’s Adonais 2. 失去的艺术:雪莱的阿多尼斯
Pub Date : 2020-12-31 DOI: 10.1515/9780823284207-003
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引用次数: 0
Index 指数
Pub Date : 2020-12-31 DOI: 10.1515/9780823284207-010
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引用次数: 0
5. Coleridge the talker 5. 雄辩家柯勒律治
Pub Date : 2020-12-31 DOI: 10.1515/9780823284207-006
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引用次数: 0
3. Shelley’s pod people 3.雪莱的豆荚人
Pub Date : 2020-12-31 DOI: 10.1515/9780823284207-004
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引用次数: 0
4. Late Coleridge 4. 柯勒律治末
Pub Date : 2020-12-31 DOI: 10.1515/9780823284207-005
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引用次数: 0
Acknowledgments 致谢
Pub Date : 2020-12-31 DOI: 10.1515/9780823284207-008
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引用次数: 0
1. Tracing Keats 1. 跟踪济慈
Pub Date : 2020-12-31 DOI: 10.1515/9780823284207-002
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引用次数: 0
Coda Coda
Pub Date : 2020-12-31 DOI: 10.1515/9780823284207-007
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引用次数: 0
Frontmatter
Pub Date : 2020-12-31 DOI: 10.1515/9780823284207-fm
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引用次数: 0
The Art of Losing 失去的艺术
Pub Date : 2019-04-02 DOI: 10.5422/fordham/9780823284184.003.0003
Karen Swann
Reviving pastoral elegiac form in Adonais, his elegy on the death of Keats, Shelley engages Keats’s allegorical style, which revives antique figures in order to show them passing on. This chapter dwells on Shelley’s figural strategies, especially his treatment of the Mother/Muse Urania, to argue that the poem’s efforts to consolidate the legacies of Keats and second-generation romanticism are shadowed by a story of catastrophe, that of the child who dies before its parental generation. Adonais at once participates in fashioning a romantic movement, corpus, and legacy and simultaneously suggests that lining this aggrandizing project is that which was cut off, aborted, did not come to pass. It thus dramatizes a modernity that is necessarily bound to that which it has failed to succor.
在《阿多尼斯》中复兴田园挽歌的形式,在他对济慈之死的挽歌中,雪莱运用了济慈的寓言风格,复兴了古代人物,以显示他们的逝去。这一章详述了雪莱的形象策略,特别是他对母亲/缪斯乌拉尼娅的处理,认为这首诗巩固济慈和第二代浪漫主义遗产的努力被一个灾难的故事所掩盖,这个故事是一个孩子在父母之前死去的故事。阿多尼斯立刻参与了浪漫主义运动,主体和遗产的塑造,同时暗示,在这个宏大的项目中,被切断,流产,没有实现的东西。因此,它戏剧化了一种现代性,这种现代性必然与它未能拯救的东西联系在一起。
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引用次数: 0
期刊
Lives of the Dead Poets
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