Pub Date : 2021-09-27DOI: 10.4324/9780429356360-11
Prophecy Sun, Kristin Carlson, Kate Hennessy
{"title":"Research-creation as a Generative Approach to Sound Design","authors":"Prophecy Sun, Kristin Carlson, Kate Hennessy","doi":"10.4324/9780429356360-11","DOIUrl":"https://doi.org/10.4324/9780429356360-11","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133389621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Watching and Evaluating Simultaneously","authors":"Maximilian Kock","doi":"10.4324/9780429356360-6","DOIUrl":"https://doi.org/10.4324/9780429356360-6","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"6 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121964957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-27DOI: 10.4324/9780429356360-12
I. Thompson
{"title":"The Soundscape Approach","authors":"I. Thompson","doi":"10.4324/9780429356360-12","DOIUrl":"https://doi.org/10.4324/9780429356360-12","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127478368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-27DOI: 10.4324/9780429356360-16
N. Bonet
Sonification transmits information through sound. In order to render data understandable to the listener, the sonification designer must make aesthetic choices that support this transmission. The term aesthetics does not necessarily denote something “beautiful” or “pleasing.” Rather, aesthetics refers to what can be perceived by the senses. It describes a set of choices that inform a musical or sonic product; a sonification is necessarily aesthetic as it is perceived by our senses. Aesthetic design choices will determine how the sonification sounds, and what effect it produces. Aesthetics can have an enormous impact on the success of a sonification within a research context. Sonification with appropriate “aesthetics and good sound design” is more likely to be chosen and used (Supper 2012, 180). The acceptance of a sonification is linked with a number of aesthetic attributes including pleasantness, loudness, noticeability, clarity and integration. However, one of the big challenges facing the field is its interdisciplinary nature. Its difficulty lies in “integrating concepts from human perception, acoustics, design, the arts, and engineering” (Walker and Kramer 2004, 7). Calls for an increased collaboration between experts and researchers, as well as an increased focus on sound aesthetics have been commonplace in the field for decades (Blattner et al. 1989; Kramer 1994; Walker and Kramer 2004; Vickers and Hogg 2006; Barrass and Vickers 2011). Unfortunately, successful collaborations between researchers from scientific and musical disciplines remain too scarce; sonification researchers predominantly stem from the musical field (Neuhoff 2019, 328). Attention-grabbing projects such as the CERN’s Collide Program which chooses an Artist-in-Residence have been criticized for producing impressive aesthetic results but little transmission of knowledge. Rioji Ikeda’s 2015 Supersymmetry was described by a journalist as “a lot of sound and light, signifying nothing” (Jones, 2015). There is still much scope for researchers to investigate the 15
声音通过声音传递信息。为了使听者能够理解数据，声音设计师必须做出支持这种传输的美学选择。“美学”一词并不一定表示“美丽”或“令人愉悦”的东西。相反，美学指的是可以被感官感知的东西。它描述了一组为音乐或声音产品提供信息的选择;一个声音必然是美学的，因为它被我们的感官所感知。美学设计的选择将决定声音的声音，以及它产生的效果。在研究背景下，美学可以对声学的成功产生巨大的影响。带有适当“美学和良好声音设计”的音效更有可能被选择和使用(Supper 2012, 180)。对声音的接受程度与许多美学属性有关，包括愉悦性、响度、引人注目性、清晰度和整体性。然而，该领域面临的一个重大挑战是它的跨学科性质。它的困难在于“整合来自人类感知、声学、设计、艺术和工程的概念”(Walker and Kramer 2004, 7)。几十年来，专家和研究人员之间加强合作的呼吁以及对声音美学的更多关注在该领域已经司空见惯(Blattner et al. 1989;克莱默1994;Walker and Kramer 2004;Vickers and Hogg 2006;Barrass and Vickers 2011)。不幸的是，来自科学和音乐学科的研究人员之间的成功合作仍然太少;超声研究人员主要来自音乐领域(Neuhoff 2019, 328)。一些引人注目的项目，比如欧洲核子研究中心(CERN)的“碰撞计划”(collision Program)，它选择了一位驻场艺术家，却被批评为产生了令人印象深刻的美学效果，但几乎没有传播知识。Rioji Ikeda 2015年的超对称被一位记者描述为“大量的声音和光线，没有任何意义”(Jones, 2015)。研究人员对这15种疾病的研究仍有很大的空间
{"title":"Creating and Evaluating Aesthetics in Sonification","authors":"N. Bonet","doi":"10.4324/9780429356360-16","DOIUrl":"https://doi.org/10.4324/9780429356360-16","url":null,"abstract":"Sonification transmits information through sound. In order to render data understandable to the listener, the sonification designer must make aesthetic choices that support this transmission. The term aesthetics does not necessarily denote something “beautiful” or “pleasing.” Rather, aesthetics refers to what can be perceived by the senses. It describes a set of choices that inform a musical or sonic product; a sonification is necessarily aesthetic as it is perceived by our senses. Aesthetic design choices will determine how the sonification sounds, and what effect it produces. Aesthetics can have an enormous impact on the success of a sonification within a research context. Sonification with appropriate “aesthetics and good sound design” is more likely to be chosen and used (Supper 2012, 180). The acceptance of a sonification is linked with a number of aesthetic attributes including pleasantness, loudness, noticeability, clarity and integration. However, one of the big challenges facing the field is its interdisciplinary nature. Its difficulty lies in “integrating concepts from human perception, acoustics, design, the arts, and engineering” (Walker and Kramer 2004, 7). Calls for an increased collaboration between experts and researchers, as well as an increased focus on sound aesthetics have been commonplace in the field for decades (Blattner et al. 1989; Kramer 1994; Walker and Kramer 2004; Vickers and Hogg 2006; Barrass and Vickers 2011). Unfortunately, successful collaborations between researchers from scientific and musical disciplines remain too scarce; sonification researchers predominantly stem from the musical field (Neuhoff 2019, 328). Attention-grabbing projects such as the CERN’s Collide Program which chooses an Artist-in-Residence have been criticized for producing impressive aesthetic results but little transmission of knowledge. Rioji Ikeda’s 2015 Supersymmetry was described by a journalist as “a lot of sound and light, signifying nothing” (Jones, 2015). There is still much scope for researchers to investigate the 15","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130892084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-27DOI: 10.4324/9780429356360-19
Maria Kallionpää
{"title":"Qualitative, Pragmatic and Hermeneutic Inquiries in Electroacoustic Compositions","authors":"Maria Kallionpää","doi":"10.4324/9780429356360-19","DOIUrl":"https://doi.org/10.4324/9780429356360-19","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"206 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123574625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-27DOI: 10.4324/9780429356360-15
Visda Goudarzi
{"title":"Sound Design in the Context of Sonification","authors":"Visda Goudarzi","doi":"10.4324/9780429356360-15","DOIUrl":"https://doi.org/10.4324/9780429356360-15","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116082460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-27DOI: 10.4324/9780429356360-20
Hans-Peter Gasselseder
{"title":"The Bold and the Beautiful Methods of Sound Experience Research","authors":"Hans-Peter Gasselseder","doi":"10.4324/9780429356360-20","DOIUrl":"https://doi.org/10.4324/9780429356360-20","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115288665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mapping Space and Time in the Soundtrack","authors":"Adam Melvin, B. Bridges","doi":"10.4324/9780429356360-4","DOIUrl":"https://doi.org/10.4324/9780429356360-4","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129061701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Audi(o) Branding and Object Sounds in an Audio-Visual Setting","authors":"N. J. Graakjær","doi":"10.4324/9780429356360-8","DOIUrl":"https://doi.org/10.4324/9780429356360-8","url":null,"abstract":"","PeriodicalId":257570,"journal":{"name":"Doing Research in Sound Design","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127165805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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