Pub Date : 2018-10-29DOI: 10.7816/KALEMISI-06-12-11
S. Ozhan
It was started in the 1500s, to decorate the cloths with contrast colored silk with horizontal and vertical cuts and to became fashion over time. In the early 1500s, soldiers of the Swiss army put colorful silk fabrics that they plundered from the enemy camp into their torn uniforms, thus protecting their bodies from the cold. This movement, which the soldiers returning to their country with improvisation on their uniforms, has been adopted by the public and transformed into a fashion flow that has been imitated and influenced Europe in a short time. This technique called as “valanced” in the literature and has been translated into Turkish as a “saçaklama tekniği”. The use of term “saçaklama tekniği” has been preferred, since the technique which is mentioned in the article is not included in the fashion terms. It has been used to cut of fabric surface by Textile Artists as a decorative technique in textile art and quilting applications. For example, artist Tim Harding creates a pixel-like effect by creating simultaneous contrast in his works by layering colored silk fabrics with an impressionistic approach. In this study, we aimed to add “saçaklama tekniği” into literature and to draw attention to diminishing use of fustian by sewing 3 vest of Anatolian colored and patterned fustian fabrics.
{"title":"VALANCE TECHNIQUE AND AN APPLICATION TO FUSTIAN","authors":"S. Ozhan","doi":"10.7816/KALEMISI-06-12-11","DOIUrl":"https://doi.org/10.7816/KALEMISI-06-12-11","url":null,"abstract":"It was started in the 1500s, to decorate the cloths with contrast colored silk with horizontal and vertical cuts and to became fashion over time. In the early 1500s, soldiers of the Swiss army put colorful silk fabrics that they plundered from the enemy camp into their torn uniforms, thus protecting their bodies from the cold. This movement, which the soldiers returning to their country with improvisation on their uniforms, has been adopted by the public and transformed into a fashion flow that has been imitated and influenced Europe in a short time. This technique called as “valanced” in the literature and has been translated into Turkish as a “saçaklama tekniği”. The use of term “saçaklama tekniği” has been preferred, since the technique which is mentioned in the article is not included in the fashion terms. It has been used to cut of fabric surface by Textile Artists as a decorative technique in textile art and quilting applications. For example, artist Tim Harding creates a pixel-like effect by creating simultaneous contrast in his works by layering colored silk fabrics with an impressionistic approach. In this study, we aimed to add “saçaklama tekniği” into literature and to draw attention to diminishing use of fustian by sewing 3 vest of Anatolian colored and patterned fustian fabrics.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122069796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.7816/kalemisi-06-12-04
{"title":"PIPE, BRICK AND TANDOORS OF KAYSERI KEYKUBADIYE PALACE","authors":"","doi":"10.7816/kalemisi-06-12-04","DOIUrl":"https://doi.org/10.7816/kalemisi-06-12-04","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"51 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124534015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.7816/kalemisi-06-12-06
Fatma Secil Karayel
{"title":"THE USAGE OF SILEBEZI AT CHILD CLOTHING AND MARK FACTOR","authors":"Fatma Secil Karayel","doi":"10.7816/kalemisi-06-12-06","DOIUrl":"https://doi.org/10.7816/kalemisi-06-12-06","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"396 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131982049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.7816/kalemisi-06-12-02
Necmettin Karabulut
{"title":"SCULPTURE FOR SOCIAL MEMORY: AN EXAMPLE OF ICE AND SNOW STREET OF ERZURUM","authors":"Necmettin Karabulut","doi":"10.7816/kalemisi-06-12-02","DOIUrl":"https://doi.org/10.7816/kalemisi-06-12-02","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121721131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.7816/kalemisi-06-12-10
Rıdvan Ak
{"title":"AN EXAMPLE FOR 16th CENTURY SAFAVID SHIRAZ THE KORAN","authors":"Rıdvan Ak","doi":"10.7816/kalemisi-06-12-10","DOIUrl":"https://doi.org/10.7816/kalemisi-06-12-10","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"212 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116427147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.7816/kalemisi-06-12-07
Aslıhan P. Turan, Nursel Baykasoğlu
The fast advent of technology resulted in cultural alienation of society and had an impact on its arts. Traditional handicrafts have been in a process of degeneration for a long time. Nevertheless, a few loom masters carry on with the 900-year tradition of bürgü (silk scarf) in the touristic province Beypazarı, Ankara. İsmail Yanık is one of these masters. He works in his own workshop. Bürgü is a traditional women’s wear in the villages of Beypazarı. Women wear the large head scarf when they go out. The size of the scarf allows the user to cover her body, and reaches down to knees. Bride scarves of old times are used as table clothes, bedspreads, and various home accessories. The findings of the research showed that cotton and silk threads were used to produced bürgü in the past, however filoselle and silvery threads are used today. This research is based on the silk bürgü master İsmail Yanık’s experience from his apprenticeship to his master years, and focuses on materials, tools, production procedures, and examples.
{"title":"A LOOM MASTER IN BEYPAZARI: ISMAIL YANIK","authors":"Aslıhan P. Turan, Nursel Baykasoğlu","doi":"10.7816/kalemisi-06-12-07","DOIUrl":"https://doi.org/10.7816/kalemisi-06-12-07","url":null,"abstract":"The fast advent of technology resulted in cultural alienation of society and had an impact on its arts. Traditional handicrafts have been in a process of degeneration for a long time. Nevertheless, a few loom masters carry on with the 900-year tradition of bürgü (silk scarf) in the touristic province Beypazarı, Ankara. İsmail Yanık is one of these masters. He works in his own workshop. Bürgü is a traditional women’s wear in the villages of Beypazarı. Women wear the large head scarf when they go out. The size of the scarf allows the user to cover her body, and reaches down to knees. Bride scarves of old times are used as table clothes, bedspreads, and various home accessories. The findings of the research showed that cotton and silk threads were used to produced bürgü in the past, however filoselle and silvery threads are used today. This research is based on the silk bürgü master İsmail Yanık’s experience from his apprenticeship to his master years, and focuses on materials, tools, production procedures, and examples.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126263642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.7816/KALEMISI-06-12-09
M. Parmaksız
{"title":"THE SONG-TEXT COLLECTION NAMED KAR U BESTE VE SEMAI AT KOYUNOGLU LIBRARY MANUSCRIPT BOOKS SECTION NUMBER 12970","authors":"M. Parmaksız","doi":"10.7816/KALEMISI-06-12-09","DOIUrl":"https://doi.org/10.7816/KALEMISI-06-12-09","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133822307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.7816/kalemisi-06-12-03
Rasim Soylu
{"title":"THE INVESTIGATION OF THE AMULET IN FIKRET OTYAM PICTURES","authors":"Rasim Soylu","doi":"10.7816/kalemisi-06-12-03","DOIUrl":"https://doi.org/10.7816/kalemisi-06-12-03","url":null,"abstract":"","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122386540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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