Yema: Close Your Eyes and ListenYema (2012)Algeria/France/United Arab EmiratesDirector Djamila SahraouiRuntime 90 minutes
《也门:闭上眼睛倾听》(2012)阿尔及利亚/法国/阿拉伯联合酋长国导演贾米拉·萨哈拉片长90分钟
{"title":"Yema: Close Your Eyes and Listen","authors":"E. R. Jacobs-Perez","doi":"10.1386/fm_00191_4","DOIUrl":"https://doi.org/10.1386/fm_00191_4","url":null,"abstract":"Yema: Close Your Eyes and ListenYema (2012)Algeria/France/United Arab EmiratesDirector Djamila SahraouiRuntime 90 minutes","PeriodicalId":272564,"journal":{"name":"Film Matters","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121485742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores pretrauma cinema as a genre and discusses the concept using WALL-E as an example. The essay defines Kaplan’s theory of pretrauma cinema, outlines the potential failings, and explains how WALL-E showcases the anxieties society has about the planet’s future, through mass consumerism, global warming, and mass waste.
{"title":"Examining the Function of Pretrauma Cinema, WALL-E and the Warning for Our Future","authors":"Geo. S. Beeby","doi":"10.1386/fm_00175_1","DOIUrl":"https://doi.org/10.1386/fm_00175_1","url":null,"abstract":"This article explores pretrauma cinema as a genre and discusses the concept using WALL-E as an example. The essay defines Kaplan’s theory of pretrauma cinema, outlines the potential failings, and explains how WALL-E showcases the anxieties society has about the planet’s\u0000 future, through mass consumerism, global warming, and mass waste.","PeriodicalId":272564,"journal":{"name":"Film Matters","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126311032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Scholarship as Love’s Work: Catherine Wheatley’s Stanley Cavell and Film","authors":"A. Tulenko","doi":"10.1386/fm_00190_5","DOIUrl":"https://doi.org/10.1386/fm_00190_5","url":null,"abstract":"Review of: Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema, Catherine Wheatley (2019)London: Bloomsbury Publishing, 307pp., ISBN: 9781350191358 (pbk), $35.96, ISBN: 9781788310253 (hbk), $108.00","PeriodicalId":272564,"journal":{"name":"Film Matters","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126834319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Children’s Books on the Big Screen, Meghann Meeusen (2020)Jackson: University Press of Mississippi, 192pp.,ISBN: 9781496828651 (pbk), $30.00, ISBN: 9781496828644 (hbk), $99.00
{"title":"Children’s Books on the Big Screen, Meghann Meeusen (2020)","authors":"Raena Kerr","doi":"10.1386/fm_00186_5","DOIUrl":"https://doi.org/10.1386/fm_00186_5","url":null,"abstract":"Review of: Children’s Books on the Big Screen, Meghann Meeusen (2020)Jackson: University Press of Mississippi, 192pp.,ISBN: 9781496828651 (pbk), $30.00, ISBN: 9781496828644 (hbk), $99.00","PeriodicalId":272564,"journal":{"name":"Film Matters","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126805743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jonás Cuarón’s Desierto remaps the us-them binary by vacillating across Latinx migrant and white citizen viewpoints at the Mexico‐United States border. Liminal spaces in the film reorient nationalistic perspectives and xenophobic tensions revolving around national belonging. Taking a transnational and intersubjective analytical approach to film studies, this essay investigates how the global era displaces migrant, citizen, and spectator alike. Cuarón’s intersubjective vision of the modern transnational world presents an empathic way to perceive and experience cross-border disputes.
{"title":"Transnational Filmmaking: The Intersubjective Gaze in Desierto","authors":"Matthew Scipione","doi":"10.1386/fm_00180_1","DOIUrl":"https://doi.org/10.1386/fm_00180_1","url":null,"abstract":"Jonás Cuarón’s Desierto remaps the us-them binary by vacillating across Latinx migrant and white citizen viewpoints at the Mexico‐United States border. Liminal spaces in the film reorient nationalistic perspectives and xenophobic tensions revolving\u0000 around national belonging. Taking a transnational and intersubjective analytical approach to film studies, this essay investigates how the global era displaces migrant, citizen, and spectator alike. Cuarón’s intersubjective vision of the modern transnational world presents an\u0000 empathic way to perceive and experience cross-border disputes.","PeriodicalId":272564,"journal":{"name":"Film Matters","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132356347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: It Follows, Joshua Grimm (2018)Liverpool: Auteur Publishing in partnership with Liverpool University Press, 120pp.,ISBN: 9781911325581 (pbk), $15.00, ISBN: 9781911325598 (ebk), $14.99
Symbiopsychotaxiplasm: Two Takes (1968, 2005)Director William GreavesRuntime 174 minutesBlu-ray/DVDUSA, 1968, 2005Distributed by The Criterion Collection (region A/1)
《Symbiopsychotaxiplasm: Two Takes》(1968,2005)导演威廉·格雷夫斯运行时间174分钟蓝光/DVDUSA, 1968, 2005由标准收藏发行(A/1地区)
{"title":"Symbiopsychotaxiplasm: Two Takes (1968, 2005)","authors":"Vanessa Zarm","doi":"10.1386/fm_00198_4","DOIUrl":"https://doi.org/10.1386/fm_00198_4","url":null,"abstract":"Symbiopsychotaxiplasm: Two Takes (1968, 2005)Director William GreavesRuntime 174 minutesBlu-ray/DVDUSA, 1968, 2005Distributed by The Criterion Collection (region A/1)","PeriodicalId":272564,"journal":{"name":"Film Matters","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123276490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Walt Disney Company is immensely influential around the globe, but in the near future, the world’s largest film market will reside in China rather than the United States. It is thus important to examine how Disney’s 1998 Mulan and its 2020 remake contribute to the advancement and oppression of Chinese/Americans within Hollywood. This paper will compare both films by analyzing each film’s casts and crews, reception in the global film market, critical responses, treatment of racial and gender identity within each narrative, and the sociohistorical contexts in which the films were produced.
{"title":"Orientalist Stereotypes and Transnational Feminisms in Disney’s 1998 and 2020 Mulan","authors":"Emily Nighman","doi":"10.1386/fm_00179_1","DOIUrl":"https://doi.org/10.1386/fm_00179_1","url":null,"abstract":"The Walt Disney Company is immensely influential around the globe, but in the near future, the world’s largest film market will reside in China rather than the United States. It is thus important to examine how Disney’s 1998 Mulan and its 2020 remake contribute to\u0000 the advancement and oppression of Chinese/Americans within Hollywood. This paper will compare both films by analyzing each film’s casts and crews, reception in the global film market, critical responses, treatment of racial and gender identity within each narrative, and the sociohistorical\u0000 contexts in which the films were produced.","PeriodicalId":272564,"journal":{"name":"Film Matters","volume":"303 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132529623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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