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The Countercanon
Pub Date : 2018-12-04 DOI: 10.23943/PRINCETON/9780691182186.003.0006
R. Creswell
This chapter focuses on Adonis's Diwan al-shi'r al-'arabi [Anthology of Arabic Poetry], a three-volume florilegium published between 1964 and 1968 whose origins are in the dossiers of pre-Islamic poetry first published in Shi'r. The Diwan was the most consequential revision of the classical heritage undertaken by Adonis. It is a massive critical project that hews strictly to the original impetus of Shi'r, a movement based on the paired goals of literary autonomy and deprovincialization. How do these goals affect Adonis's decisions as an editor of the corpus of classical poetry? As a collection of citations from the turath, the Anthology is a work of internal translation in which source and target texts are exactly the same, though provided with a new context. The chapter suggests that while Adonis's countercanon seeks to restore those voices silenced by orthodoxy, his own choices, tailored to the needs of the present, impose their own exclusions and repressions.
本章重点介绍阿多尼斯的《阿拉伯诗歌选集》(Diwan al- Shi'r al-'arabi),这是一本三卷本的文集,出版于1964年至1968年,其来源是首次在什叶派出版的前伊斯兰诗歌档案。迪万是阿多尼斯对古典遗产进行的最重要的修订。这是一项大规模的批判性工程,严格遵守了“诗文”运动的原始动力,这是一项基于文学自治和去地方化的双重目标的运动。这些目标是如何影响阿多尼斯作为古典诗歌文集编辑的决定的?《选集》作为《圣经》中的引文,是一种内部翻译,原文和译文完全相同,但被赋予了新的语境。这一章表明,虽然阿多尼斯的反正统试图恢复那些被正统压制的声音,但他自己的选择,根据当前的需要,强加了自己的排斥和压制。
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引用次数: 0
The Genealogy of Arabic Modernism 阿拉伯现代主义的谱系
Pub Date : 2018-12-04 DOI: 10.23943/PRINCETON/9780691182186.003.0003
R. Creswell
This chapter attempts to re-create the “internal dialogue” about their pasts as militants that the Shi'r poets chose not to make public. This narrative is centered on the career of Yusuf al-Khal, who as editor in chief played a leading role in determining the principles of the Shi'r movement. But the real protagonists of the story are institutions: the political party, the university, the Cénacle, and the little magazine. These settings constitute the backstory to al-Khal's engagement with the institutions of late modernism itself—the global network of actors and discourses examined in Chapter 1. This focus on institutional history is intended, in part, as a corrective to the Shi'r poets' insistence that modernist literature is the work of heroic, deracinated individuals.
本章试图重新创造什叶派诗人选择不公开的关于他们作为武装分子的过去的“内部对话”。这本书以优素福·卡奥(Yusuf al- khalal)的职业生涯为中心,作为主编,他在确定什叶派运动的原则方面发挥了主导作用。但是这个故事的真正主角是机构:政党、大学、csamnacle和小杂志。这些背景构成了al-Khal与晚期现代主义本身的机构接触的背景故事——在第一章中研究的演员和话语的全球网络。这种对制度历史的关注,在某种程度上是为了纠正什叶派诗人坚持认为现代主义文学是英雄的、被剥夺权利的个人的作品。
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引用次数: 0
Tehran 1979—Damascus 2011 1979年德黑兰- 2011年大马士革
Pub Date : 2018-12-04 DOI: 10.23943/princeton/9780691182186.003.0008
R. Creswell
This epilogue attempts to answer the following question: Was Adonis's journey from nationalism to Islamism, passing by way of Nasserism, socialism, and extreme leftism, a matter of organic and systematic progress (which one might explicate) in his intellectual convictions, his political positions, and his ideological outlook? Or was it merely a matter of his adapting to historical occasions as they arose—a matter of conforming to the strongest cultural and political winds of the moment? It does so by presenting a short but detailed narrative about Adonis's writings on the Iranian and Syrian revolutions. The intent in relating this history is to bring the story of Arabic modernism as close as possible up to the present as well as to investigate its afterlives, its ability to adapt itself to new conjunctions.
这篇结语试图回答以下问题:阿多尼斯从民族主义到伊斯兰主义,经过纳赛尔主义、社会主义和极左主义,这是他的思想信念、政治立场和意识形态观的有机和系统的进步(可以解释)吗?或者这仅仅是他对历史事件的一种适应——一种顺应当时最强烈的文化和政治潮流的行为?它通过对阿多尼斯关于伊朗和叙利亚革命的著作进行简短而详细的叙述来做到这一点。将这段历史联系起来的目的是使阿拉伯现代主义的故事尽可能接近现在,并调查它的来世,它适应新连接的能力。
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引用次数: 0
Modernism in Translation 翻译中的现代主义
Pub Date : 2018-12-04 DOI: 10.23943/princeton/9780691182186.003.0001
R. Creswell
This introductory chapter provides an overview of the book's main themes. The book explores the Arab modernist movement, the most significant literary grouping in the Arab world since World War II. It produced a body of work remarkable for its aesthetic ambition and rhetorical coherence. Like many artistic groups of the early and mid-twentieth century, the Arab modernists, gathered around a magazine that acted as the nerve center of their movement: Shi'r [Poetry], a quarterly dedicated to poetry and poetry criticism, founded in 1957 by Yusuf al-Khal. The Shi'r poets' conceptualization of “modernity” or “modernism”—the Arabic word, al-hadatha, can be used for both English terms—was immensely influential.
这一引言章节概述了本书的主要主题。这本书探讨了阿拉伯现代主义运动,这是第二次世界大战以来阿拉伯世界最重要的文学团体。它产生了一系列以其美学野心和修辞连贯性而著称的作品。像20世纪早期和中期的许多艺术团体一样,阿拉伯现代主义者聚集在一本杂志周围,这本杂志是他们运动的神经中枢:《诗》,一本致力于诗歌和诗歌批评的季刊,由优素福·卡勒于1957年创办。什叶派诗人对“现代性”或“现代主义”的概念化——阿拉伯语中的al-hadatha可以用于这两个英语术语——产生了巨大的影响。
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引用次数: 0
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City of Beginnings
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