Pub Date : 2018-10-29DOI: 10.4324/9781315613291-20
M. Berry
{"title":"‘Es klang so alt und WAR doch so neu!’","authors":"M. Berry","doi":"10.4324/9781315613291-20","DOIUrl":"https://doi.org/10.4324/9781315613291-20","url":null,"abstract":"","PeriodicalId":275112,"journal":{"name":"The Routledge Research Companion to Modernism in Music","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126572503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reactive modernism","authors":"J. P. E. Harper-Scott","doi":"10.4324/9781315613291-7","DOIUrl":"https://doi.org/10.4324/9781315613291-7","url":null,"abstract":"","PeriodicalId":275112,"journal":{"name":"The Routledge Research Companion to Modernism in Music","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117306049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Institutions, artworlds, new music","authors":"M. Iddon","doi":"10.4324/9781315613291-4","DOIUrl":"https://doi.org/10.4324/9781315613291-4","url":null,"abstract":"","PeriodicalId":275112,"journal":{"name":"The Routledge Research Companion to Modernism in Music","volume":"204 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124577768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.4324/9781315613291-13
M. Grant
{"title":"The composer as communication theorist","authors":"M. Grant","doi":"10.4324/9781315613291-13","DOIUrl":"https://doi.org/10.4324/9781315613291-13","url":null,"abstract":"","PeriodicalId":275112,"journal":{"name":"The Routledge Research Companion to Modernism in Music","volume":"9 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116862491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.4324/9781315613291-17
Jonathan Goldman
{"title":"The Balinese moment in the Montreal new music scene as a regional modernism","authors":"Jonathan Goldman","doi":"10.4324/9781315613291-17","DOIUrl":"https://doi.org/10.4324/9781315613291-17","url":null,"abstract":"","PeriodicalId":275112,"journal":{"name":"The Routledge Research Companion to Modernism in Music","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129141958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-29DOI: 10.4324/9781315613291-18
L. Cagney
{"title":"Vers une écriture liminale","authors":"L. Cagney","doi":"10.4324/9781315613291-18","DOIUrl":"https://doi.org/10.4324/9781315613291-18","url":null,"abstract":"","PeriodicalId":275112,"journal":{"name":"The Routledge Research Companion to Modernism in Music","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134409000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Modernism and history","authors":"D. Code","doi":"10.4324/9781315613291-5","DOIUrl":"https://doi.org/10.4324/9781315613291-5","url":null,"abstract":"","PeriodicalId":275112,"journal":{"name":"The Routledge Research Companion to Modernism in Music","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125981268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-28DOI: 10.4324/9781315613291-11
Stephen Graham
Though often posed in oppositional terms, modernist and popular music have always shared common ground. This is reflected in a growing body of literature that examines crossover as much as conflict, but mutual entanglement has been the case from the get-go. It is of course important to understand modernism and pop as two fairly distinct forms, but the territory between them has proved fertile ground. This chapter studies that territory. It provides a critical synthesis of literature on the topic, and looks at a number of concrete musical examples of ‘popular modernism’, a limit case of pop/modernist entanglement.
{"title":"Modernism for and of the masses?","authors":"Stephen Graham","doi":"10.4324/9781315613291-11","DOIUrl":"https://doi.org/10.4324/9781315613291-11","url":null,"abstract":"Though often posed in oppositional terms, modernist and popular music have always shared common ground. This is reflected in a growing body of literature that examines crossover as much as conflict, but mutual entanglement has been the case from the get-go. It is of course important to understand modernism and pop as two fairly distinct forms, but the territory between them has proved fertile ground. This chapter studies that territory. It provides a critical synthesis of literature on the topic, and looks at a number of concrete musical examples of ‘popular modernism’, a limit case of pop/modernist entanglement.","PeriodicalId":275112,"journal":{"name":"The Routledge Research Companion to Modernism in Music","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133652113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musical modernity, the beautiful and the sublime","authors":"E. Campbell","doi":"10.4324/9781315613291-6","DOIUrl":"https://doi.org/10.4324/9781315613291-6","url":null,"abstract":"","PeriodicalId":275112,"journal":{"name":"The Routledge Research Companion to Modernism in Music","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125499643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-27DOI: 10.4324/9781315613291-30
Amy Bauer
Author(s): Bauer, A | Abstract: Opera after 1945 largely retreated from the challenge of modernism. A survey of notable post-war music theatre locates language and its vexed relation to music as the central concern of a true modernist operatic aesthetic. I discuss the relations that bind music, philosophy and language before analyzing five contemporary operas: Gyorgy Ligeti’s Le Grand Macabre, Claude Vivier’s Prologue pour Marco Polo, Helmut Lachenmann’s Das Madchen mit den Schwefelholzern, Salvatore Sciarrino’s Luci mie traditrici and David Lang’s The Difficulty of Crossing a Field. Each opera poses a unique challenge to the crisis of representational language, and its relation to truth, the law, and the ethics of the sensual.
摘要:1945年以后的歌剧在很大程度上回避了现代主义的挑战。一项对战后著名音乐剧的调查发现，语言及其与音乐的棘手关系是真正现代主义歌剧美学的中心关注点。我先讨论音乐、哲学和语言之间的关系，然后分析五部当代歌剧:乔尔吉·利盖蒂的《大死亡》、克劳德·维维耶的《马可波罗序曲》、赫尔穆特·拉赫曼的《施韦菲霍尔策恩的Madchen mit den Schwefelholzern》、萨尔瓦托·夏里诺的《传统的路》和大卫·朗的《穿越田野的困难》。每一部歌剧都对再现性语言的危机及其与真理、法律和感性伦理的关系提出了独特的挑战。
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