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Что нового рассказал “Мисопогон”о взаимоотношениях Петра I и его подданных? 米索不贡》说明了彼得大帝与其臣民之间的什么关系?
Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1430
Евгений Н. Трефилов
What New Things Does Misopogon Reveal about the Relations between Peter I and his Subjects? 
米索不贡》揭示了彼得一世与其臣民之间关系的哪些新情况?
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引用次数: 0
Introduction: Russo-European Artistic Encounters in the Eighteenth Century 导言:十八世纪俄欧艺术碰撞
Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1419
Margaret Samu
Introduction: Russo-European Artistic Encounters in the Eighteenth Century
导言:十八世纪俄欧艺术碰撞
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引用次数: 0
К истории концепта “Общество как государственное установление”: Памяти Дитриха Гайера (1928-2023) 走向作为国家机构的社会概念史:纪念迪特里希-盖尔(1928-2023 年)
Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1428
Майя Лавринович, Ингрид Ширле
Dietrich Geyer’s article “‘Gesellschaft’ als staatliche Veranstaltung. Sozialgeschichtliche Aspekte des russischen Behördenstaats im 18. Jahrhundert,” had a significant impact on both German and American historiography, which is not the case with the Soviet historiography of the 1960-1980s. Nevertheless, late Soviet and early post-Soviet historiography was preoccupied with the same problems of the relationship between “state” and “society” in Imperial Russia and sometimes followed the line of D. Geyer’s thinking. In the 1990s, when the “grand narrative” of modernization was called into question, historians engaged in a polemic about the very productiveness of the opposition of “state” and “society” as categories of historical knowledge. They turned to the local level of late imperial Russian society, or adopted new methods of examining legislative sources, avoiding access to “backwardness” or “underdevelopment,” preferring to examine the language and rhetoric of eighteenth-century documents.
Dietrich Geyer 的文章"'Gesellschaft' als staatliche Veranstaltung.Sozialgeschichtliche Aspekte des russischen Behördenstaats im 18.Jahrhundert" 对德国和美国的历史学都产生了重大影响,而 1960-1980 年代的苏联历史学则不然。尽管如此,苏联晚期和后苏联早期的史学界仍在关注帝俄时期 "国家 "与 "社会 "之间关系的相同问题,有时也会沿袭 D. Geyer 的思路。20 世纪 90 年代,当现代化的 "宏大叙事 "受到质疑时,历史学家就 "国家 "和 "社会 "作为历史知识范畴的对立是否有效展开了论战。他们转而研究晚期俄罗斯帝国社会的地方层面,或采用新的方法研究立法资料,避免接触 "落后 "或 "不发达",而倾向于研究十八世纪文件的语言和修辞。
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引用次数: 0
The Russo-Ottoman War of 1686-1700 1686-1700 年俄奥战争
Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1437
Brian Davies
A. G. Gus’kov, K. A. Kochegarov, S. M. Shamin, Russko-turetskaia voina 1686-1700 godov [The Russian-Turkish War of 1686-1700] (Moscow: Russkoe slovo, 2022).
A. G. Gus'kov、K. A. Kochegarov、S. M. Shamin,《1686-1700 年的俄土战争》(莫斯科:Russkoe slovo,2022 年)。
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引用次数: 0
Entire Volume 全卷
Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1436
Ernest Zitser, Robert Collis
Entire Volume
全卷
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引用次数: 0
Catherine the Great Authors Her Empire 凯瑟琳大帝创作她的帝国
Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1433
Kelsey Rubin-Detlev
Review of: Vera Proskurina, The Imperial Script of Catherine the Great: Governing with the Literary Pen, Boston: Academic Studies Press, 2023
评论Vera Proskurina, The Imperial Script of Catherine the Great:用文学之笔治理国家》,波士顿:学术研究出版社,2023 年
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引用次数: 0
О проблеме доказательств в историческом исследовании,или Подозревал ли Петр I патриарха Адриана в связях с мятежными стрельцами? 论历史研究中的证据问题,或彼得大帝是否怀疑牧首阿德里安与叛乱的 Streltsy 有联系?
Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1431
Евгений Владими Акельев
On the Problem of Evidence in Historical Research, or, Did Peter I Suspect Patriarch Adrian of Having Connections with the Rebel Strel’tsy?
论历史研究中的证据问题,或,彼得一世是否怀疑牧首阿德里安与叛乱分子斯特列尔西有联系?
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引用次数: 0
Andrei Matveev: Painting Allegory from Antwerp to Russia 安德烈-马特维耶夫从安特卫普到俄罗斯的寓言绘画
Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1420
Margaret Samu
In 1725, artist Andrei Matveev sent his Allegory of Painting to Catherine I from Antwerp, where Peter the Great had sent him to study. Matveev’s Allegory remains the earliest known easel painting on an allegorical subject by a Russian painter. This article examines the circumstances surrounding the painting’s creation in Antwerp and explores its iconography and sources. It then considers the place of Matveev’s work amid the allegorical imagery produced in early eighteenth-century Russia. This study offers a possible new interpretation of the painting and sheds light on the role Antwerp and its artistic legacy played in fostering Russia’s emerging artistic culture.
1725 年,画家安德烈-马特维耶夫从彼得大帝送他学习的安特卫普将他的《绘画寓言》寄给了凯瑟琳一世。马特维耶夫的《寓言》仍是俄罗斯画家创作的已知最早的寓言题材架上绘画。本文研究了这幅画在安特卫普的创作情况,并探讨了其寓意和来源。然后,文章探讨了马特维耶夫的作品在十八世纪早期俄罗斯寓言图像中的地位。这项研究为这幅画提供了一种可能的新解释,并揭示了安特卫普及其艺术遗产在促进俄罗斯新兴艺术文化方面所发挥的作用。
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引用次数: 0
“Общество” как государственное установление. Социально-исторические аспекты российской государственной власти в XVIII веке 作为国家机构的 "社会"。十八世纪俄罗斯国家政权的社会历史方面
Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1429
Дитрих Гайер, Майя Лавринович
In 1966, Dietrich Geyer published an article on the subject of state-society relations in eighteenth-century Russia, which appeared again in 1975 in an updated form. Geyer placed Catherine II’s reform policy in a European context and asked about the policy of absolute monarchies towards corporative structures and the conditions for the development of civil societies. In the Russian case, Catherine II created “societies” in the form of noble and urban corporations in order to expand provincial administration. According to Geyer’s thesis, both the statist origins of these corporate estates and the connection between noble societies and provincial administration hindered the emergence of a dualism between state and society in Russian history.
1966 年,迪特里希-盖尔(Dietrich Geyer)发表了一篇关于十八世纪俄罗斯国家与社会关系的文章,该文章于 1975 年以更新的形式再次出现。盖耶尔将凯瑟琳二世的改革政策置于欧洲背景下,询问了绝对君主国对公司结构的政策以及公民社会的发展条件。就俄罗斯而言,凯瑟琳二世创建了贵族和城市公司形式的 "社会",以扩大省级行政管理。根据 Geyer 的论述,这些公司产业的国家主义起源以及贵族社团与省级行政之间的联系阻碍了俄罗斯历史上国家与社会二元论的出现。
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引用次数: 0
Translation as Politics: Translating Nikolai Karamzin’s Letters of a Russian Traveler in Nineteenth-Century France 翻译即政治:翻译尼古拉-卡拉姆津的《一个俄国旅行者在十九世纪法国的书信
Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1427
Rodolphe Baudin
This article examines the three translations of Nikolai Karamzin’s Letters of a Russian Traveler published in nineteenth-century France. Relying on Descriptive Translation Studies so as to challenge the traditional narrative about the political innocuousness of Karamzin’s travelogue, it reconstructs the historical contexts of the three publications in order to highlight the political agendas of their translators and/or translating patrons. Far from being the innocent product of the translators’ sheer curiosity, the three translations prove to be political objects, used at three key moments in the history of Franco-Russian relations in the nineteenth century, in order to call for political change, to try and restore Russia’s damaged reputation, or to attempt to forge new diplomatic alliances.
本文研究了尼古拉-卡拉姆钦的《一个俄罗斯旅行者的书信》在十九世纪法国出版的三个译本。文章以描述性翻译研究为基础,挑战关于卡拉姆钦游记政治无害性的传统说法,重构了这三部作品的历史背景,以突出其译者和/或翻译赞助人的政治目的。事实证明,这三部译著绝非译者纯粹出于好奇心的纯洁产物,而是在十九世纪法俄关系史上的三个关键时刻被用来呼吁政治变革、试图恢复俄罗斯受损的声誉或试图建立新的外交联盟的政治物品。
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引用次数: 0
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ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies
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